royal yacht hair lotion

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Anyone heard of Geo. Thomas

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Anyone ever heard of this line ? I recently came across some old products ( hair dressing, shave soap after shave etc ) that I'd had tucked in a cupboard for the best part of twenty years. The particular fragrance line is called "Royal Yacht" and is described as the smell of " Guards and Eton ", whatever that might mean.... I checked the address on the packaging ( this was way before the ubiquitous website ) and it seems that their premises in Duke Street are now occupied by an art gallery. Lovely line and it'd be a shame if it had been resigned to the history books.  

This found via a web search claims that the cologne is now produced by Taylor of Old Bond Street , under the name No. 74 Original (apparently not to be confused with their No. 74 Victorian Lime). The reviews on basenotes.net are not favourable. Can you describe the smell of Guards and Eton to us?  

Ironically, while Royal Yacht or rather the company that made this stuff are out of business, I believe some Germans revived the scent as such which is now made under a different name, more or less exclusively for a very commendable shop in Berlin, called The English Scent https://www.theenglishscent.com/ They carry a rather broad selection of traditional colognes and shaving products - if you are keen to find Royal Yacht you may want to enquire with them regardig which of their new lines is in fact the Royal Yacht of old. dE  

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A farewell to Britain's most stylish street

Handmade suits, hair cream from trumpers and a bates hat – once, this was the formula for a well-turned out english gentleman. as a swathe of jermyn street is modernised, michael bywater doffs his fedora to an extinct species, article bookmarked.

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Americans love it. Japanese love it. Germans love it. Frenchmen and Italians not only love it but get it subtly and utterly wrong. Everyone loves le style Anglais. Except, perhaps, Englishmen. Maybe we got bored with it. Maybe we ran out of money. Maybe it was too much trouble.

And maybe it never existed.

Maybe the archetypal Englishman whose world was defined by Savile Row, St James's Street, Jermyn Street and chambers in Albany ... maybe he never existed.

But, gosh, I wanted to be him. And, gosh, I tried.

When I first came to live in London, I took steps to become him, and my first step was into Bates the Hatter, at 21a Jermyn Street. Bates was my Rubicon, my Hellespont, my peak in Darien. The window piled with hats, each with its description – "The Burlington"; "The Grosvenor"; "Racing Hat"; "Panama (Planter Style)" – and its price on a hand-lettered ticket in the hatband, struck me with that same, probably illusory, sense of peace and possibility that every misfit, every exile, every malcontent or lost prophet feels when he finds somewhere that looks, at last, like home.

Behind the window, dust-motes danced. The lettering was faded gold. The door was narrow. The bell tinkled. All was as it should be. As it had been in my imagination, which had always assigned to hatters, tailors and tobacconists a quality of church: temples to a proper English masculinity, a timeless detachment subservient to a higher cause through which the individual man was merely passing, but with which he could ally himself merely by entering in and following the rules.

There was the dust, the affable disarray, there were the mirrors at random, the dim confessional light (a couple of yellowed plaster-of-Paris electroliers hanging from the ceiling), the stacks of hatboxes crammed onto every available surface, the kettle steaming in the back of the shop, the iron spiral staircase leading down to a workroom where a hatter blocked and brushed and restitched linings and replaced worn sweatbands. Homburgs and bowlers and trilbies and flat caps, rakish psychoanalytic midnight blues and vast-brimmed black Lubavitcher hats for going to schul, and Fischer velours for going to High mass, and unlined light trilbies for going to the races, and – my hat of choice ever since – fedoras. Beaver-felt fedoras and rabbit-felt fedoras, dark grey and dove grey and fawn and brown and blue and green and, of course, black fedoras. Fedoras.

And the man – the hatter – who materialised from the back of the shop was, too, just as he should have been: quiet, helpful and entirely unimpressed, a sort of mixture of Jeeves and a clergyman. To the customer, buying a hat is a great enterprise; to a hatter, it is of no more significance than reporting a death to an undertaker or a murder to a priest. They have seen, and heard, it all before. "Seven and one-eighth," I muttered, believing, like all men, I knew my hat size. "You don't know that," said the hatter. "Everyone thinks they know their hat size. They don't." He produced his tape measure. "Seven and a quarter," he said reprovingly.

