what are yacht rock songs

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Playlist of the Week: Top 100 Songs of Yacht Rock

Each week we’re featuring a playlist to get your mind going and help you assemble your favorites. This week we take a deep dive into the soft rock hits of the late ’70s and early ’80s, which have come to be known in some circles as Yacht Rock. The term Yacht Rock generally refers to music in the era where yuppies enjoyed sipping champaign on their yachts — a concept explored in the original web series Yacht Rock, which debuted in 2005 and has developed a cult following. Artists most commonly thought of in the Yacht Rock era include Michael McDonald, Ambrosia, 10cc, Toto, Kenny Loggins, Boz Scaggs, and Christopher Cross. Yacht Rock has become the muse of a great number of tribute bands, and is the current subject of a short-run channel on Sirius XM.

Here is a stab at the Top 100 Songs of Yacht Rock — not necessarily in rank order, with a few more added for honorable mention. We welcome your comments. What songs are ranked too high? What songs are ranked too low? What songs are missing? Make your case. Also, please let us know concepts for playlists you’d like to see — or share a favorite list of your own.

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Feature: The 101 GREATEST YACHT ROCK SONGS OF ALL TIME for Your Summer Playlist - featuring Michael McDonald, Kenny Loggins, Christopher Cross and Steely Dan

What Yacht Rock Classic Hit #1?

Yacht Rock is not for everyone. If you like your rock Cannibal Corpse intense or your hip hop extra Onyx edgy, then Yacht Rock will indubitably be your Kryptonite.

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Some people consider this genre akin to musical wallpaper, marshmallow fluff, whiter-than-white bread snore-tunes or sax-heavy Sominex-inducing elevator muzak. They consider it slick, soulless pablum, even though true Yacht Rock vibrates with liveliness. Yes, it can be slow but it should never be sleepy; it should be relaxed and chill but never boring. Unfortunately, it's oft mistaken for any East Listening or Adult Contemporary tune (although, to be fair, many of the songs on this list do fall in these categories). But true Yacht Rock will not cause you to yawn; so don't worry, you won't find Air Supply, Barry Manilow or Dan Fogelberg anywhere near one of these rockin' yachts.

But what exactly is "Yacht Rock"? For those who don't know, it includes pop-rock songs from the late 1970's/early 1980's that would sound great on a yacht as you sip your pina coladas and get caught in the rain. Yacht Rock was not designed as thus; forty years ago, these songs that joyously filled the airwaves were called "soft rock" or "blue-eyed soul." It wasn't until the early 2000's when the term "Yacht Rock" was coined and the genre's guidelines were determined by the great J. D. Ryznar, Steve Huey, Hunter Stair, and David Lyons. Now it's everywhere, including on your SiriusXM radio app where a really bad Thurston Howell III soundalike introduces these Doobie-bounced ditties.

How can you identify a potential Yacht Rock classic? You can use Justice Potter Stewart's famous "I know it when I see it" (or, in this case, "hear it") dictum. To my ears, Yacht Rock is slick as an oil spill, part smooth pop, part light rock, both funky and jazzy. Most of the songs have tight harmonies, strong background singers (oftentimes sounding like Michael McDonald lost in an echo chamber), with added horns or strings. It's not lounge music, but it's music to lounge to. It's not disco, so you don't dance to it, but it's music where you can't help but tap your feet.

The joy of Yacht Rock is just that...its joyousness. This is bubblegum music for the jet set or the wannabe Richie Rich's. Its delightfully shallow, and part of its vibrancy is that it doesn't have a bad thought in its head. (Some of the songs obviously don't have any thoughts in their head, but if you want to have an intellectually stimulating conversation about, say, Toto's "Georgy Porgy," then have at it.) But never forget that part of its charm lies in its inability for deeper analysis; it's quite a stretch to compare some of these songs to a Winslow Homer painting or a Thomas Pynchon novel, but I'll try.

Officially, to be considered Yacht Rock, the song must have been released between 1976 and 1984, and I adhere to this rule for the 101. That means no songs that are proto-Yacht Rock, such as Seals & Crofts' "Summer Breeze," Ace's "How Long," or Steely Dan's "Dirty Work," are included. Neither did post-yacht rock favorites ("fire keepers") like Michael McDonald's "Sweet Freedom" (1986) get a chance. Some singers or groups, who are nowhere near Yacht Rock when looking at their oeuvre, may have a single YR classic in their midst; artists like Michael Jackson, Andy Gibb, the Eagles, and Earth, Wind and Fire have at least one Yacht Rock goodie on the list. And then there are those tunes that are not Yacht Rock: Nyacht Rock, which I tried but failed to avoid, but debates will happen nonetheless. For example, is "Escape (The Pina Colada Song)" true Yacht Rock? Purists may say no, but I think there are few songs more yachty than the Rupert Holmes earworm.

Who would be on the Yacht Rock Mount Rushmore? Certainly Michael McDonald, whose presence is everywhere on this list with the Doobie Brothers, solos, duets, and as a backing vocalist on many of these tunes; he has 8 entries (not counting his prolific background singing). Kenny Loggins also epitomizes the genre (with 4 songs on the list, plus he co-wrote the #1 tune), as does Christopher Cross (with 5 songs on the list). But who gets that final position? Steely Dan (6 songs), Toto (6 songs), or Boz Scaggs (5 songs)? I'll let you try to settle on the filling of the fourth Rushmore slot.

And shouldn't there be a Yacht Rock Broadway musical? There are Yacht Rock tours, online series, books, websites, radio stations, podcasts, Spotify playlists; why not an official jukebox musical?

