classic superyacht

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Classic Yachts with Glamorous Histories

Each of the classic yachts featured here defined the glamor of her respective era.

By Miriam Cain

Admired for their elegance and desired wherever they go, classic yachts attract a large number of owners and charterers. For those wanting a genuine sailing experience or who want to capture the real romance and thrill of yachting, these historic beauties have an enduring appeal. Every classic has a unique story to tell — whether it’s racing with royalty or hosting the Hollywood elite, or perhaps even serving in the war effort.

And each of the yachts featured here defined the glamor of her respective era. But what is it about these storied vessels that makes every generation of owners prepared to sink time and financial resources into their restoration? Here, Miriam Cain presents 10 of the most exquisite classic yachts afloat today, a handful of which are available for the yacht aficionado to charter or even own.

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Kalizma served in the British Royal Navy in both World War I and World War II / ©Morley Yachts

Builder: Ramage & Ferguson Built: 1906 Refit: 1955, 1991, 2002, 2006, 2007, 2020 LOA: 150.1 ft Number of guests: 10 Crew: 10

One of the finest vintage yachts afloat, Kalizma (pictured top) has an iconic past with a tale steeped in history. Originally commissioned by Robert Stewart, vice commodore of the Royal Eastern Yacht Club (whose wealth came from his Scotch whisky distillery and estate), Minona , as she was named upon her launch, was the first steam-powered yacht to have electric lighting.

Designed by naval architect GL Watson & Co, leading designers of their day, and built by Ramage & Ferguson in Scotland, she is a testament to expert craftsmanship — and has stood the test of time with her classic Edwardian looks and fresh contemporary updates.

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As Minona , she served in the British Royal Navy in both World War I and World War II, serving as an Auxiliary Patrol Vessel between 1914 and 1920, and in 1939 as HMS Minona. During her time as the flagship and base for His Majesty’s Deep Sea Rescue Tug Services in Scotland, she was responsible for saving the lives of crewmen from over 1,100 vessels.

On being relieved from her wartime duty, Minona went on to have a couple of different owners during the 1940s and ’50s, and during that period she also underwent a significant refit converting her from steam to diesel. It was during the 1960s that the then-named Odysseia made headlines when chartered by Richard Burton and his wife Elizabeth Taylor, and thus began her dalliance with glitz and glamour.

The classic yacht was fully restored in 2020, rejuvenating her old-world charm / ©Morley Yachts

As a frequent guest of Aristotle Onassis aboard his yacht Christina O , Burton was inspired to purchase the classic yacht as a congratulatory gift for Taylor after she earned an Academy Award for her performance in Who’s Afraid of Virginia Woolf ? The yacht was subsequently renamed Kalizma , after the stars’ children Kate, Liza and Maria, and refurbished with all new interiors said to have cost more than twice her asking price. Adorned with an art collection with works by Monet, Van Gogh and Picasso, and an extensive library, she became their floating home for the next decade.

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It was on board Kalizma while berthed on the River Thames that Burton presented Taylor with the 33-carat Krupp Diamond, also known as the Elizabeth Taylor Diamond. Then, while berthed in Monaco, he gave her the record-breaking $1.5m 69-carat Cartier diamond, which arrived under police escort. Taylor wore the jewel, which became known as the Taylor-Burton Diamond, for the first time on a necklace at Princess Grace’s 40th birthday party.

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A number of royalty, including Princess Grace of Monaco and Prince Rainier III, and distinguished personalities such as Rex Harrison and Tennessee Williams, were later guests of the most famous Hollywood couple during their high-profile ownership.

Kalizma has gone on to have a number of owners since then, including serial classic yacht owner Peter de Savary. Kalizma was de Savary’s flagship and floating headquarters for the British team at the 1983 America’s Cup challenge, hosting several spectators in Newport.

Acquired by Indian tycoon Vijay Mallya in 2006, and then by philanthropist Shirish Saraf in 2019, she has since been fully restored, rejuvenating her old-world charm with all the luxuries and amenities expected of a modern superyacht. Today she is available to charter in the Indian Ocean and Asia Pacific with accommodation for 10 guests in five staterooms, including a stunning master suite, two doubles and two twins.

From €90,000 to €100,000 (approx. $101,800 to $113,100) per week. Contact Tim Morley, founder, [email protected], +33 680 863 091, morley-yachts.com

Shenandoah of Sark

Shenandoah of Sark is a symbol of one the most glamorous eras in yachting / Courtesy of Burgess Yachts

Builder: Townsend & Downey Built: 1902 Refit: 1972, 1996, 2018 LOA: 178 ft Number of guests: 10 Crew: 12

Built at the turn of a century for American banker Charles Fahnestock, Shenandoah , as she was then known, was one of the most high-profile yachts of her age and a symbol of one the most glamorous eras in yachting. Delivered in 1902 by the Townsend & Downey Shipyard in New York, she quickly gained a reputation not only for her celebrated design but for the parties held on board.

During these formative years Shenandoah played host to some of the world’s most powerful families and international royalty while in her homeport of Newport, Rhode Island. A few years later, Fahnestock retired and sailed her to the Mediterranean, where her reputation as one of the most elegant sailing yachts on the circuit was solidified, with parties held along the Côte d’Azur and Amalfi Coast becoming the most sought-after ticket for the yachting fraternity.

While cruising the Mediterranean, Shenandoah turned the head of German aristocrat Landrat Walter von Bruining, who went on to purchase the three-masted schooner and rechristened her Lasca II. Under Bruining’s ownership, Lasca II spent time in Germany and England, where he enjoyed just one summer in Cowes on the Isle of Wight before World War I broke out.

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Commandeered by the British, she subsequently became the property of British shipbuilder Sir John Esplen, who reinstated her previous name and installed two engines on board. Shenandoah then went through a number of different names and owners, including an Italian prince and the Danish sculpture philanthropist, Viggo Jarl, between the wars. Jarl endowed a substantial part of his fortune on the renamed Atlantide, updating her with new diesel engines and an electricity plant, and embarking on a series of long passages to the West Indies and through the Panama Canal to South America.

At the onset of World War II, Jarl returned to Europe and hid Atlantide from the Nazis, removing her masts and engines to render her useless to either side. Surviving the war, and with her engines and masts reinstated on board, Atlantide continued to turn heads wherever she cruised, and also welcomed European royalty on board, including the Duke and Duchess of Windsor.

Shenandoah of Sark is today a perfectly preserved piece of sailing history / Courtesy of Burgess Yachts

After surviving two World Wars, Atlantide’s run of good fortune was apparently over. During the next few decades she went ‘underground’ and is rumored to have seen her fair share of smugglers and gamblers, cruising throughout the Americas and Caribbean, before ending up in the Mediterranean, where she was seized by the French government in a tax scandal.

Following many years of neglect, she was rescued in 1972 by the inventor of the Bic ballpoint pen, Baron Marcel Bich. Restored to her former splendor and christened Shenandoah once again, Bich sailed the yacht back to America as a spectator boat for the America’s Cup — the first time she had been back to her original homeport of Newport for over 70 years.

Shenandoah spent several years under Bich’s ownership, immaculately maintained, before being purchased by industrialist Philip Bommer. Having witnessed Shenandoah sailing when he was just 13, Bommer had spent the ensuing two decades dreaming about owning her, and in 1986 his ambition was fulfilled. Extensively refit and restored once again, Shenandoah became a renowned charter yacht, before once again entering years of neglect.