That's one of the two ways you can tell a hatter's from a shop that just sells hats. They don't believe you when you tell them your size; and there's a kettle steaming in the back of the shop. Steam is how you shape and clean hats. The self-switching-off kettle was, as Tim Boucher, the high priest of Bates for a quarter of a century, admits, an annoying innovation for hatters. "You can get special steamers," he says, "but why spend five hundred quid when an old kettle does the job just as well?" and I can see his point; once you've acquired the intuition when to use fierce small steam from the spout, and when to raise the lid for loose big steam, you'd not want to sink your money into a machine.

And so I bought, after terrible agonising, a fedora, in chocolate brown. It was the one that had first caught my eye, but between then and writing out the cheque I had worked my way through every hat in the shop. It's always the way.

They pricked my initials on the leather sweatband with an ancient machine like the punishment harrow in Kafka's In the Penal Colony, and out I went, hatted. Fate could not harm me. I had taken the first steps into a new life. I had (thought I already was one) become an Englishman. Now it was simply a matter of accretion. Of consolidation. Of the shirts, the shoes, the suits, the Simpson's shaving brush, the Trumper's Eucris, the rest of the kit.

I was, of course, too late.

But not as late as you are. If you're thinking "that sounds a good idea, I'll pop out now", forget it. Because at the end of February, 21a Jermyn Street ceased to be home to Bates the Hatter. The sign – a metal top hat, swinging from a bracket – has gone. Nothing there now; just an empty window dusted with a century's hat-fur, where Binks, the fat Bates cat, stuffed in his glass case.

They're redeveloping my epicentre. And I'm aggrieved.

I've been aggrieved for a while now, to be honest. In the window of what was once Herbie Frogg (which I always resented anyway, as they sold bright velvet suits to pop stars; quite wrong for Jermyn Street) is an unctuous notice from the Crown Estate in that blithering, affectless prose adopted by corporate PR people who think the rest of us are stupid. "Regeneration of the eastern end of Piccadilly," it oozes, "significant St James's portfolio ... core values ... amenity groups ... mixed use ... St James's Gateway."

In other words, they're going to bugger it up. Tourists. Foreigners, Luxury brands, globalised. The ghosts of Englishmen exorcised by the suave cologne redolence of LVMH and Richemont. The cult of the duty-free lounge.

It's a regeneration too far. The moment the real, actual eastern end of Jermyn Street becomes the fatuous "St James's Gateway", I imagine a fluttering of disconsolate poplin shirting, a misty redolence of G Thomas's "Royal Yacht" hair lotion, a creak of new bespoke leather shoes and a mournful violet note of Trumper's Eucris as the mass ghosts of Englishmen rise into the air, never to be seen again. The sky will fleetingly darken under the shade of millions of dispossessed hat brims and umbrella silk aged to greenishness; and the joy will go out of the courtyard of Albany forever.

The block itself is undistinguished, bounded to the east by Lower Regent Street, the west by Eagle Place, a urinous alley where Brits-in-suits relieve themselves under streetlights after an evening's drinking (note to Brits: pubs have lavatories. Use them before you leave, because if I see you taking a whizz en plein air I shall slice your whang off with my Swaine, Adeney Brigg swordstick, of which more later). To the north is Piccadilly: a gloomy stretch of it, at the Circus end, which until now has housed some very odd businesses indeed.

There was The Pigalle Club, where, when I was 17, on a Week In London, I paid a "membership" fee (I wonder if anyone ever got blackballed) to see a Swedish film called I Am Curious, Yellow whose title was never explained but which had full-frontal nudity. The rest of the time it showed those terribly English "dirty films" which, in their terrible volleyball nudist hopelessness, summed up everything we wanted to tell ourselves about our erotic ineptitude and deprivation.

There was, of late, something called The Japan Centre, a downmarket (I think; it's hard to tell) counterpart to the glossier Mitsukoshi department store east of the statue of Eros: both places where Japanese people, quite inexplicably, buy their souvenirs of London.