Lastly, you may ask: What makes me, a theatre reviewer, a Yacht Rock expert? For starters, I lived through these songs during my teenage years; they are the soundtrack of my younger self, especially when listening to Casey Kasem every Sunday morning on American Top-40 on CK-101. No matter how cheesy, I have a place in my heart for them. And on my 60 th birthday, I hope to rent a yacht, invite friends, don an ascot and captain's hat, and while enjoying mounds of caviar, listen to the soothing sounds of my youth. I'll use this list, my YACHT ROCK 101, as our guide, and hopefully you will too. (And hopefully if a song is unfamiliar to you, then you'll seek it out on You Tube or Spotify.) So, without further ado, counting down Kasem-style from #101 to #1, let's climb aboard...

THE 101 GREATEST YACHT ROCK SONGS!

101. NOTHIN' YOU CAN DO ABOUT IT [Airplay; 1980; Chart Position on the Billboard Hot 100: N/A]

We start our three-hour tour here, Mr. Howell, with Airplay's little-known yachter, "Nothin' You Can Do About It," featuring David Foster, who peppers much of the following 101, and Jay Graydon, who played guitar on the Yacht Rock classic, "Peg." And as you'll find in so many songs here, the session musicians from Toto play the instruments and lift this horn-pocked One-Off into the stratosphere. It's poppy and breezy and everything that a YR hit should be. And its lyrics could be the Yacht Rock credo: "Relax; enjoy the ride!"

100. GEORGY PORGY [Toto; 1978; Chart Position on the Billboard Hot 100: #48]

This sounds like an outtake from a lost Boz Scaggs album. I have a place deep (very deep) in my heart for this. Yes, it's annoying, and Cheryl "Got to Be Real" Lynn's "Georgy Porgy, pudding pie/Kissed the girls and made them cry" refrain will get horrifically stuck in your head, but my oh my, how I love its glorious badness. (Some might claim that this isn't Yacht Rock, it's Yuck Rock.) No other chart would dare unearth this lost remnant that many think should remain lost, but it's too late baby, yes, it's too late. And if you want a sign of the coming Apocalypse: The endearingly ridiculous "Georgy Porgy" is more popular and beloved now than when it was first released.

99. THE THEME FROM "THE GREATEST AMERICAN HERO" (BELIEVE IT OR NOT) [Joey Scarbury; 1981; Chart Position on the Billboard Hot 100: #2]

Yacht Rock songs are usually called "likable," which is sort of a masked insult. When you can't think of something nice to say, you usually fall back on "likable," which doesn't mean you like it; it just means someone out there may like it. And "The Theme from 'The Greatest American Hero'" is certainly likable; it's maybe the only thing we remember from the otherwise forgotten William Katt TV series, which lasted three seasons. For "Seinfeld" fans, George's use of it on his answering machine in "The Susie" episode put the song on a level way above its pay grade. Just last year, it also showed up (with "Seinfeld's" Jason Alexander) in a Tide commercial. So, this song has planted its flag in our more current pop culture landscape; perhaps it and the roaches will be the only things to survive the end of the world. Believe it or not.

98. INTO THE NIGHT [Benny Mardones; 1980; Chart Position on the Billboard Hot 100: #11]

97. WE JUST DISAGREE [Dave Mason; 1977; Chart Position on the Billboard Hot 100: #12]

96. KEY LARGO [Bertie Higgins; 1982; Chart Position on the Billboard Hot 100: #8]

95. ESCAPE (THE PINA COLADA SONG) [Rupert Holmes; 1979; Chart Position on the Billboard Hot 100: #1]

These four songs, including one #1 hit, will cause arguments from purists; they score them low on the official Yacht Rock scale and label them the dreaded Nyacht Rock. But I think each of them deserve to be on the list, even if this low. Benny Mardones was a key part of one of my high school experiences as the special musical guest for 1981's Grad Night at Disney World; I remember hearing "Into the Night" into the nighttime distance and knowing that I was in the right place at the right time. (And I take the song's narrator as a teenager crooning about a girl-because with lines like "she's just sixteen years old/Leave her alone, they say," it's just too creepily cringy to contend with otherwise.) "We Just Disagree" builds as the best Yacht Rock songs do, even if it may be too gloomy in subject matter (the breaking up of a relationship). "Key Largo" by Tampa Bay area native Bertie Higgins may be more Tropical Rock than Yacht Rock, but it's yachty enough to make the cut; besides, who can resist the Humphrey Bogart and Lauren Bacall allusions? And Rupert Holmes's "Escape," the last word in 70's pop, is what many people think of when they read the term "Yacht Rock." And yes, it may be excessively wordy for the genre, complete with a twist ending, but to leave it off the list entirely would be a pop culture misdemeanor if not a crime. For the purists who will not escape the strict Yacht Rock guidelines and unnecessarily nix great and yachty songs like these, then we just disagree.

94. YAH-MO BE THERE [James Ingram with Michael McDonald; 1983; Chart Position on the Billboard Hot 100: #19]

A Yacht Rock staple and the first appearance of the ubiquitous Mr. McDonald on our list. I'm sure more than one person agrees with Paul Rudd from the move The 40-Year-Old Virgin when he, having McDonald's songs on a continuous loop at his work place, exclaims, "...If I hear 'Yah-Mo Be There' one more time, I'm gonna 'yah mo' burn this place to the ground!"

93. BREEZIN' [George Benson; 1976; Chart Position on the Billboard Hot 100: #63]

The first of two instrumentals on the list and the initial Yacht Rock sighting of George Benson. I mentioned earlier that none of these songs should be compared to paintings by Winslow Homer, but if any comes close, it's this one, especially Homer's "Breezin' Up." Try looking at the painting and hearing the Benson hook at the same time, and I'll see you in the morning.