Rescued once again, refit and refurbished, Shenandoah was an America’s Cup spectator for the second time, this time in New Zealand in 2000, before competing in the Millennium Cup superyacht regatta. Five circumnavigations later, with a number of successful transatlantic races and classic regattas under her belt, and via a number of owners and award-winning refits, the rechristened Shenandoah of Sark is today a perfectly preserved piece of sailing history.

From €110,000 (approx. $124,400) per week. Contact Burgess Yachts, +44 20 7766 4300,  burgessyachts.com

Christina O

Christina O is arguably the most famous classic yacht still afloat / ©Stef Bravin

Builder: Canadian Vickers Built: 1943 Refit: 1954, 2001, 2015, 2018 LOA: 325.3 ft Number of guests: 34 Crew: 3

Christina O is a part of yachting legend. Arguably the most famous classic yacht still afloat, the fabled yacht of Aristotle Socrates Onassis has regularly entertained some of the world’s most powerful and famous people. She may not be a classic beauty like Delphine and Talitha but, thanks to the lavish parties hosted aboard by Onassis, with guest lists full of some of the most well-known names of the time, including Frank Sinatra, Marilyn Monroe, Richard Burton and Elizabeth Taylor, Christina (as she was then known) regularly featured in newspapers and on the cover of glossy magazines.

Becoming a part of the zeitgeist of her era — and as famous as some of the Hollywood stars who came aboard — she remains today a visible symbol of the glamorous lifestyle enjoyed by the yachting crowd from the late 1950s throughout the ’60s.

Originally built in 1943 as a Canadian naval frigate, Christina O remains the largest North American-built yacht still afloat. Purchased by well-known yacht owner and Greek shipping magnate Onassis in 1954, she was converted into the yacht that she is today. It is rumored that Onassis purchased the then-named HMCS Stormont for its scrap value of $34,000, and then spent over $4m converting the surplus anti-submarine frigate into the luxury yacht Christina, named after his firstborn child.

As an in-demand charter yacht, her eternal appeal to a modern clientele is proven / ©Stef Bravin

In those days this was a vast sum of money, but the investment paid off. Not only did Christina hugely enhance his status and fortune — as a venue for hosting businessmen and politicians, as well as film stars — but she also served as the backdrop for his famous romantic relationships, including his love affair with the renowned soprano Maria Callas. It was on board the converted frigate that John F. Kennedy met his idol Winston Churchill during a dinner hosted by Onassis, and a decade later where Onassis began his courtship of the widowed Jackie Kennedy. The yacht was even their wedding venue.

Despite seeing some deterioration under the ownership of the Greek government, Christina O has been refurbished and refitted; today she retains the fantastic opulence Onassis so extravagantly bestowed on her. In fact, she positively oozes ’50s Hollywood glamor; it could even be said she has only improved with age. As an in-demand charter yacht, her eternal appeal to a modern clientele is proven.

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All the modern comforts and luxuries that are expected on a luxury yacht seamlessly blend with her original features. All of the 17 guest suites have been refurbished, yet maintain the pastel decor selected by style icon Jackie O. The original, mosaic-tiled pool that transforms into a dance floor has also been restored, while the famous Ari’s barstools retain their original upholstery, believed to be sperm-whale foreskin — now there’s a conversation starter when you are perched at the bar.

Christina O is currently cruising the Caribbean and will be available for charter throughout the summer in the Mediterranean. The perfect yacht for large family groups or event charters, her SOLAS status allows up to 34 guests to cruise in total comfort in 17 double staterooms, 14 of which can be converted into twin staterooms.

Christina O is the perfect yacht for large family groups or event charters / ©Stef Bravin

From €620,000 to €700,000 (approx. $692,000 to $790,000) per week. Contact Morley Yachts, [email protected] , +33 680 863 091, morley-yachts.com

The Camper & Nicholsons-built Grace has led many lives during almost a century afloat / ©Classic Charters

Builder: Camper & Nicholsons Built: 1928 Refit: 1947, 2009, 2013, 2018 LOA: 147 ft Number of guests: 16 Crew: 12

With a unique and historic pedigree, the Camper & Nicholsons-built Grace has led many lives during almost a century afloat. Built as a luxury yacht in 1928 and originally christened Monica, she was used by the British as part of the war effort. While serving in the Royal Navy as HMS Rion, she sadly suffered serious damage as part of the Dunkirk evacuation fleet.

Rescued by Aristotle Onassis in 1951 and renamed Arion , she played host to iconic figures like Winston Churchill and Elizabeth Taylor. On hearing of Prince Rainier’s engagement to Grace Kelly in 1955, Onassis presented the classic motor yacht to them as a gift for their forthcoming 1956 nuptials.

She was renamed Deo Juvante II , and the couple honeymooned aboard her, cruising Corsica and Sardinia. Acquired by the current owners in 2007, she spent more than two years in the shipyard being restored to her former glory and having additional superyacht luxuries installed, including air conditioning and en-suite bathrooms.

Grace is available for charter in the Galápagos Islands for up to 16 guests and 12 crew / ©Classic Charters

Rechristened Grace , she is available for charter in the Galápagos Islands for up to 16 guests and 12 crew. Great attention to detail has been given to restoring her original features, including the original brass ship’s wheel from 1927, which is still inscribed with the yacht’s original name. The master suite, known as the Grace Kelly Suite, is in the original location, while two further master suites and two twin-bedded cabins are all decorated to the highest standards.

Her communal guest areas feature period-style, custom furniture in keeping with her elegant build. In addition to her alfresco dining and lounging areas and hot tub, the toybox is geared towards exploring the Galápagos National Park and includes kayaks, snorkeling equipment and two Zodiac tenders.

From $129,000 to $139,000 per week. Dominic Meredith Hardy, director, [email protected] , +44 781 840 3524, classic-charters.com

Delphine is the largest steam-powered yacht ever to be built in the US / ©SS Delphine Cruises

Builder: Great Lakes Engineering Works Refit yard: Scheepswerf Zeebrugge Built: 1921 Refit: 1926, 1997, 2003, 2016 LOA: 258 ft Number of guests: 26, 150 day guests Crew: 26

Commissioned by auto magnate Horace Dodge and named after his only daughter, Delphine is the largest steam-powered yacht ever to be built in the US. Sadly, Horace never got to see the launch of this third private yacht he built, as he passed away just a year before her delivery. However, his wife Anna and their family loved and cherished Delphine , cruising on board her in the Great Lakes and along the East Coast, hosting cocktail parties on board.

With all her luxuries, including 10 magnificent staterooms, a music room, card room, dining room and smoking room, and a crew of 55, she positively defined 1920s East Coast glamor. In 1926, while she was docked on the Hudson River in Manhattan, two cabins caught fire, and with too much water poured in by the fire department, Delphine sank. Unwilling to live without her, the Dodge family salvaged her from the deep and restored her faithfully, with some additional renovations to her interior.

She suffered further, minor damage when she ran aground in the Great Lakes, before being repaired and acquired by the United States Navy at the start of the war to become the flagship for Admiral Ernest King, commander-in-chief of the US Fleet and chief of US Naval Operations during World War II. While still in service as USS Dauntless, she reputedly hosted Franklin Roosevelt, Winston Churchill and Viatcheslav Molotov as they met with Admiral King to discuss war strategies and prepare the Yalta Convention.