And then there was Baron of Piccadilly, a strange outfitters which has been there for about half a century, always a notch behind the fashion curve but never approaching the classic. Always, to my eye at least, on the brink of closure, never quite closing. Until now. Nothing has quite become Baron of Piccadilly's life like the leaving it. The clearance window display offers coat-hangers; those washable polyester powder-blue suits that English colonials wore when the district commissioner tried them for buggery; individual carpet tiles (£2); a "Mock Security Camera" reduced from £99.95 to £9.95 (a snip when you think you'd have to pay £29 for a real one from Cricklewood Electronics); and the Baron of Piccadilly signature garment, an off-white, double-breasted, wool/polyester, peak-lapelled thing described as a "Cruise Jacket", ideal for relaxing in the Jekyll And Hyde Lounge on the MV Carnival Elation. Hurry down. Last Few Days; only £79.

Turn left into Eagle Place, watching out for urinating Britsuits. Wonder how Sergio's little café has survived so long. Remember when Cigarettes M LANDAU Cigars was a thriving little tobacconist with pipes and snuffboxes, cigar-cutters and little cylinders and the Knock-Knobby™ Pipe Smoker's Ashtray (with a cork knob to tap your pipe out) and wonder how it, too, clung on so long, a tiny shadow of itself once smoking became bad for you and Doctors no longer Recommended Craven-A, They Are Kind To Your Throat.

And then 22 Jermyn Street, a luxury hotel no more, and once a strange, mad warren where the current owner's father would drop in to guests' rooms and sit on the edge of the bed for a chat. And Bates. And Trumper the barber; once Ivan's, then co-opted under the Trumper's name, still offering Chiropody on the shop-front but I wonder if you'd get it, or any of those old Englishman hair things like singeing and friction and doing the ear-hairs with a lighted taper ...

All going. Some will be back, perhaps, in the new St James's Gateway. Others won't; Bates is moving in to share space with Hilditch & Key further to the west. But it won't be the same. The patina will have gone, and the continuity, and the authenticity. "It's dusty and dirty, a bit of a shambles," says Boucher of Bates, "but that's how it's meant to be. It's real. I'm sorry to leave it. Sorry to see it go. But ... it's all about sterilising everything now. It's all about luxury branding. It's all ... " (he drops his voice to a hatter's murmur) " ... bollocks."

It's not the same. But was it ever the same? Was the Englishman I wanted to become – the Wimsey, the Campion, the eminence grise, the lean tanned adventurer in his immaculately-cut tweeds, the London flâneur – I wanted to become: were they ever real, or was I trying to participate in a marvellous fiction, all the more beguiling for being achievable?

For a young man, unsure who to be or how to be it, such a world was almost irresistible and, now I look back, a far more benign way of self-reinvention than many. This was, after all, the late Seventies. Punk was on the streets, attacking on all fronts things I instinctively longed for: continuity, a sense of belonging (though I didn't know what I wanted to belong to), an idea of civility, of how to live in a great city. The imagined Englishman I was trying to become – to buy into salvation, every bit as blatantly as a pre-Reformation Catholic shelling out for indulgences and chantry masses – was as much a product of the culture I was anxiously rejecting as it was of reality.

The route seemed obvious. You wore your hat. You got your shirts from Harvie and Hudson, or Hilditch & Key, or, if slightly rakish, Turnbull and Asser. You carried your silk umbrella from Brigg identifiable by its thick rubber band to hold the spokes in place; or you carried your swordstick, bought in a fit of lunacy, disguised as an ash walking stick with a real Wilkinson blade slipped down the centre (but what you really wanted, and which they would really, actually sell you, back in the late Seventies, was a shotgun-umbrella: press the button and it fired a .410 shell through the ferrule-end (though, I think, you had to open the brolly to fire it, which meant that all of a sudden you couldn't see your assailant, a low blackguard in ready-made clothes).

You wore proper shoes from Foster or Tricker or Poulsen, Skone. You had, of course, your tailor, of whom you never spoke (and God forbid anyone should recognise his cut); his label was sewn out of sight, inside the breast pocket, but, like a religious relic under the shirt (sea island cotton, French cuffs), it protected you against... something. Something unspecified.