92. FOOLISH HEART [Steve Perry; 1984; Chart Position on the Billboard Hot 100: #8]

Although Steve Perry is more famous as the onetime front man for Journey, and for making "Don't Stop Believin'" the most overplayed track from the Eighties, this is his sole entry into my Yacht Rock 101. His smooth voice haunts this with an uber-emotional yearning that seldom finds its way onto the feel-good vibes found elsewhere on this list.

91. 99 [Toto; 1979; Chart Position on the Billboard Hot 100: #26]

Chalk up another inspiration from a George Lucas film, although not the film you may think it is. Star Wars may be Lucas' biggest achievement, but this song takes its idea from the seldom-seen Lucas cult hit, THX 1138 , which is dystopian cold in feeling. That such a stark story (losing your identity and only being known as numbers) gets the smooth pop-light Toto treatment can only be construed as ironic.

90. ONE STEP CLOSER [The Doobie Brothers; 1980; Chart Position on the Billboard Hot 100: #24]

The Doobie Brothers' last gasp of the Michael McDonald era before our bearded musical Michelangelo would meander into a solo career.

89. HARD HABIT TO BREAK [Chicago; 1984; Chart Position on the Billboard Hot 100: #3]

Love is an addictive drug that lasts years in this beautiful if not overwrought ballad produced by David Foster.

88. DO RIGHT [Paul Davis; 1979; Chart Position on the Billboard Hot 100: #23]

A rare example of RYR: Religious Yacht Rock. Certainly the most unabashedly Christian song on the list, its opening lines like something out of an old Jim and Tammy Bakker telecast from the early 1980's: " I know that he gave his life for me/Set all our spirits free/So I want to do right, want to do right/All of my life ..." Musically it has a total yacht quality, a toe-tapping buoyant drive, that didn't stop it from being the 10 th biggest Adult Contemporary Christian hit of 1980.

87. DON'T TALK TO STRANGERS [Rick Springfield; 1982; Chart Position on the Billboard Hot 100: #2]

A year after "Jessie's Girl," Rick Springfield nearly hit the top of the charts with this Yacht Rock plea of jealous rage (though Springfield's demeanor doesn't come across as "rage"; he seems disdainful but laid back, which is why this perfectly fits the YR mold). It's too much fun to rival "Every Breath You Take" in the paranoid Top-10 hit department. Make sure not to miss the lyrics in French near the song's end which are there because...well, I don't know exactly why they're there, but I appreciate the nod to Francophiles.

86. WAITING FOR YOUR LOVE [Toto; 1982; Chart Position on the Billboard Hot 100: #73]

This is Toto's third song in the 101, paving way for claims that they should be the final slot on the Yacht Rock Mount Rushmore. "Waiting for Your Love" may not have hit big, stalling at a disappointing #73 on the charts, but has since been cited as one of Toto's greatest songs.

85. IT KEEPS YOU RUNNIN' [The Doobie Brothers; 1976; Chart Position on the Billboard Hot 100: #37]

Michael McDonald's soulful vocals and the band's mesmerizingly funky rhythm catapult this entry into the stratosphere. Yes, it was shoved onto the soundtrack of Forrest Gump , but its Yacht Rock status comes from it being featured in another film (and soundtrack that is a Yacht Rock purist's dream): the forgotten film FM (which spawned an even higher entry on this list...Steely Dan's infectious title cut).

84. LOOK WHAT YOU'VE DONE TO ME [Boz Scaggs; 1980; Chart Position on the Billboard Hot 100: #14]

Boz Scaggs wasn't born with the name "Boz." Actually born William Royce Scaggs, he got the nickname "Boz" after someone kept wrongly referring to him as "Bosley" at St. Marks Academy. And with a name like "Boz," Yacht Rock elite status was certainly destined. In the 1970's, Scaggs would perfect that laid back soft rock sound with a slight funky beat, the quintessence of Yacht Rock. This song, slower than most on this list, would become his big reaching-for-the-stars power pop ballad, and it didn't hurt that it was featured in a John Travolta film (Urban Cowboy).

83. KISS YOU ALL OVER [Exile; 1978; Chart Position on the Billboard Hot 100: #1]

It's hard to imagine that learned people that I deeply admire have a difficult time including this as a Yacht Rock staple. With synthesized strings and inspired by the grizzly growling org*smic sound of Barry White in "It's Ecstasy When You Lay Down Next To Me," "Kiss You All Over" was voted ninth in Billboard's 2010 list of "The 50 Sexiest Songs of All Time" (for the record, "Physical" was #1).

82. BABYLON SISTERS [Steely Dan; 1980; Chart Position on the Billboard Hot 100: N/A]

Dante-esque tour of California, with the jaded Yacht Kings, Steely Dan, playing the part of Virgil as your guide. Singing backup on this track, crooning those haunting words "Here comes those Santa Ana winds again," is none other than Patti Austin, who will be even more involved with another Yacht Rock classic that you'll find further down the list [see "Baby, Come to Me"]. A delicious downer.

81. SMOKE FROM A DISTANT FIRE [Sanford Townsend Band; 1977; Chart Position on the Billboard Hot 100: #9]

One of the great One Hit Wonders of the 1970's.

80. HOLD THE LINE [Toto; 1978; Chart Position on the Billboard Hot 100: #5]

The song that put the session musicians of Toto on the map and the fourth of their hits to make our 101.

79. TAKIN' IT TO THE STREETS [The Doobie Brothers; 1976; Chart Position on the Billboard Hot 100: #13]

The world was introduced to Michael McDonald as a Doobie right here, their first song written by him for the Doobie's and with him on lead vocals. And thus, the King of Yacht Rock started his reign. Also, who can forget the 1978 episode of "What's Happening" with Rerun illegally recording the Doobie's singing this very song?