Delphine the largest luxury classic yacht of her era with her original steam engines still in service / ©SS Delphine Cruises

Reacquired by the Dodge family after the war, she was restored to a private yacht and rechristened Delphine once again. Over the next three decades Delphine sailed under numerous ownerships and different names, including almost 20 years spent as a training ship for merchant seamen, until finally being sold (for scrap metal prices) in 1997.

Having crossed the Atlantic for the first time and berthed in the Mediterranean, she was towed to Bruges, Belgium, where she underwent a six-year, $60m restoration. Her new Belgian owner scoured museums and archives for Delphine’s original blueprints, in an effort to ensure that the engineering and architectural refit was faithful to her original design, right down to the 20-ft-tall quadruple steam engines, six-person Turkish bath and hairdressing salon. Even her bespoke tenders, handmade from Honduran mahogany, remain exactly as they were when she was brand new.

Rechristened in 2003 as Delphine by HSH Princess Stéphanie of Monaco , she is today the largest luxury yacht of her era with her original steam engines still in service. To put that into context, her 6-ft-tall propellers are powered by water converted into vapor pressure by diesel fuel. She consumes 600 liters an hour at cruising speeds. When you consider that many modern motor yachts of a similar size use more than 1,000 liters of fuel an hour, Delphine could almost be considered environmentally friendly. Full steam ahead.

$400,000 per week. Contact Lionel Lebugle, manager, [email protected] , +33 621 282 496, ss-delphine.cruises

The iconic Haida has sailed through a succession of adventures / ©Edmiston Yachts

Builder: Friedrich Krupp Germaniawerft Refit yard: Pendennis Built: 1929 Refit: 2018 LOA: 233 ft Number of guests: 12 Crew: 18

At the time of her launch in 1929, this clipper-bow yacht was christened Haida , after the native people of Alaska and British Columbia. It is the name for which she is best known, and to which she has recently reverted following a comprehensive refit. However, the iconic Haida has sailed through a succession of adventures and has had many different names during her storied life.

Haida’s original commissioning owner spent over a decade cruising the west coast of America, pursuing his interests in marine science and fishing. In 1940, the oceangoing yacht was commandeered for service in World War II by the US Navy. She had a heroic naval career, saving many lives and protecting key installations while patrolling San Francisco Bay.

In 1946, post war, she returned to her role as a private yacht and moved to Alexandria in Egypt, where she cruised for five years before moving to the French Riviera in 1952 — just in time for the birth of the Mediterranean yachting scene.

Haida’s recent, award-winning refit by Pendennis has combined the grandeur of 1930s yachting with state-of-the-art superyacht luxuries / ©Edmiston Yachts

She has resided in the Mediterranean ever since, under various ownerships of dedicated, high-profile owners, including Löel Guinness, becoming one of the world’s most famous superyachts.

Haida’s recent, award-winning refit by the renowned Pendennis Shipyard has combined the grandeur and elegance of 1930s yachting with state-of-the-art superyacht luxuries. Despite replacing over 100 tons of steel within her hull structure, Haida 1929 (as she is now known) retains the sophisticated and timeless exterior lines originally designed by Cox & Stevens.

Even the original Krupp engines remain, thought to be the oldest working engines of their type. Deck spaces are generous, especially on the recently extended sun deck, which has been split around her iconic funnel. Period furniture and artworks re-create the charm and ambience of her heritage, while a light color palette and modern amenities have been integrated.

Her notable features include a barber shop, spa, hammam, biofuel fireplace, indoor and outdoor cinemas, and stepped pool. Elegant and refined, Haida 1929 is a truly original classic. Refit project management by Edmiston Yachts.

Contact [email protected] , edmiston.com

La Sultana has led many lives during her 50-plus years afloat / ©Camper & Nicholsons

Builder: Georgi Dimitrov Built: 1962 Refit: 2018 LOA: 213ft Number of guests: 12 Crew: 17

She may not hail from the golden era of yachting like other classic yachts her size, but this former Soviet spy ship is certainly not short on history. A true gentleman’s yacht, La Sultana has led many lives during her 50-plus years afloat. Originally built in 1962 in Bulgaria for use as a passenger ferry, Aji-Petri (as she was then known) was the fifth of a series of 12 ships that carried passengers and cargo through the Black Sea between the ports of Istanbul and Yalta.

She became a Soviet spy ship in the early 1970s when the Soviet Union took over the entire fleet of passenger ferries operating in the Black Sea to use for military purposes. Officially, she was in service in the North Atlantic for the International Telecommunication Union; however, in reality she was being used to eavesdrop and intercept radio telecommunications between the US and the UK. After the dissolution of the Soviet Union, Aji-Petri resumed her position as a passenger ferry before being used, in her original form, as a pleasure yacht in Tunisia.

La Sultana’s striking interior features Art Deco touches that draw inspiration from the stylish vessels of the 1920s / ©Camper & Nicholsons

Some 50 years after her build, she was discovered by a French gentleman. It was during a colossal seven-year, multimillion-dollar restoration in Casablanca that the yard unearthed several espionage instruments, including a radioactivity detector and several electronic devices from the Cold War. With the addition of her raised bow, touch-and-go helipad, machinery, piping and wiring, commercial engine and a huge keel, the rechristened La Sultana emerged from the shipyard as a majestic cruising yacht.

Today, her striking interior features Art Deco touches that draw inspiration from the stylish vessels of the 1920s, while the Arabian Nights-inspired decor is both eccentric and exotic. The new layout features an indoor 16-ft counter-current swimming pool and hammam, and seven luxurious staterooms, including a vast master suite on the upper deck, two VIP staterooms on the main deck, and four staterooms on the lower deck, all with en suites — quite a difference from the original build with its 102 cabins.

Her large deck areas include lots of relaxation and entertainment areas, as well as a classically styled spa pool on the foredeck, located forward of the new helipad. With more than a nod to the golden age of yachting, the rebuilt La Sultana is a classic motor yacht for modern times.

€12,500,000 (approx. $14,095,937). Contact Charles Ehrardt, senior sales broker, [email protected] , camperandnicholsons.com

Malahne is one of just a handful of British-built, pre-war motor yachts to have survived into the 21st century / ©Edmiston

Builder: Camper & Nicholsons Refit: Pendennis Built: 1937 Refit: 2015 LOA: 164 ft Number of guests: 10 Crew: 11

Designed by Charles E Nicholson and built by Camper & Nicholsons in 1937, Malahne is one of just a handful of British-built, pre-war motor yachts to have survived into the 21st century. Originally commissioned by William Stephenson, head of the British arm of the Woolworth store chain and a passionate yachtsman, this classic 1930s gentleman’s yacht has led a glamorous and colorful life, with many ups and downs. Stephenson owned both the J-Class yacht Velsheda and Malahne , and named them after his daughters Velma, Sheila and Daphne, with the first few letters of their names forming ‘Velsheda’ and the last few letters ‘ Malahne .’

She spent her first few years cruising the Mediterranean, and crossed the Atlantic a number of times before being handed over for military needs during World War II. During her time serving as a patrol cruiser in the English Channel, Malahne also participated in the evacuation of troops from Dunkirk.

Post war, Malahne passed through a few different hands before being acquired by the legendary Hollywood producer Sam Spiegel, who anchored her off Jordan to be used as a floating office while shooting Lawrence of Arabia. On retiring from her filming duties, Malahne became a fixture along the glittering Côte d’Azur, where Spiegel entertained Hollywood A-listers including Frank Sinatra, Elizabeth Taylor, Grace Kelly and Jack Nicholson. She also starred in the 1973 murder mystery The Last of Sheila , starring Raquel Welch.