Your hair was cut at Trumper's and you put Eucris on it, and other things in medicinal bottles with crown stoppers and marvellous lies: the Lazy Scalp hair tonic with real hormones; the Milk of Flowers aftershave which prevented irritation of every description; the Special Lotion which smelt cosily of a day out in the old two-seater, tootling along – coconuts, B-roads, diesel, geraniums and ham – and promised to do something unspecified to the hair. If you were a bit of a dandy, you might venture to Trumper's rival, Truefitt and Hill, for a small bottle of Hammam Bouquet, unabashedly scented: you could sprinkle it on your silk handkerchief and imagine yourself unspeakably wicked, a ladies' man, probably rich, Mexican, polished nails, absolute outsider, what?, damn fellow wears SCENT. Odd: pretending to be an outsider of a culture you were already pretending to be an insider of. I must have been an odd fellow, back then.

But you wore all this, did all this, as the outward and visible signs of an inward and invisible transformation of which the epicentre was the HAT. Poised 6ft above the Jermyn Street pavement, it sat above all this scented, barbered, subtle splendour like a kind of spiritual cork, bottling-in the carefully constructed genie of Englishmannery. Remove it, and what was left?

A poor, bare, forked animal, is what. An ordinary nothing. An oik, a berk, a civilian, a schlub.

And so I was, all along. More precisely, I was a simulacrum: a copy without an original. It was, all unwittingly, a splendidly postmodern thing to be: an entire illusion, a complex sign, pointing at ... nothing.

In the end it went wrong. The turning point was when I found myself commissioning some subtle herringbone shirts with little holes in the collar-points to accomodate one of those gold collar-bars like a tiny femur which Peter Wimsey would have inherited from his grandfather but which I had to buy (Harvie & Hudson, I think) because my grandfather would have thought the whole idea barking madness. Before I knew it, the shirts had been followed by a dark strawberry crushed-velvet fedora and a baby-blue ditto, which goes to show what happens when you commit sartorial adultery with a hatter not your own. Next thing I knew, there I was, pictured as an exemplar in The Young Fogey's Handbook. I had become a fashion statement when all I had wanted was to be an Englishman.

For a while, I clung to my liturgies. Put my name down for chambers in Albany (though I couldn't afford them and anyway I fell out with my sponsor after he threw the silliest of, my dear, hissy fits). Banked with Coutts, out of my league, who threw me out. My heart was no longer in it. I had lost my faith. Not only was I not Peter Wimsey or Albert Campion; neither were they, nor ever had been; nor were they based on any reality.

I had thought them fictional incarnations of a real, a Platonic, Englishman, and by becoming that Englishman I could be miraculously transfigured, freed of insecurity and inadequacy, of feeling myself a stumbling hopeless lost thing. It was as though Thomas à Kempis had written the Imitatio Angli and I was following it ... religiously, while reciting the sartorial litany. Harvie & Hudson: ora pro nobis. Swaine, Adeney Brigg, Whipmakers By Appointment: ora pro nobis. Floris's Rose Geranium Shaving Soap: ora pro nobis. Tricker's oxblood half-brogues: Te rogamus, audi nos. From being adrift in a hostile world which isn't really hostile: Libera nos, Domine. Pray for us; hear us; free us.

But there was nobody listening. Nor had there ever been.

Dorothy Sayers admitted once that Lord Peter Wimsey was constructed as a comfort to her. In her tatty bedsit, she gave him chambers in Albany. When her rug wore to threads, she gave him a Bokhara carpet. Skint, she gave him an unearned income. Evelyn Waugh built a similar fantasy for Uncle Theodore Boot in Scoop:

"Two thousand a year, shady little gentlemen's chambers, the opportunity for endless reminiscence; sunlit morning saunterings down St James's Street between hatter and bootmaker and club; feline prowlings after dark; a buttonhole, a bowler hat with a curly brim, a clouded malacca cane, a kindly word to commissionaires and cab-drivers."