78. KEEP THE FIRE [Kenny Loggins; 1979; Chart Position on the Billboard Hot 100: #36]

Mr. and Mrs. Howell, let me introduce you to our next entry...Kenny Loggins with his very own Herbie Hancock-inspired vocoder long before it was in vogue.

77. ISN'T IT TIME [The Babys; 1977; Chart Position on the Billboard Hot 100: #13]

Michael Corby's opening piano, backed with syrupy violins, leads way to John Waite's oxymoronic soft bombastic vocals and Tony Brock's pulsating drum work. Lisa Freeman-Roberts, Myrna Matthews and Pat Henderson get their gospel groove on while backing Waite's hearty screech in this scrumptious pop treat.

76. YOU CAN'T CHANGE THAT [Raydio; 1979; Chart Position on the Billboard Hot 100: #9]

A cool breeze of a song by Ray Parker Jr. & Co., one of the few Yacht Rock light-soul classics that you can dance to, though it's way too laid back to be considered disco. A song that immediately puts you in a good mood no matter how bad your day had been previously.

75. LIDO SHUFFLE [Boz Scaggs; 1976; Chart Position on the Billboard 100: #11]

Boz again, with this ode to a drifter looking for some luck. The galvanizing music would be created by none other than David Paich (keyboards), David Hungate (bass), and Jeff Porcaro (drums), all of them future members of Toto. Whoa-oh-oh-oh!

74. WHAT'CHA GONNA DO? [Pablo Cruise; 1977; Chart Position on the Billboard Hot 100: #6]

Is there a more apt band name for Yacht Rock greatness than "Pablo Cruise"? And this tune, a key part of that summer of 1977, was where they first introduced themselves to us in all their infectious pop-light glory. The group hit #6 in the U.S., which isn't bad, but Canada got it right when they elevated this tasty morsel to #1 on their charts.

73. SENTIMENTAL LADY [Bob Welch; 1977; Chart Position on the Billboard Hot 100: #8]

Bob Welch, a former member of Fleetwood Mac, originally recorded this for their 1972 album Bare Trees . After leaving the band, he recorded it again, giving it the lush Yacht Rock treatment. Fleetwood Mac may not be considered official Yacht Rock gurus, but this song comes closest, with the majority of their members performing on it: Mick Fleetwood on drums, John McVie on bass, Christine McVie on piano as well as joining Lindsey Buckingham in background vocals. All that's missing is Stevie.

72. MISS SUN [Boz Scaggs; 1980; Chart Position on the Billboard Hot 100: #14]

We can thank this record for giving us our beloved Toto. Originally recorded by them in 1977, and due to their tight musicianship, Toto made a deal with Columbia Records solely based on their performance of this song. Ironically, it didn't make Toto's first LP, but Boz and the Toto gang recorded it for his Hits! compilation and the rest is Yacht Rock history.

71. JOSIE [Steely Dan; 1977; Chart Position on the Billboard Hot 100: #26]

One of Steely Dan's very best, especially Chuck Rainey's hypnotic bass. And those lyrics: " When Josie comes home/So bad/She's the best friend we ever had/She's the raw flame/The live wire/She prays like a Roman/With her eyes on fire." Question: Where is Josie coming home from? College? War? Prison? With Steely Dan's don't-care-if-listeners-understand-them obtuse lyrics, we'll never know.

70. YOU ARE THE WOMAN [Firefall; 1976; Chart Position on the Billboard Hot 100: #9]

69. STILL THE ONE [Orleans; 1976; Chart Position on the Billboard Hot 100: #5]

Two light-rock classics from Year One of Yacht Rock. "You Are the Woman" would become a quasi-staple of yachty wedding reception playlists, especially if a flautist happened to be on board; "Still the One" would be the commercial jingle for both ABC-TV in the 1970's and Applebee's restaurants just a couple of years ago.

68. YEAR OF THE CAT [Al Stewart; 1976; Chart Position on the Billboard Hot 100: #8]

Perhaps the most haunting song on the list; it's what you get when you mix Casablanca with the Vietnamese Zodiac.

67. THUNDER ISLAND [Jay Ferguson; 1977; ; Chart Position on the Billboard Hot 100: #9]

This passionate ode to island lovin' can be heard in Anchorman 2 , the hockey movie Miracle , and the great "To'Hajiilee" episode of Breaking Bad .

66. RICH GIRL [Hall & Oates; 1977; ; Chart Position on the Billboard Hot 100: #1]

Hall & Oates first chart-topper and perhaps the first #1 single to use the word "bitch" in it. Interestingly, the song was written about a guy initially-the spoiled heir to a Chicago-based entrepreneur who owned Walker Bros. Original Pancake House and ran fifteen KFC restaurants; the gender of the person was changed and the song suddenly became destined for pop culture immortality. And yes, it entered skin-crawling notoriety when Son of Sam himself, David Berkowitz, claimed the song inspired him to continue his serial killing rampage that paralyzed New York City that summer of '77.

65. MORNIN' [Al Jarreau; 1983; Chart Position on the Billboard Hot 100: #21]

64. LOVELY DAY [Bill Withers; 1977; Chart Position on the Billboard Hot 100: #30]

Two of the peppiest songs imaginable, both about splendid sunshine days, perfect for relaxing while you count your money on your very own yacht. Jarreau's "Mornin'" sounds like the feel-good opening of a Broadway show, while Withers hit the motherlode with "Lovely Day," ubiquitous in ads and movies for the past 45 years, complete with an impressive 18-second note that Withers sings that may be the longest ever in a Top-40 hit

63. ARTHUR'S THEME (BEST THAT YOU CAN DO) [Christopher Cross; 1981; Chart Position on the Billboard Hot 100: #1]

Christopher Cross is up there with Michael McDonald as the face of Yacht Rock, and this Academy Award winner for Best Song from the movie Arthur put Cross at the pinnacle of his success. He never came close to those heights again, but Yacht Rock gave his cannon (and career) a whole new life.