A 2015 refit produced a design more faithful to the original / ©Edmiston

A decade later, she was sold to a Saudi sheikh who renamed her Adel XII and changed her beyond recognition, with an almost sacrilegious angular new superstructure and modern interior quite out of keeping with her classic past. Twenty years later, she passed into more sympathetic hands, and underwent a hugely ambitious restoration at the British shipyard Pendennis. The restoration experts there sought to bring her back to her original classic yacht form, but with the addition of a few 21st-century comforts.

While Pendennis worked on recreating her original hull form and undoing the damage wrought by the previous owner, classic yacht experts GL Watson & Co were drafted to rework her exterior lines; meanwhile, design experts from Oliver Laws — who designed the Art Deco interiors of the Connaught hotel and Claridge’s — set to work on her interior, producing a design more faithful to the original, including a number of original antique 1930s pieces but with a modern Art Deco twist.

Today, thanks to such a comprehensive and sympathetic refit by her devoted British owner, Malahne is a tribute to modern engineering and British craftsmanship. One of the finest classic yachts for charter , she features state-of-the-art equipment and Art Deco interior styling. Were he still alive, there’s no doubt that Sinatra would be delighted to tap his dancing shoes once again on board her stunningly restored teak decks.

From €145,000 to €165,000 (approx. $164,000 to $186,6500) per week. Contact Michaela Beitz-Biggi, head of charter fleet management, [email protected] , +44 207 495 5151, edmiston.com

There couldn’t be a more classic-looking yacht reflecting the golden age of yachting than Talitha / ©Unkown

Builder: Friedrich Krupp Germaniawerft Refit: Devonport Yachts Built: 1930 Refit: 1993, 2009 LOA: 262 ft Number of guests: 12 Crew: 20

With her flared clipper bow, impressive funnels and traditional counter stern, there couldn’t be a more classic-looking yacht reflecting the golden age of yachting than Talitha . Originally commissioned by Russell Algar of the Packard Motor Car Company, the originally named Reveler was sadly not yet delivered by the German shipyard F. Krupp in Kiel when Algar died.

Sold to Charles McCann of the Woolworth family and renamed Chalena, she was later requisitioned by the US Maritime Commission in 1942, and entered service as a gunboat with new armaments mounted fore and aft. Operating under her new military name of USS Beaumont in the waters between Midway Island and Pearl Harbor, she survived the war without serious incident, and in 1946 was decommissioned and returned to private ownership.

Post war, like many of her classic cousins, she spent many years lying abandoned — in her case on the Greek island of Petali, before being rescued by the Australian film producer Robert Stigwood and renamed Jezebel. Stigwood spent millions restoring much of her original elegance, with the addition of modern comforts including air conditioning and satellite communications systems.

Talitha features an all-new Art Deco interior with all of the trappings of a modern classic / ©Unkown

Described by The New York Times as a “floating fantasy,” she featured a re-design of the distinctive clipper bow and new teak decks but, sadly, it wasn’t to last and, following some engine problems, she was laid up once again in the late 1980s. In 1993 she was brought to the attention of her next and current owner Sir John Paul Getty Jr.

Under the guidance of legendary designer Jon Bannenberg, she was painstakingly restored to her former glory, with both exterior and interior redesign and brand new engines. The addition of a pair of funnels and an extended wheelhouse was at the time criticized by many, but Bannenberg’s vision proved them wrong when the renamed Talitha G (named after Getty’s second wife) was relaunched to great acclaim, with more than a nod to her 1930s design.

One of the most detailed, distinctive and beautiful classic motor yachts to be relaunched in recent times, Talitha is suitably reflective of an incredibly glamorous era of yachting. Featuring an all-new Art Deco interior with all of the trappings of a modern classic, she is a real head-turner, not only for the Hollywood celebrities spotted on board, but for her own stunning looks.

The classic sailing yacht Eros has led a colorful past, with lords, ladies and royalty all captivated by her charm / ©Classic Charters

Builder: Brooke Marine Built: 1939 Refit: 1999, 2016, 2019 LOA : 115 ft Number of guests: 8 Crew: 5

Delivered in 1939 by British shipyard Brooks Motor Craft, the classic sailing yacht Eros has led a colorful past, with lords, ladies and royalty all captivated by her charm and beautiful lines over her eight decades afloat. Originally christened Jeanry , she was commissioned for the daughter and son-in-law of a British lord who unfortunately spent very little time on board her before she was requisitioned by the Royal Navy to participate in the evacuation efforts at Dunkirk during World War II.

Following the end of her wartime service she went on to be owned by Greek shipping magnate Stavros Niarchos, second only to Aristotle Onassis in the shipping magnate stakes and also the first man to be called a billionaire. Niarchos rechristened her Eros in honor of the Greek god of love and passion, and under his ownership the wooden schooner became a fixture on the Mediterranean yachting circuit, hosting the cream of European society, including King Juan Carlos and Queen Sofia of Spain.

Niarchos gifted the newlyweds the use of Eros along with his private Greek island, Spetsopoula, for their honeymoon in 1962. The island also hosted Prince Charles and Princess Diana for the latter part of their honeymoon while they cruised through the Mediterranean and Aegean on board the Royal Yacht Britannia.

Eros offers charter guests the chance to experience genuine sailing on a stunning classic yacht / ©Classic Charters

Eros went on to change ownership just one more time before being rescued by her current owner in 1992. Meticulously restored to her original grandeur over the course of 18 years, she was relaunched in 2016 and now offers the refinement of a bygone era combined with the latest superyacht luxuries. Retaining many original details, including the Admiralty bronze fittings of the ship’s bell and restored Burmese teak planks, her complete overhaul involved repairs and replacements to her steel structure, and over 20,000 new bronze bolts, among many other things.

Today, Eros offers charter guests the chance to experience genuine sailing on a stunning classic yacht, either cruising in the Caribbean or Mediterranean or racing in classic regattas in the Caribbean and New England. Boasting state-of-the-art technology, 22 hydraulically assisted winches and 9,000 sq ft of sail, Eros can reach speeds of up to 10 knots under sail.

And for those looking to simply sit back and relax, her four guest cabins include a master stateroom with private en suite featuring a Jacuzzi bath, a double stateroom with en suite, and two twin cabins with shared bathroom. Out on deck, she boasts numerous seating and lounging areas for socializing, relaxing and alfresco dining.

Eros also offers plenty of on-the-water entertainment, with a great selection of water toys for her more active guests to enjoy.

From $44,000 to $48,000 per week. Contact Dominic Meredith Hardy, director, [email protected] , +44 781 840 3524, classic-charters.com

[See also: What Do We Know About Jeff Bezos and his Yacht?]

This article appears in the 04 Mar 2022 issue of the New Statesman, Spring 2022

Miriam Cain

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9 Fascinating Facts About the ‘Maltese Falcon,’ One of the World’s Most Iconic Sailing Yachts

A three-deck atrium, two master suites, two cinemas, and the innovative falconrig are just a few of the secrets of this highly technical yacht., julia zaltzman, julia zaltzman's most recent stories.

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At the time of its 2006 delivery, the 289-foot Maltese Falcon held the title of the world’s largest sailing yacht—nearly stretching the length of a football field, with a 42-foot beam. The Falcon ’s first-place status has been eclipsed by more recent launches, including the 348-foot Black Pearl and Jeff Bezos’s 417-foot Koru . But the Maltese Falcon remains one of the most iconic boats on the water as well as one of the largest sailing yachts for charter via Burgess.