A lovely fantasy; but that's all it ever was. In redeveloping – let's just swallow the silly Disney name, eh? – "St James's Gateway", maybe the Crown Estates are, after all, doing me a favour. What they are erasing is the physical locus of an old delusion. But what will be left is the reality: Bates still do the best hats, and will continue to do them up the road in Hilditch & Key at No 73. English shirtmakers and tailors are the best in the world. Foreigners will continue to come and buy, or try to buy, le style Anglais. Russians, Americans, Japanese will continue to buy the old iconic English firms. A Dubai investment company, JMH Lifestyle, not so long ago bought Savile Row tailors Kilgour. As Tim Boucher says, luxury branding "is all about sterilising everything." But it's the future. My imaginary Englishman, the man I wanted to be before I decided to be the man I was already, was never even the past.

I'll still walk along Jermyn Street. I'll still pick up the odd shirt, the occasional pair of shoes, a tub of shaving cream from Taylor's, the odd cigar (oh Charatan! Oh Astley! Oh tobacconists of yesteryear!). But it will be because they are good, not because they are magical.

But all the same, I bought a hat. Mid-brown Antelope fedora. The very one I intended to buy but which I had to try on everything in the shop before I made up my mind. Handed my credit card over under the glassy gaze of Binks, stuffed in his rakish glass case on his last day on his old shelf. The kettle-steam. The brushing. The Kafka machine is broken now, but the thought was there. And the label says: "Bates Hatter. 21a Jermyn Street, St James's." End of an era, in the crown of a hat.

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Essential hair & beauty products for superyacht crew

Crew have a-million-and-one tasks to do on board a superyacht, and it’s safe to say that both time and space are something of a luxury not always afforded. So Yachting Pages has put together a guide for stewardesses with a few essentials for maintaining a fuss-free hair and beauty regime on board.

Hassle-free hair for superyacht stews

The general rule of thumb for how to wear your hair as yacht crew is to keep it pulled back and tied up - especially if it’s particularly long. However, if you get bored of the standard ponytail there are a huge variety of hairstyle hacks online with easy-to-follow tutorials, whether that’s on Pinterest, YouTube, or specialised blogs.

If you’re not sure where to start, take a look at our Eight Quick and Simple Hairstyles for Superyacht Stews , or check out our  Hair & Beauty hacks Pinterest board .

Hair essentials to bring on board

Dry shampoo.

When working on a superyacht, it’s safe to say you won’t always have time to give your hair that bit of TLC, which is where dry shampoo can be your best friend. A quick spray into the roots can not only refresh hair between washes, it can also give it a bit of volume ready for a night out after a long charter. Don’t rely on dry shampoo too often however, as overuse can lead to your scalp becoming dry.

A quick tip: Instead of just spraying dry shampoo into the roots as you’re getting ready, spray it on to your hair the night before so the shampoo will work into your hair while you sleep.

Bobby pins, grips and hair ties

While it may seem a bit of a no-brainer, it really can’t be stressed enough how many different styles you can create with these simple tools.

Travel hairdryer

With little space to store your valuables on board, a hairdryer is not always considered a necessity, adding to that the fact that voltage will vary depending on where you are in the world. To make sure your hairdryer doesn’t just end up as a waste of space in your case, pick yourself up a dual-voltage travel hair dryer to bring on board.

Bother-free beauty

Another standard practice for yacht stewardesses is to keep makeup minimal and fresh-faced, but if you’ve got a bout of dry skin or a spot that just won’t disappear, achieving this look can be easier said than done. A plethora of lotions and potions might sometimes do the trick for you, but when it comes to keeping a realistic beauty regime on board, less is most definitely more.

Essentials – multi-use makeup

While crew are expected to keep makeup to a minimum, you can certainly still stick to the classics, and even adopt a few beauty hacks to get your makeup to go further. Get a head-start with these tips:

Eye, cheek and lip colour: A no-brainer multipurpose product, you can find them in a range of different shades, colours and finishes.

Lipstick as blusher: A known trick among makeup artists, if you don’t overdo it and blend to your heart’s content! Moisturising lipsticks tend to be easier to blend, or just mix your matte with some moisturiser to soften the colour.

Vaseline:  The ultimate all-rounder, Vaseline can be everything from a lip balm and body moisturiser, to an eye cream and scar ointment!