62. LONELY BOY [Andrew Gold; 1976; Chart Position on the Billboard Hot 100: #7]

Teenage psychopathy never sounded so good.

61. BEING WITH YOU [Smokey Robinson; 1981; Chart Position on the Billboard Hot 100: #2]

Smokey's "Being with You" was kept out of the #1 position because Kim Carnes' owned the top of the '81 charts with the behemoth "Bette Davis Eyes." So the story goes, Smokey loved Carnes' version of his own "More Love" from the year before that he wrote a song specifically for her...and that song was "Being with You." But it was such a strong tune that he opted to record it himself and eventually had to settle with it at #2, behind the person who the song was originally intended for.

60. HOW MUCH I FEEL [Ambrosia; 1978; Chart Position on the Billboard Hot 100: #3]

Ambrosia is another Yacht Rock giant whose slick soft pop sound and lush harmonies would epitomize the genre.

59. LIVING INSIDE MYSELF [Gino Vannelli; 1981; Chart Position on the Billboard Hot 100: #6]

Is this too intense for Yacht Rock? Maybe at times with Vannelli's head-bursting vocals. But it's a musical treasure trove, at times as dramatic as any Hamlet soliloquy, and Vannelli sings it like an overemotive Johnnie Ray resurrected with big hair.

58. JOJO [Boz Scaggs; 1980; Chart Position on the Billboard Hot 100: #17]

Smoothly soulful as it is , "Jojo" deals with the darker side of Yacht Rock. The title character is quite obviously a pimp, especially with lines like "fifty dollars, he'll get you all you want" or "His baby stays high...he keeps her on the street." As rough as the thematic waters may seem, the music is smooth sailing, the perfect fusion of pop, jazz and funk. All this and Toto, too.

57. WHAT YOU WON'T DO FOR LOVE [Bobby Caldwell; 1978; Chart Position on the Billboard Hot 100: #9]

Of course this made the list. A heart-shaped pressing of the song was released just in time for Valentine's Day, 1979, and cost a whopping $7.98 from consumers (which was the price of most LP's back then) . So many artists from Boys II Men, Michael Bolton and even Tupac Shakur either covered it or sampled its contagious mellowness.

56. LOVE TAKES TIME [Orleans; 1979; Chart Position on the Billboard Hot 100: #11]

At the time, here's how Cash Box described the music of this winner: "...synthesizer coloration, firm pounding beat, piano, searing guitar fills, tambourine and dynamic singing." In other words, 100% pure Yacht Rock!

55. KISS ON MY LIST [Hall & Oates; 1980; Chart Position on the Billboard Hot 100: #1]

Certainly on my list of the best things in life.

54. SO INTO YOU [Atlanta Rhythm Section; 1977; Chart Position on the Billboard Hot 100: #7]

The lightest of Southern Rockers, Atlanta Rhythm Section's laid back brand of guitar rock suited the late 70's perfectly, a nice alternate to the disco pandemic but not quite in Lynryd Skynyrd territory either. Also, is the title "So Into You" a double entendre? And were the lyrics more sexually explicit than we ever imagined? " It's gonna be good, don't you know/From your head to your toe/Me into you, you into me, me into you..."

53. YOU'RE THE ONLY WOMAN [Ambrosia; 1980; Chart Position on the Billboard Hot 100: #13]

In sone ways Ambrosia may be the most Yacht Rocky of all groups (don't worry, Toto and Steely Dan will always give them a run for the money). But this song underscores the carefree feel of the genre, like reclining on a yacht with these words on the breeze in the background: "You and I've been in love too long/To worry about tomorrow/Here's a place where we both belong/I know you're the only woman I'm dreaming of..." Not worrying about tomorrow, just floating without a care in tthe world. Is there anything more yachty than that?

52. I'D REALLY LOVE TO SEE YOU TONIGHT [England Dan & John Ford Coley; 1976; Chart Position on the Billboard Hot 100: #2]

Ingenious opening, the listener privy to a one-way phone conversation: " Hello, yeah, it's been a while/Not much, how 'bout you?/I'm not sure why I called/I guess, I really just wanted to talk to you ..." It's up to the listener to decide whether the caller is pathetic or sweet. "I'd Really Love to See You Tonight" may be the perfect easy listening song of all time, better than anything by Barry Manilow (who would cover it decades later); it's its sing-along boisterousness that saves it from being unceremoniously tossed into the Nyacht Rock bin.

51. EVERY TIME I THINK OF YOU [The Babys; 1978; Chart Position on the Billboard Hot 100: #13]

Another feel-good Babys bombast, pounding the power pop vibes in a song that's both intense and full of positive feelies.

50. ALL NIGHT LONG (ALL NIGHT) [Lionel Richie; 1983; Chart Position on the Billboard Hot 100: #1]

This massive hit has a bit of everything, a sort of melting pot of styles--adult contemporary, pop, R&B, Richie's soothing easy listening vocals, all to a Caribbean beat. The song was everywhere in 1984, in the popular music video (directed by Five East Pieces' Bob Rafelson and produced by Mike Nesmith of the Monkees), heard in the premiere of "Miami Vice," and sung by Richie at the closing ceremonies of the '84 Olympics. And what is the translation of the lines, " Tom bo li de say de moi ya/Yeah jambo jumbo"? Don't even bothering going to Google Translate; turns out they're just gibberish with no deeper meaning. No deeper meaning, i.e. the way we like our Yacht Rock.