Commissioned by the late Tom Perkins—a pioneer of Silicon Valley’s venture capital industry who was briefly married to romance novelist Danielle Steel (his own novel, Sex and the Single Zillionaire, is still available on Amazon)—and built by Perini Navi, Maltese Falcon has won 18 design awards since its launch. Naval architecture was by Gerard Dijkstra, with the original design by Ken Freivokh.

The three-mast sailing yacht last year completed an interior, exterior, and engineering refit at Lusben shipyard. The series of aesthetic and functional improvements include the hull being repainted in Perini Blue and a new extendable passerelle that takes guests down to the water. The teak deck was also replaced, and interiors refurbished with lighter woods, cream panels, and new tapestries.

Here are nine cool facts you didn’t know about the Maltese Falcon .

The FalconRig

The innovative masts and sails, inspired by the 1960s DynaRig concept, were produced by U.K.-based Insensys. The FalconRig is based on three rotating and freestanding masts made from “weapons-grade” carbon fiber, capable of deploying up to 24,756 square feet of sail in six seconds (the average time it takes to tie a necktie) at the push of a button. The huge sail area is spread over 15 sails to greatly reduce the loads while delivering a potential top speed of 25 knots. Maltese Falcon carries a total of 25 sails, giving it 10 to spare. Despite its success, the technology has not been widely adopted, though Black Pearl comes close with its DynaRig system.

This is Where the Magic Happens

All this innovation was only possible with specialized technology, including sensors in the sails that measure loads, wind speeds, and tidal currents, specialized software that Perkins wrote to help crunch this data in nanoseconds and a centralized control center that does most of the sailing automatically. Perkins’s goal was to create a complex but very easy-to-handle sailing machine. He once boasted: “I can teach any sailor how to handle the yacht in five minutes.”

Two Cinemas

One of the yacht’s most unique features is the world’s largest outdoor cinema (above) projected onto the lower sail. Guests can watch from the flybridge or the lounging space at the bow of the sundeck. Since the refit, there is now an indoor cinema (below), with wood paneling and comfy sofas that deliver a Zen vibe.

Three-deck Atrium

Under Perkins’s stewardship, Maltese Falcon contained an incredible collection of modern art, which served as inspiration for the yacht’s “luxury machine” interior penned by Freivokh. It combined industrial chic with high tech, manifested in leather, glass, wood, and steel. The art may no longer be on board and the interior has been refurbished, but the three-deck atrium, with stairs spiraling around the main mast (below), remains a showstopping feature.

Six Years in Build

The hull was built on spec in 1989 by Perini Navi and sat for 10 years waiting for the right owner. When Perkins, who had spent a decade planning the vessel, green-lit the build process, it took from 2000 to 2006, or about twice the time of a typical custom superyacht because of its complexity. Perkins had amassed a fleet of vessels over a 25-year period that included the 141-foot Perini Navi Andromeda la Dea,  a 154-foot ketch of the same name, and the Herreshoff classic Mariette of 1915 . He also owned a restored classic yacht called Atlantide . But Maltese Falcon was Perkins’s opus. He wanted a high-tech, but easy-to-handle sailing machine. He once boasted: “I can teach any sailor how to handle the yacht in five minutes.”

Rotating Sunbed

Maltese Falcon is known for its large modern spaces, including an indoor/outdoor bar area where the glitterati have mingled on deck. Among the yacht’s many refit improvements is a new circular sunbed on the flybridge that rotates with the sun to deliver maximum tanning exposure, guest convenience, and a continuous stream of panoramic vistas.

The Bogart Connection

The name Maltese Falcon was inspired by the 1941 American film noir of the same name, directed by John Huston, that starred Humphrey Bogart and Peter Lorre. Many consider it the greatest detective movie ever made. The black bird, originally made in gold and encrusted with jewels, is also a symbol of extreme wealth. The emblem appears throughout the yacht, on the sails, the linen, and in the form of a bronze sculpture positioned by the indoor cinema.

Two Masters

Officially, there is only one full-beam master suite (top), with a large walk-in wardrobe, an adjoining gym, and his-and-hers bathrooms with a Jacuzzi bath and shower room. However, the private full-beam VIP (bottom) is a close runner up, which many consider a second primary. Facing the flybridge with access to the terrace and walkaround side decks, it has a new bed with a television that rises from the floor. There are an additional four double cabins on the lower deck, each with en suite facilities.

A Full Chest of Water Toys

It’s not surprising that a yacht renowned for being technologically advanced should hold a plethora of toys and other cool amenities. The onboard gym has a state-of-the-art MS Sculpt electric muscle stimulator for toning without breaking a sweat. In the water, there are eFoils, paddleboards, and jetsurfers. The two original Pascoe tenders remain, though Perkins took the DeepFlight Super Falcon personal submersible with him when he sold the yacht in 2009. It was the world’s first “winged submersible” built by Hawkes Ocean Technologies and was named in honor of Maltese Falcon . He later installed the sub aboard his motor yacht Dr No , a converted fisheries training ship, which he used to explore the Pacific Islands.

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Aquarius: Modern classic masterpiece makes for a surprisingly sensible superyacht

• August 27, 2020

Named for the sign of astrological quality, this stunning 186ft world-cruising ketch is the result of serious sailors challenging the best of the best to produce something elegant, fast and seaworthy. Rupert Holmes reports

A demanding brief for Aquarius from experienced sailors has produced a masterpiece from some of the most experienced and talented brains in the superyacht world. Within five months of handover she had already clocked up 11,000 miles.

It’s often tempting to sum up new yachts with a short phrase describing their key characteristics. The brief for Aquarius included that she should be, ‘an elegant, muscular sailing yacht with a classic profile for family enjoyment’. But that barely scratches the surface of the main requirements for this giant ketch.

The owners also wanted a yacht that would combine good seakeeping characteristics with performance, reliability and quality. Essential features included relative simplicity, robustness of systems and a contemporary interpretation of elegant, classic lines, with a clean and uncomplicated appearance.

Aquarius ’s graceful lines and timeless shape belie a rugged world cruiser configured to be self-sufficient for extended periods when voyaging well beyond the popular Med and Caribbean circuits. In addition, the yacht is welcoming for family and friends, while providing sufficient performance to compete in superyacht regattas .

Designed to perform

“The owner loves sailing, so top performance was important,” says Dykstra’s Erik Wassen, who led the design team. “Not to the level of a racing yacht, but having the feeling of sailing well and being responsive like a smaller yacht.” A further stipulation was that the boat should not be experimental. The result is a sensible superyacht interpretation of a performance yacht.

With a whopping 50ft of bow and stern overhangs, there’s far less internal volume than might be expected for a yacht of this length. Also maximum beam is less than one-sixth of the overall length. Even so, any temptation to spoil the lines by raising the black-painted freeboard to provide more space for systems was successfully resisted.

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Considerable work and talent was therefore needed to fit all the requirements into the slender hull. The design team repeatedly honed the arrangements until everything would fit, including adequate space for crew accommodation and servicing of systems.

A fixed 4.8m draught keel fits with the theme of simplicity, while also freeing up the internal space that a lifting or telescopic keel would otherwise occupy. Wassen says: “If it was for optimum performance, you go to seven, eight, nine, ten metres.” The problem is that quickly stops being practical, so his aim was to: “try to get her in the same sort of harbours as the J Class yachts – you can still enter St Barth’s Bucket , for instance.”