Vitamins and natural substances

Vitamins are hugely important to contributing towards a healthy diet and beauty regime. For example, vitamin C & zinc not only help you to ward off any contagious crew colds, but zinc also contributes to the maintenance of normal hair, skin and nails. Another good example is Vitamin B, which helps to support your metabolism and reduce tiredness and fatigue, useful after a long hard day on charter.

Now of course, filling your suitcase with bottles and bottles of vitamins may take up a fair bit of room and weight, so before you board, read up on which vitamins might be most helpful for you, or alternatively, take a multi-vitamin to save on space.

Another useful alternative to stocking your suitcase with all manner of makeup and hair products, is to embrace Mother Nature and the natural substances around you.

DIY face masks

If you’ve got a bit of down time on board and fancy pampering yourself, why not indulge in a face mask? You don’t even have to look much further than the kitchen to treat your hair and body to some TLC; there are all kinds of ideas for masks using natural ingredients , from avocado and olive oil, to honey, lemon and yoghurt.

Tried & Tested

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• Weight: 4 fl oz (120 ml) 

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The best hair products with SPF

So you’ve packed a marine-safe suncream for yourself, you’ve sorted one the best sunscreens for children for your little ones but what about your hair? And, no, we don’t mean a pre-holiday blowout. It may not be as noticeable but hair can suffer just as badly as skin from exposure to the sun so keep your mane sleek and glossy with our pick of the best hair products with SPF.

Shiseido Sun Protection SPF15

A brilliant all-rounder, Shiseido’s multi-purpose SPF spray can be used on face, body and hair and offers a lightweight, oil-free formula that will keep hair hydrated all day.

Sun Protection SPF15, £18.99 for 150ml, Shiseido at Look Incredible

Vita Liberata passionflower and Argan dry oil

Those prone to frizz under normal conditions should be particularly zealous when exposing themselves to direct sunlight. Vita Liberata’s dry oil has a super lightweight formula and non-greasy finish that provides high sun protection while keeping hair moisturised and manageable. Plus, the handy spritzer fits neatly in your bag and can also be used on face and body.

Passionflower & Argan dry oil SPF50, £28.50 for 100ml, Vita Liberata at Feel Unique

Dermalogica Daily Defense Block SPF15

Men, if you thought these hair protection rules didn’t apply to you, think again. Dermalogica’s Daily Defense block has been specifically created to round off your usual shaving routine – for those with beards and without – promising a clear-skinned shine-free finish for the clean shaven and a well nourished and groomed look for the more hirsute.

Daily Defense Block SPF15, £35 for 100ml, Dermalogica at  John & Ginger

Nioxin Scalp Treatments SPF15

Cult brand Nioxin has built up a loyal following thanks to its unisex three-step systems that tackle a range of common haircare problems. Of the six systems to choose from, three (2, 4 and 6) finish with an intensive scalp treatment containing SPF15 and are tailor-made for fine, chemically-treated and noticeably thinning hair respectively. Simply gently massage into the scalp and leave it to do its magic.

Scalp treatment SPF15, £18.89 for 100ml, Nioxin at  Zest Beauty

Institut Esthederm Rejuvenating Sun Care Oil

Just as with skin, the stronger the sun the greater the damage to your hair, so if you're taking your explorer yacht to far flung locations where the sun is extremely strong then you need protection to match. Institut Esthederm's Rejuvenating Sun Care Oil has been specially formulated to combat the effects of powerful UVA and UVB rays and can be used on both hair and skin.

Rejuvenating Sun Care Oil, £43 for 150ml, Institut Esthederm at  Space N.K.

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Toiletries on Princess ships?

By Guinness1000 , November 4, 2018 in Princess Cruises

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Guinness1000

This Christmas will be our first Princess cruise on Island Princess. We usually go on HAL, RCCL or Celebrity. Last year we went on RCCL for the first time in several years and I didn't bring shampoo and conditioner. There was some "goop" in the shower dispenser on the ship, but I wouldn't put that in my hair, so I had to run down to the store and buy some hair stuff. The guy in the store said shampoo and conditioner are always their biggest seller the first day. I don't bring any on HAL or Celebrity. Love especially HAL's products. Anyway, short question, does Princess provide any decent toiletries on their ships or do we need to bring our own?   :)

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Princess provides shower body wash and combo shampoo/conditioner in in-shower dispensers ... I  bring my own.  Princess also provides lotiin and bar soap, both of which I find accdptable.