49. IF YOU LEAVE ME NOW [Chicago; 1976; Chart Position on the Billboard Hot 100: #1]

So popular that it's featured in works as diverse as "The Modern Family," "South Park," Shaun of the Dead and even the video game, Grand Theft Auto V . It's perhaps the most soaring, lush, heartfelt and yearning ballad on the list, with Peter Cetera's lead vocals drowning listeners in waves of pure reverie.

48. JUST REMEMBER I LOVE YOU [Firefall; 1977; Chart Position on the Billboard Hot 100: #11]

Such a sober, serious song in such a vibrantly feel-good genre, and yet it's uplifting and filled with hope. I think of someone on the verge of suicide, maybe wanting to jump off a building or maybe seeking help calling a hotline, and the singer, perhaps a close friend, talking him or her down: " When there's so much trouble that you want to cry/When your love has crumbled and you don't know why/When your hopes are fading and they can't be found/Dreams have left you waiting, friends let you down..." But then the friend reminds the sorrowful soul, "just remember I love you and it will be all right" and that "maybe all your blues will wash away..." And that's really what Yacht Rock does, doesn't it? It washes those blues away.

47. BABY, COME TO ME [Patti Austin & James Ingram; 1982; Chart Position on the Billboard Hot 100: #1]

As with so many songs on this list, Michael McDonald adds superb backing vocals here, in this enchanting ballad made famous by its appearance on "General Hospital" as Luke and Holly's love song.

46. HEY NINETEEN [Steely Dan; 1980; Chart Position on the Billboard Hot 100: #10]

An aging boomer can't connect with his young lover; not quite Nabokovian but close, especially when the leering singer exclaims to his youngling in the perviest way possible, "Skate a little lower now!" The 19-year-old girl in question doesn't even know who Aretha Franklin is; I was 18 when the song was released and I sure knew the Queen of Soul as did most of my peers. Who, I wondered way back when, is this ditsy girl? Perhaps the most startling thing about the work is the singer's unblinking dive into cocaine and alcohol in order to be able to deal with a world that is slowly leaving him behind: " The Cuervo Gold / The fine Colombian / Make tonight a wonderful thing..."

45. YOU BELONG TO ME [Carly Simon; 1978; Chart Position on the Billboard Hot 100: #6]

44. HE'S SO SHY [The Pointer Sisters; 1980; Chart Position on the Billboard Hot 100: #3]

43. THROUGH THE FIRE [Chaka Khan; 1984; Chart Position on the Billboard Hot 100: #60]

Yacht Rock is not known for its diversity. Of course there are several songs by people of color, and there are definitely strong women on the chart, but we would be remiss if we did not mention that overall the genre is mostly male and white. But the women who do appear on the list have created some of the finest tunes of them all. Carly Simon's wondrous "You Belong to Me," written by Simon and Michael McDonald with backing vocals by James Taylor, started as a Doobie ballad, but Simon's more poignant version actually bests the "Brothers." The Pointer Sisters are not Yacht Rock, but their hit, "He's So Shy," certainly is; that they sang it with Isaac on an infamous episode of "The Love Boat" is about the highest order of Yachtdom there is. And Chaka Khan's "Through the Fire," produced by David Foster, is one her all-time greatest songs, even though it didn't score big in the Land of the Hot-100; still, Khan's vocals are breathtaking in this scorching torchy ballad that is nothing short of Yacht Rock gold bullion.

42. TIME OUT OF MIND [Steely Dan; 1980; Chart Position on the Billboard Hot 100: #22]

One of the funkiest songs about heroin ("chasing the dragon") ever written.

41. AN EVERLASTING LOVE [Andy Gibb; 1978; Chart Position on the Billboard Hot 100: #5]

40. AFTER THE LOVE HAS GONE [Earth, Wind & Fire; 1979; Chart Position on the Billboard Hot 100: #2]

39. I CAN'T TELL YOU WHY [The Eagles; 1979; Chart Position on the Billboard Hot 100: #8]

38. HUMAN NATURE [Michael Jackson; 1982; Chart Position on the Billboard Hot 100: #7]

Not all Yacht Rock hits are by Yacht Rock artists, as is the case with these four songs. The Bee Gees are definitely not Yacht Rock, especially their disco hits, and neither is brother Andy Gibb...with one exception. Gibb's "An Everlasting Love" with its nonstop overlapping vocals (combined with Barry Gibb's falsetto and the string arrangement) make this irresistible. Earth, Wind & Fire's "After the Love Has Gone," another David Foster masterpiece, with its rousing vocals and brilliant use of horns, is EWF's most gorgeous tune. The Eagles, certainly not a Yacht Rock group (though often mistaken as such), has one hit in their oeuvre that's unadulterated YR: "I Can't Tell You Why," with Timothy B. Schmidt, pulling out his inner Smokey Robinson and Al Green, providing its stirring lead vocals. And Michael Jackson's Yacht Rock entry, "Human Nature" from the Thriller album , was backed by members of Toto, with some of Jackson's most lush vocals, and is the dictionary definition of the word "euphoric."

37. HOT ROD HEARTS [Robbie Dupree; 1980; Chart Position on the Billboard Hot 100: #15] There are so many hits in the rock era about two teenagers making love in a parked car, from "Night Movies" to "Paradise By the Dashboard Lights," but "Heart Rod Hearts" may be the most daring of them all in its own way: " Ten miles east of the highway/Hot sparks burnin' the night away/Two lips touchin' together/Cheek to cheek, sweatshirt to sweater/Young love born in a back seat/Two hearts pound out a back beat / Headlights, somebody's comin'..." And obviously that last lyric just quoted has a rather sordid double meaning.