Computational Flow Dynamics (CFD) work informed the final hull shape. “In our first hull design we noticed the centre of effort shifted when going from close-hauled to a beam reach to running,” says Wassen. “By optimising the hull shape in the CFD we could minimise that effect, giving much more equal rudder pressure on different points of sail.”

A sense of scale as the seemingly tiny figures prepare the mizzen staysail

The response and feel of a smaller boat was achieved “through having an ample sail plan – the boat has lots of sail – and giving her lots of stability,” he adds.  “We kept her as light as possible, which is always difficult because of the weight of the systems and of the ballast needed to provide stability.”

Aquarius ’s skipper James Turner has been very impressed with the handling so far: “With the correct sail plan Aquarius is a delight on the helm, responsive with weight to the wheel,” he reports. “Contrary to what her length and volume might suggest, she feels lively yet forgiving, almost playful on the wheel.”

A clean and uncluttered deck layout was a key priority, but was rendered more difficult by the lack of bulwarks. The profiles of both deckhouses were kept as low as possible, while individual sails are sheeted to similar points, which concentrates deck gear in discrete locations.

Despite her significant sail area, push-button controls mean Aquarius can be sailed by three

Clustering several different items into a single feature also helped to achieve this goal. For example, the boxes for vents and skylights ahead of the main deckhouse also form the backrests for the cushions when this area is used for sun lounging. In addition they house discrete B&G units that provide headsail and spinnaker trimmers with the key data needed for racing.

Project manager Godfrey Cray was keen to use halyard locks to reduce the number of winches around the mast base – the final arrangement has just two winches here instead of the usual four. Attention to detail extends to the cowl vents that have a protection ring of black composite below the polished stainless steel caps so that there is no chance of lines snagging.

The large mizzen was a feature from the inception of the project and provides a powerful configuration for fast reaching and downwind sailing with the mizzen staysail set. A further advantage of this sail plan is that no compromises were needed to keep air draught below the Panamax limit.

Optimised hull shape and big sail area means Aquarius has the response and feel of a smaller yacht

Doyle Sails New Zealand was involved in the project from an early stage, which gave time to tweak the sail plan and for aerodynamic and finite element analysis work to optimise the deck layout and improve overall load predictions. Aquarius is a fast enough boat for the apparent wind to often be forward of the beam.

A 1,580m2 running asymmetric spinnaker is included in the inventory and is clearly important when racing. However, optimisation of the reaching sails was also a priority to enable Aquarius to realise her enormous potential. In addition to the main and mizzen a 460m2 mizzen staysail and 770m2 Code 0 boost the sail area to an impressive 2,200m2 when reaching.

Rondal performance furling booms are a key means of simplifying sail handling , without compromising performance. They allow control of the foot tension of the sail, while providing a very practical means of reefing and stowing the sails.

“Typically, these systems are getting more and more reliable,” says Wassen. “There are hardly any boats that are not specifying them, except for some that go all the way to more racy slab reefing systems to reduce weight aloft.”

Square-top sails were shunned because of the difficulties of handling the top batten. However, the large roach main and mizzen still require running backstays, which are handled by captive winches. “They take more space and are heavier,” says Wassen, “but the captive winches mean you always have the opportunity to ease the runners under load if you have to make an unexpected tack or gybe.”

The twin wheels are positioned far enough outboard to give good sight lines to the bow and the rig. Key sail controls are also located at each helm station to facilitate easy handling. A drawback to this, though, is that you can’t always see the function you’re adjusting.  “It’s something we don’t often do,” says Wassen, “and making it look inconspicuous and classic is difficult.”

The solution was a more modern style console with a lot of controls that are fully concealed by hinged teak covers when not in use. This enables the boat to be sailed with only three people on deck.

Key challenges

While the brief for Aquarius deliberately avoided pushing hard against the boundaries of engineering and materials technology, there were still many challenges to overcome before the owners’ vision and dream could be realised.

In particular, a huge effort was needed to fit the accommodation and systems into the low-volume hull. This involved an iterative process between four parties – naval architect, interior designer, the engineers at Royal Huisman, and the owners – to ensure systems and adequate crew quarters could be accommodated, while leaving enough space for the owner and guest accommodation to meet the brief.

There is plenty of relaxation space split across Aquarius’s three cockpits

Interior designer Mark Whiteley initially presented two concepts – one for a relatively dark panelled interior, the other with mahogany furniture and trim balanced by white wall spaces. After the two had been mocked up at full scale for a section of the boat, the owners chose the lighter option. Whiteley subsequently described his challenge as creating, “a light and contemporary classic feel, rather than a more sombre and historically referenced one”.

While this early decision informed the big picture, he says the finer details needed careful judgement to give the boat its unique feel. The final coat of white paint on the wall panels, for instance, was brushed by hand to provide additional character and interest. He says: “This added to the relaxed informality and chic, understated quality you might associate with a house in the Hamptons.”

The main cockpit is the primary social hub of the boat, so considerable effort was put into refining it. This extended to the folding arrangements for the tables and to the design of the additional fold-away seats that face the main U-shape seating areas.

Mahogany joinery is balanced by white trim

The owner wanted a single floor level in the deckhouse, without a higher level for the seating areas, while retaining a view through the windows when sitting down. The lower edge of the windows therefore needed to be brought down as far as possible, which in turn provides a lot of natural light. The skylights also help to flood the interior with natural light.

Two versions of the magnificent owner’s suite were mocked up full-size to ensure every aspect was optimised to the maximum extent possible. There’s ample natural light from the large oval fan light around the mizzen mast, plus four port lights.

The bed is positioned to give a view towards the stairs to the private aft deckhouse, which opens onto its own cockpit. Attention to detail extends to secure stowage for water carafes and personal items.

Natural light floods into the owner’s suite from large fanlights around masts

Guest accommodation includes two double suites, plus a further flexible cabin that’s primarily configured as a twin. Two extra berths can be provided here to accommodate a larger number of children, via a Pullman on the inboard side and a recessed bed that drops down from the deckhead on the outboard side. A great deal of effort was expended to ensure there is no evidence of these extra beds when the cabin is in its normal mode.

There’s also a fully equipped gym, plus a lower saloon, with a huge cinema screen and top end concealed sound system. Quarters for up to 10 crew are provided in five cabins forward. This area has its own access from the foredeck, while guest areas can also be reached from the galley.

What does Whitely like most about the accommodation? “The relaxed feel and the balance between the classic and the contemporary, it really works. I also like the owner’s suite a lot: it’s a fantastic living space.”

The owner’s suite includes private aft deckhouse

Aquarius is the latest addition to a very distinguished lineage of modern classics produced in the past decade by a collaboration between Dykstra and Royal Huisman, including Kamixitha , Meteor and Pumula .

It’s a stunningly successful partnership that, with Aquarius , has produced another beautiful new superyacht that combines the ultimate in elegance with superlative comfort, style and performance.

Specification

LOA: 56.18m (184ft 4in) LWL: 41.17m (135ft 1in) Beam: 9.51m (31ft 2in) Draught: 4.80m (15ft 9in) Displacement: 264 tonnes Mainsail: 520m2 (5,597ft2) Mizzen: 440m2 (4,736ft2) Blade: 430m2 (4,628ft2) Air draught: 58.50m (192ft 11in) Spars: Rondal carbon with Rondal/Carbo-Link continuous standing rigging

First published in the July 2019 issue of Supersail World.