If your particular with shampoo/conditioner bring your own. Sink soap & body lotion work fine. The shower soap is a liquid soap. Sometimes we pack some bar soap.

Thank you! That's what I needed to know.   🙂

You will also get bar soap and can ask for more.  But wise to bring your own shampoo.

You get shampoo and conditioner in your stateroom bath.  It's not bad but it dries my hair out if I use it for more than a week.  I usually bring my own.  

We normally just use the shower 🚿 shampoo /conditioner and soap that Princess provides. 

Sink soap and lotion by Princess is also fine.. Stateroom steward will top up on a daily basis.. ☺ 

We take our own shampoo and conditioner (not that I have much hair left). I find the stuff in the shower to be horrid. We use the bar of soap from the bathroom sink in the shower and the steward just leaves me another one by the sink. Works well for us.

This is our first ten day cruise so suitcases will be really full. If we don't have to bring shampoo, conditioner and soap, it will free up some space for other stuff to bring.   🙂

I bring my own hair products to use.  Princess provides small round bars of soap which is nice and DH and I use them.  Our room steward always leaves us a couple of bars a day.  I bring it home and use it.  There's body wash and shampoo in the dispensers in the shower.  We use the body wash, no complaints.  Also, our room steward leave tubes of lotion which I use on my feet every day.

We did our first RCCL cruise last year and shampoo and conditioner were not in the bathroom.   They were provided on request but it made me feel they were cheaping out.  A small thing but left a poor first impression for sure.

I used the shampoo/conditioner once.  Never Again!  We always bring our own.  We had no problem with the other toiletries that were provided.

Reina del Mar

Not keen on Princess' shampoo/ conditioner/shower gel mixture. Bar soap fine for sink and shower , lotion suitable for feet.

Either buy shampoo and conditioner after flying into port or take Lush's shampoo and conditioner bars to avoid excess weight in luggage. Have also tried taking shampoo and conditioner in sachets... available from Poundland (at times) or independent pharmacies.

I am provided with "upgraded bathroom amenities", which include those small bottles of shampoo (I think shampoo & conditioner in one) and body cleanser and lotion. 

However, I always bring my own bar of soap -- I dislike the small soap bars that hotels and cruise ships provide (and I dislike the pump bottles even more), and the cost of a bar of soap is small enough that I simply bring my own full sized bar, which I abandon at the end of the cruise.

11 hours ago, Reina del Mar said: Not keen on Princess' shampoo/ conditioner/shower gel mixture. Bar soap fine for sink and shower , lotion suitable for feet.   Either buy shampoo and conditioner after flying into port or take Lush's shampoo and conditioner bars to avoid excess weight in luggage. Have also tried taking shampoo and conditioner in sachets... available from Poundland (at times) or independent pharmacies.

That’s really an outrageously bad font to have to try to read on an electronic device

hllwdcruiser

Like others, we ask for another small bar of soap to use in the shower.

DH doesn't have much hair so he likes the all in one shampoo and conditioner just fine. My hair is thick and wavy so I always bring my own sulphate free products with me. I even schlepped them on our Alaskan cruise tour. There is no way I can manage my hair without a good conditioner.

I did find, however, that the shampoo/conditioner combo in the shower dispenser is great for shaving my legs!

knittertwitter

On 11/4/2018 at 6:40 PM, Guinness1000 said: Thanks!   This is our first ten day cruise so suitcases will be really full. If we don't have to bring shampoo, conditioner and soap, it will free up some space for other stuff to bring.   🙂

Like many others have said, the shower gel and shampoo/conditioner are just fine, as are the bar soap and lotion.  I have naturally curly hair and I don't find the shampoo/conditioner combo to be drying.  I'm also doing a ten-day cruise soon (in January) and don't plan on packing soap/shampoo etc because what I get onboard works well for me.