36. JUST THE TWO OF US [Grover Washington, Jr. with Bill Withers; 1981; Chart Position on the Billboard Hot 100: #2]

This jazzy ballad, with Withers' heart full o' soul vocals, is a soft-jazz saxfest, later spawning Will Smith's cover (about fathers and sons), Bill Cosby's unlistenable "Just the Slew of Us," and, most hilariously, Dr. Evil's duet with Mini Me in Austin Powers: The Spy Who Shagged Me .

35. MAGNET AND STEEL [Walter Egan; 1978; Chart Position on the Billboard Hot 100: #8]

Inspired by Fleetwood Mac's Stevie Nicks, who sings backup in it, "Magnet and Steel" is totally yachtriffic, with inspiring heavenly harmonies. A sort of musical snapshot of 1978, this light-rock masterwork is featured in the phenomenal Boogie Nights and the phlegmatic Deuce Bigalow: American Gigolo .

34. WHENEVER I CALL YOU FRIEND [Kenny Loggins with Stevie Nicks; 1978; Chart Position on the Billboard Hot 100: #5]

One of the great duet tracks on the list, written by Loggins and Melissa Manchester. When first released, because Stevie Nicks is not credited on the original 45 single, this was officially considered Loggins first solo Top-40 hit.

33. GIVE ME THE NIGHT [George Benson; 1980; Chart Position on the Billboard Hot 100: #4]

Yacht Rock was created for George Benson's jazzy-guitar, cool-funk sensibilities. Although "Give Me the Night" may border on disco, it's not quite there and rests firmly in our beloved Yacht Rock territory.

32. NEVER BE THE SAME [Christopher Cross; 1980; Chart Position on the Billboard Hot 100: #15]

Love never dies, not even after a break up, not even after you've found someone else; that's what this Christopher Cross song teaches us: " The years go by, there's always someone new/To try and help me forget about you/Time and again it does me no good/Love never feels the way that it should..."

31. TIME PASSAGES [Al Stewart; 1978; Chart Position on the Billboard Hot 100: #7]

There's a floating, drifting quality to the song, as '70's mellow as they come. The top single of the year on the Easy Listening charts, "Time Passages" has Al Stewart's thin voice singing, " Drifting into time passages / Years go falling in the fading light / Time passages/Buy me a ticket on the last train home tonight..." If he had sung about a "yacht" rather than a "train," then this classic might rest even higher on the YR list.

30. REAL LOVE [The Doobie Brothers; 1980; Chart Position on the Billboard Hot 100: #5]

29. LOTTA LOVE [Nicolette Larson; 1978; Chart Position on the Billboard Hot 100: #7]

Nicolette Larson sings backup on the Doobie's third biggest hit, "Real Love," and lead on her sweet cover of Neil Young's "Lotta Love." Take the lyric, "It's gonna take a lotta love/To change the way things are..." In Young's version, he comes across as rather somber, yearning, on the verge of melancholia, like it's a wish that he knows can never be fulfilled; Larson sings with a Melanie-like playfulness to a disco-light beat, and in her hands the song becomes life-affirming, vivacious, with a somewhat positive can-do attitude that's not found in the original.

28. I'M NOT GONNA LET IT BOTHER ME TONIGHT [Atlanta Rhythm Section; 1978; Chart Position on the Billboard Hot 100: #14]

This song's sensibility is all Yacht Rock...that the world is in upheaval, and there are terrors out there waiting to destroy us, but who cares when we can save the worry for another day? This outlook stands as the true philosophy of procrastination found in Yacht Rock: " About all the pain and injustice / About all of the sorrow / We're living in a danger zone / The world could end tomorrow/But I'm not gonna let it bother me tonight..."

27. FEELS SO GOOD [Chuck Mangione; 1978; Chart Position on the Billboard Hot 100: #4]

The title of this flugelhorn-driven instrumental says it all.

26. ALL RIGHT [Christopher Cross; 1983; Chart Position on the Billboard Hot 100: #12]

If you're ever down and troubled, then do yourself a favor: Put on Christopher Cross' "All Right," with MM's patented backing vocals, and watch as the bad times wash away and a smile creeps upon your face. This stands as perhaps the most optimistic song ever written: "'Cause it's all right, think we're gonna make it/Think it might just work out this time..."

25. TURN YOUR LOVE AROUND [George Benson; 1981; Chart Position on the Billboard Hot 100: #5]

George Benson + Toto + David Foster + Jay Graydon on guitar + an early use of the Linn LM-1 Drum machine = Yacht Rock platinum status.

24. MINUTE BY MINUTE [The Doobie Brothers; 1978; Chart Position on the Billboard Hot 100: #14]

Listening to this Michael McDonald marvel of mellowness beats Xanax any day.

23. ONE HUNDRED WAYS [Quincy Jones and James Ingram; 1981; Chart Position on the Billboard Hot 100: #14]

What a perfect example of scrumptiously soft soul music with the velvet voice of Mr. Ingram leading the way, singing a litany of 100 things to romance his lady. He's never been better than a moment in this Grammy-winner, when he hits outrageous notes while singing, "Sacrifice if you care/Buy her some moonlight to wear..." To quote Robert Palmer: Simply irresistible.

22. I LOVE YOU [The Climax Blues Band; 1981; Chart Position on the Billboard Hot 100: #12]

This surely plays on rotation in heaven.