Classic Yachts for Sale

Classic yachts embody timeless elegance and craftsmanship, seamlessly blending tradition and beauty into a captivating maritime vessel. Ever iconic, these grandeur yachts are inspired by the swooping curves and lines of transatlantic vessels from the 1920s up to the 1970s. Embodying a sense of nostalgia while heralding the pinnacle of building, what sets classic yachts apart today is their ability to seamlessly blend traditional design with modern technology and innovation, offering a unique combination of old-world appeal and state-of-the-art features. Falling into three categories: classic motor yachts, classic sailing yachts, and neo-classic yachts, classic motor yachts provide an authentic and luxurious experience on the open waters, offering unparalleled levels of comfort and safety.

Historic Yachts for Sale

Often favoured by seasoned yachters, traditionalists, classic sailing yachts successfully capture the spirit of life out on the open waters, allowing enthusiasts to immerse themselves in the thrill of sailing firsthand. Neo-classic yachts strike an ideal balance between legendary yacht design and the latest technological advancements. Several famous classic yachts have left an indelible mark within the yachting world over the years, including the 37m sailing yacht Shamrock V, built-in 1930 for Sir Thomas Lipton’s America’s Cup challenge, and the Maltese Falcon, a stunning 88m sailing yacht known for its innovative DynaRig system. Leading shipyards renowned for constructing classic-styled yachts today include Royal Huisman, Pendennis, and Perini Navi, among others. Whether you desire luxury, exhilaration, or a harmonious fusion of tradition and innovation, a classic yacht is always an excellent choice.

RUNNING ON WAVES - 64m

GDANSK, 2011

39 Guests in 18 cabins

€17,500,000

ROSEHEARTY - 56m

PERINI NAVI, 2006

14 Guests in 7 cabins

€24,995,000

MYSTIC - 50.9m

CUSTOM, 2007

CORSARIO - 48m

RADEŽ D.D., 2019

12 Guests in 6 cabins

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PENDENNIS, 2004

PERINI 47-M - 47m

PERINI NAVI, 2026

8 Guests in 4 cabins

€39,500,000

S/Y TAMARITA - 46.6m

PERINI NAVI, 1991

ANTARA - 46.33m

10 Guests in 4 cabins

TAMARITA - 46m

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DANISH YACHT/HOLLAND JACHTBOUW, 2014

11 Guests in 4 cabins

€12,500,000

SYL - 43.6m

BARCOS DEPORTIVOS, 2003

THAT'S AMORE - 42.9m

TURKISH GULET, 2023

New Built Catamaran of our sales Fleet

We’re thrilled to announce our new built catamaran to the fleet.

MOTOR YACHT AMOHA – SOLD

We’re thrilled to announce the most recent yacht sale, motor yacht Amoha.

MOTOR YACHT ELMA – SOLD

We’re excited to announce the sale of Motor Yacht Elma.

New stunning classic vessel of our sales Fleet

We’re excited to welcome our newest motor yacht to the fleet.

New Sailing member of our sales Fleet

We’re excited to welcome our newest sailing yacht to the fleet.

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SuperyachtClassics

The most beautiful

Classic boats.

The fleet includes  :

Talitha of 1929.

An elegant 80m classic with a glorious & glamorous history of artists &  impresarios past 

Skylark of 1937

A beautiful S&S yawl which has cruised around the world and raced in over 70 regattas

BlueBird of 1938

Steeped in history, built & owned by a true British hero, a speed king of the last century

Baruna of 1938

One of the most famous sailing classics of all time, now saved and beautifully restored

From those onboard

"Team Skylark combines comedy and competence, glamour and grit, beauty and the odd beast, but most of all we have fun, loads of it. Let's hope we always leave a trail of giggling mermaids in our wake."

Will Nutting

"The moment you step onboard you have a great feeling, a feeling of style with her beautiful varnished teak, a feeling of elegance, a feeling I am going to have a great day out on the water aboard a beautiful classic." 

"Craft like these are rarities, floating objects of art. The history of BlueBird is astounding and I feel responsible each day for preserving decades of history. Not just a

beautiful boat."  

Richard Kellett

"The old classic yachts are a passion, a labour of love. Everyone involved strives for perfection. Even  after 20 years of service we are still working every hour of every day to make her even better."

Guy Morrell

“Everyone that came aboard her had the same impression. Nobody wanted to wait to sail her. She's undoubtedly the prettiest girl at the dance and still improving with age. She will outlive us all”

Kevin Dailey

For enquiries:

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Buyer's guide: Everything you need to know before buying a classic yacht

Thinking of buying a classic yacht ? Sam Fortescue talks to experienced owners to find out out everything you need to know about owning a classic, from how much it costs to the importance of refits ...

There is something almost ethereal about the sight of a yacht from another era. You’ll know exactly what I mean if you’ve ever been passed by a tall ship under a press of sail or watched entranced as dozens of wooden Metre boats spar gracefully around a Baltic racecourse. With their long overhangs, elaborate rigs and gleaming brightwork, they are travellers in time, infusing their surroundings with the patina of the past.

It is an illusion, of course. Get a little closer, and you can see the deck hands wearing modern clothing, or hear the race crew yelling urgently about pressure and counting down to the lift before bellowing “send it!”, just like their counterparts on modern yachts. They may hide it artfully behind fin-de-siecle panelling, but these boats often pack many mod cons, from flat-screen televisions to air conditioning. And yet there is something that sets them, and their owners, apart.

One of the best-known classic yacht brokers, Barney Sandeman, describes it like this. “There are a lot of people who would like to own a classic but it’s a very special person that will commit. They are very passionate people who are careful what they do with their money, but owning a classic is not something they have suddenly decided to do. It’s in their DNA. It’s a love affair, something they can’t do anything about.”

How much does a classic superyacht cost?

Let’s tackle that point about money head on. There is a sense that classic yachts are more costly to take on than their modern counterparts. Not so, says Ed Kane, owner of the exquisitely restored Sparkman & Stephens yawl Bolero among others. “The normal maintenance and wear and tear is like on any other new boat,” he says. “It’s not inexpensive, but not out of line with a new 73-footer [22-metre]. Dockage and crew are the biggest costs, and that is the same regardless of the age of the boat.”

The nature of that maintenance might be a little different, however. Or as Daniele Canelli, owner of the stately 26-metre gaff ketch Javelin explains it: “They do not need more maintenance, only more love.” Instead of technical prowess with hydraulics, load cells and an arsenal of toys, there is instead acres of varnishing.

“It’s so much work that you can’t do it yourself,” says Wilfried Beeck, who owns two towering 12-Metres - Trivia , designed and built by Camper & Nicholson in 1937, and the gaff- rigged Cintra , a 1909 Fife. “I have a full-time employee who does nothing else, but we share him across our two 12s. When you see little damages, you sand and varnish it during the season. Every little cut is always varnished immediately. It is constant maintenance.” 

Both boats were acquired in the Med and brought back to the Baltic, where a vigorous 12-M racing circuit has developed. Beeck says that the difference in maintenance requirements is stark. “Two seasons in the Med, and you realise that you have to varnish the boat three times a year, as opposed to once a year in the Baltic.”

To buy a classic 12-Metre (which will in fact measure between 14 metres and 22 metres overall), you’d be looking at anything from £900,000 to £2.25 million, depending on the condition and pedigree of the boat. Beeck spends about £90,000 per year on each boat, including everything from mooring to insurance and repairs. 