Mrs Gut hates the shampoo/conditioner, if I could but it locally I’d use it all the time (unless of course they’ve changed suppliers as they tend to do with other stuff)

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Royal Yacht

Post by churchilllafemme » Sat Feb 22, 2014 6:07 pm

Re: Royal Yacht

Post by Squire » Sat Feb 22, 2014 6:33 pm

Post by drmoss_ca » Sat Feb 22, 2014 7:19 pm

Post by Squire » Sat Feb 22, 2014 11:08 pm

Post by bernards66 » Sun Feb 23, 2014 6:02 am

Post by EL Alamein » Sun Feb 23, 2014 8:18 pm

Post by churchilllafemme » Sun Feb 23, 2014 9:33 pm

EL Alamein wrote: This looks like the old green version so I suspect it won't smell much like Taylor's No 74 Lime - correct assumption? John, in the case that this is so do you have any of the modern green No 74 to compare it to? Nice catch and I am also looking forward to your thoughts. Chris

Post by bernards66 » Mon Feb 24, 2014 5:00 am

Post by Rufus » Mon Feb 24, 2014 6:52 pm

Post by fallingwickets » Mon Feb 24, 2014 9:55 pm

Post by drmoss_ca » Mon Feb 24, 2014 10:27 pm

Post by wvbias » Mon Feb 24, 2014 10:45 pm

drmoss_ca wrote: It's an acquired taste, but I still love it. Chris

Post by EL Alamein » Tue Feb 25, 2014 2:05 am

Post by drmoss_ca » Tue Feb 25, 2014 9:18 am

wvbias wrote: drmoss_ca wrote: It's an acquired taste, but I still love it. Chris

Post by Scrapyard Ape » Tue Feb 25, 2014 3:08 pm

drmoss_ca wrote: Pinaud Vegetal is a taste I haven't managed to acquire. Smells like something died in it.

Post by wvbias » Tue Feb 25, 2014 7:01 pm

Post by brothers » Wed Feb 26, 2014 1:08 am

Post by JRTASTER » Wed Feb 26, 2014 1:43 am

Rufus wrote: No question in my mind, Gordon, #74 is my favourite all round aftershave. Similarly the limes version is my favourite lime aftershave.

Post by bernards66 » Wed Feb 26, 2014 5:44 am

Post by JRTASTER » Wed Feb 26, 2014 6:29 am

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The Royal Wave Pomade

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Product Description

Usage Directions

Work a dime sized amount through hair that has been dampened with warm water. For best use, apply after deep conditioning with the Royal Hydration Treatment.

Ingredients List

Water, PEG-40 hydrogenated castor oil, Oleth-10, Ceteareth-25, petrolatum,oleth-20, Isopropyl palmitate,PVP, Glycerin, Lanolin, Mentha Piperita (Peppermint) Oil, Panthenol (ProVitamin B5) ,Hydrolyzed Soy Protein, Phospholipids, Tocopheryl (Vitamin E) Acetate, Retinyl (Vitamin A) Palmitate, Ascorbyl (Vitamin C) Palmitate, Aloe Barbadensis Leaf Juice, Acrylates/Methoxy PEG-10 Maleate/Styrene Copolymer, Phenoxyethanol, Methylisothiazolinone.

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Metallurgicheskii Zavod Electrostal AO (Russia)

In 1993 "Elektrostal" was transformed into an open joint stock company. The factory occupies a leading position among the manufacturers of high quality steel. The plant is a producer of high-temperature nickel alloys in a wide variety. It has a unique set of metallurgical equipment: open induction and arc furnaces, furnace steel processing unit, vacuum induction, vacuum- arc furnaces and others. The factory has implemented and certified quality management system ISO 9000, received international certificates for all products. Elektrostal today is a major supplier in Russia starting blanks for the production of blades, discs and rolls for gas turbine engines. Among them are companies in the aerospace industry, defense plants, and energy complex, automotive, mechanical engineering and instrument-making plants.

Headquarters Ulitsa Zheleznodorozhnaya, 1 Elektrostal; Moscow Oblast; Postal Code: 144002

Contact Details: Purchase the Metallurgicheskii Zavod Electrostal AO report to view the information.

Website: http://elsteel.ru

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