Charter income covers half of that, but some spend twice as much. “The maintenance cost of the boat is much lower than many people think. You need a boatbuilder working on it constantly, but when you do, the cost is low. If you neglect the boat for three or four seasons, the cost can be huge.”

What do I need to consider when refitting a classic yacht?

Neglect in the classic boat world is part of the landscape. It is at once a threat and an opportunity, both endangering the survival of these beautiful boats and providing the raw material needed to transform them into head- turners and jaw-droppers. The sense of preserving a small but important, beautiful fragment of history is what drives some of the today’s keenest owners.

“We’re all keeping these things alive for the sake of history,” says Cameron Ridell, co-owner of Eros , a fine example of a staysail schooner built in 1939. “These classics are floating museums, but they are also operational. It’s a strange way to treat something that should be in a museum: take it out and beat it!”

Ed Kane, owner of 22-metre Bolero , believes that what he calls the “provenance” of the yacht is key to engaging with a restoration. “We spent as much time learning about the history and the ownership - its race record, where it sailed, its reputation - as you do studying the actual boat itself.”

In contrast to maintenance, restoration can be ruinously expensive, so an exhaustive survey is critical to understanding what you’re taking on. The work itself is a slow, precise process where traditional woodworking skills and an experienced eye are key attributes. Some owners insist there is a place for modern techniques such as laser measurement and epoxy sheathing, but if the aim is simply to build a modern boat that looks like a classic, it is better to start from scratch elsewhere.

Tara Getty is in the final throes of restoring his fourth yacht – an S&S yawl called Baruna which belongs to the same design family as Bolero , and he takes comfort in a degree of wonkiness. At one point, his skipper and project manager Tony Morse rang him from Robbe & Berking’s yard in Flensburg, Germany, with the news that the new stainless-steel water tanks they’d bought fitted on the starboard side, but not on port. “That’s good news in a way, because it means it is still the Baruna it’s meant to be,” says Getty. “It’s most definitely skew!”

Besides the basic fabric of the boat herself, there is a challenge in finding correct or appropriate deck fittings and equipment. Unsympathetic refits or desperate patch-ups can make it hard to identify what is an original part. “You need to be very careful not to detract from a classic,” says Getty. “We found one original cleat, so we’re having it recast. We also found the clock and barometer, but it took us a while to verify that they were the originals. We had to check against the pictures in the archive at the Mystic Seaport [museum].”

Restorations can yield up some glorious nuggets, like time capsules from the past. Getty recounts how they had to remove tonnes of concrete from the bilges of his yacht Bluebird when she was brought back to life. Using pneumatic drills, they were stunned as they began to uncover the metal forms of the original deckhouse windows. Naturally, they cleaned them and returned them to their rightful place.

And when Daniele Canelli rescued Javelin , a process that required 57,000 working hours, they found more hidden treasure. The refit was extraordinarily detailed, touching every part of the boat’s fabric and interior, from the oak frames to the fireplace and the bathtub in the master cabin. And when they removed the mainmast, there it was: a silver shilling coined in 1884, wedged into the oak step for good luck. 

It was eventually replaced under the new mast. He compares the process to that of philology “You must be prepared to take all the actions necessary to give a new life to a literary work, respecting the work and the intent of the author. There is nothing worse than a boat refitted by someone who does not respect her spirit.”

There are other surprises. As word gets around about the rescue of a yacht, people emerge with tales, documents and sometimes even whole fittings. “We’re getting lots of information from people who knew Baruna ,” says Getty. Far from looking down their noses at a restoration and critiquing every detail, the classic boat fraternity has been helpful, says Kane. “People give me magazine articles, things that say ‘ Bolero ’, or used to be on the boat. I even have some leather-bound scrapbooks that people have collected.”

What is the difference between a restoration yacht and a replica?

One of the most vexed questions relating to the rebirth of a wooden boat is whether it can remain “original” after everything has been replaced. “We say a boat is a restoration, not a replica, if during the entire time of construction you can recognise the hull shape,” explains Bolero owner Ed Kane. Despite his boat being completely taken apart for restoration, she has retained the original deck furniture, doghouse, keel, some planking and most of the interior.

At the other end of the scale, the recently relaunched 12-M Jenetta has just one small piece of original woodwork left, scarphed into a deck beam. Oh, and 17 tonnes of lead in the keel. Oliver Berking, who runs the Robbe & Berking shipyard where she was rebuilt, likes to say that she is 63 per cent original by weight. And yet the International Twelve Metre Association has accepted her as an original, allowing her to race in the classic classes. The main thing is to save the boat, as Tara Getty says: “As long as you can stop her from going to the knacker’s yard, then I’ve got no problem with that. It doesn’t have to be a perfect restoration.”

Why should I buy a classic yacht?

When you take on the ownership of a classic yacht , you are making yourself a public figure. That’s because people don’t just stand and admire these yachts as they screech round the mark or slide into their berth; they want to come and talk to the crew, the owner and admire the details. They galvanise people around them.

“When I go into a yacht club, and people know that I own Bolero , I never have to buy my own drink,” laughs Kane. “I’ve probably saved enough on drinks to buy another boat!” He has been invited to join eight clubs around the world, all keen to have Bolero on the membership list.

Classic boats are a natural conversation starting point for many. “One of the most fun parts of all this is the people we meet in all sorts of wonderful places,” says Cameron Riddell, co-owner of Eros . “The locals come to the boat because it’s big and beautiful, and they turn out to be really interesting themselves. The human contact is one of the most rewarding parts of the classic yachting scene.”

In a different way, Wilfried Beeck would agree. His 12-M Trivia was and still is a mean, lean racing boat of astonishing beauty. He always wanted nothing more than to campaign her, and his first challenge was to find the crew of 16 people necessary to do so. “You learn quickly that you can’t win in the first season. Building the crew is the bigger concern, not so much the maintenance of the boat.” After that, you have to find your place in the crew. He was always keen to helm, but not all owners do. One of the joys, he says, is the immediate, honest feedback you can get from a crew. “Most of us would love to have that in our own companies.”

He also warns that you will eventually have a collision if you’re too aggressive at the starting line. Fortunately the shape of a 12-M means that damage is rare, but it can still be dangerous. “Pro crew from more modern boats will produce crashes because they’re used to boats that turn more quickly and are more manoeuvrable. They sometimes underestimate how long it takes to turn 30 tonnes around. You have to prepare in advance.”

In most cases, the specifics of manoeuvring and trimming a rig that was designed 80-plus years ago are enjoyable. Owners appreciate the peculiarities which have to be mastered. Eros , for instance, has a large rectangular “fisherman” sail strung between her two masts, clewed down to the boom. “She doesn’t look right without the fisherman, but we only use it for racing because it takes a team of eight people to get it up,” says Riddell. “We keep one on each side because you have to take it down on one side and raise it on the other every time you tack or gybe. The manoeuvre can take between five and 10 minutes.”

If you have reached the end of this piece with the sense that you are not alone, or with a nagging memory of a classic boat that you saw as a child, then beware: you could well be a future owner . And, if Barney Sandeman is right, you have little choice in the matter. “I sometimes feel I’ve got an orphanage and I’m getting the children out to the right families,” he explains. “To a degree, these boats pick their owners.”

This feature is taken from the September 2020 issue of BOAT International. Get this magazine sent straight to your door, or subscribe and never miss an issue.

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