21. BAKER STREET [Gerry Rafferty; 1978; Chart Position on the Billboard Hot 100: #2]

Is this the coolest Top-5 hit of the 1970's? With Raphael Ravencroft's searing saxophone riff rivaling anything by Clarence Clemons, the answer must be a resounding YES!

20. FM (NO STATIC AT ALL) [Steely Dan; 1978; Chart Position on the Billboard Hot 100: #22]

Perhaps the only Top-40 hit where the songwriters dare to rhyme "Elvis" with "yells his" and sing about "grapefruit wine." Recorded as the title song for a little-known 1978 film, FM, the significance of this Grammy-winning Steely Dan song cannot go unnoticed. The year it was released was the first time FM radio (clearer sound, no static at all) superseded AM radio (too much static) in listening popularity. So, if you ran an AM station and had to play a song called "FM" in rotation-a song about your competitor, a radio format that was making you obsolete-then what would you do? In the case of some stations, they edited the Steely Dan track and put the "A" sound from the group's song "Aja" where the "F" in "FM" should be. Their newly fine-tuned tune would be called "AM," even though the repeated phrase of "no static at all" would now make no sense whatsoever.

19. COOL NIGHT [Paul Davis; 1981; Chart Position on the Billboard Hot 100: #11]

Paul Davis' ultimate love song, even stronger than his iconic "I Go Crazy." Its boppin' bliss shields the fact that the lead singer is lost: " I sometimes wonder why /All the flowers have to die / I dream about you /And now, Summer's come and gone / And the nights they seem so long ..." But this is Paul Davis, and nothing can bring him down, not when there's a cool night comin' and he invites his love to join him by the fire so that they can bring "back memories of a good life when this love was not so old..." The singer's optimism is so heartfelt, and this being Yacht Rock, we know that these two will ultimately get back together.

18. REMINISCING [Little River Band; 1978; Chart Position on the Billboard Hot 100: #3]

This slick throwback to a black-and-white Cole Porter world should be on any indispensable wedding reception playlist, starting with a young couple falling in love and ending when they're older, spending their hours looking back at their good times. You would think this melodic pop treasure would be a Paul McCartney fave, but in an interesting twist, it was John Lennon who claimed "Reminiscing" as one of his favorite songs.

17. DEACON BLUES [Steely Dan; 1978; Chart Position on the Billboard Hot 100: #19]

This slick, sprawling mega-work about a midlife crisis is the most epic of Yacht Rock songs, its jazzy War and Peace , a veritable A la Recherche du Tremps Perdu . If you want to hear a fan of the University of Alabama cheer, then play them this line: "They call Alabama the Crimson Tide/Call me Deacon Blues." Still, the song is so seriously sober in tone that few people, even the most ardent of Alabama fanatics, will be yelling "Roll Tide!" after hearing it.

16. BABY COME BACK [Player; 1977; Chart Position on the Billboard Hot 100: #1]

Tranquil and comforting even though it was written after two of the Player members suffered recent break-ups. Pop culture has had a heyday with its infectious hook, with "Baby Come Back" popping up in the Transformers, "The Simpsons," "King of the Hill" and even a "General Hospital" ep featuring the band themselves playing this classic live.

15. AFRICA [Toto; 1982; Chart Position on the Billboard Hot 100: #1]

The Gods of Yacht Rock blessed the reign of this "Africa," Toto's sole #1 single that has been hailed by Rolling Stone magazine as "The New 'Don't Stop Believin'." It's been utilized in such works as Stranger Things, South Park and Grand Theft Auto: Vice City . During the funeral of Nelson Mandela, CBS accompanied the footage with this song, raising more than one eyebrow. But if you haven't heard the song in awhile, or have never heard it (who are you?), then please heed the song's advice: "Hurry, boy, it's waiting there for you!"

14. MOONLIGHT FEELS RIGHT [Starbuck; 1976; Chart Position on the Billboard Hot 100: #3]

"The wind blew some luck in my direction/I caught it in my hands today..." One of the earliest Yacht Rock ventures on the list, with nods to French Connections, Ole Miss, the Chesapeake Bay, Southern Belles ("hell at night") and 1974 graduates ("a class of '74 gold ring"). According to Casey Kasem on AT-40, it was also the first song to chart that featured a marimba. Wafts along so joyfully, complete with suggestive giggles at the end of a particularly evocative verse.

13. COOL CHANGE [Little River Band; 1979; Chart Position on the Billboard Hot 100: #10]

In its own way, perhaps the yachtiest song on the list, a plea for escape, to come to terms with nature, to sail away on the "cool and bright clear water." It's not unlike Thoreau's "Walden Pond" set to music: "Well, I was born in the sign of water/And it's there that I feel my best/The albatross and the whales, they are my brothers/It's kind of a special feeling/When you're out on the sea alone/Staring at the full moon like a lover..." With "Cool Change," we don't need to journey outdoors to escape by emracing nature, to climb mountains or to sail the seas; we have the song itself which, to this listener, becomes the perfect escape without ever having to leave the house.

12. THIS IS IT [Kenny Loggins; 1979; Chart Position on the Billboard Hot 100: #11]

"It's not a love song," Loggins once said. "It's a life song." If you want proof of American exceptionalism, go no further than here, because this is it . Although written for personal reasons, the song was needed when America was a bit down and out, "our backs to the corner" so to speak: Long gas lines, the Three Miles Island nuclear catastrophe, the cold war in its iciest state in years, and American hostages in Iran. And this song said it best: "Sometimes I believe/We'll always survive/Now I'm not so sure..." But then he stands tall and proclaims: "For once in your life/Here's your miracle/Stand up and fight!" I look at today, when America and the world once again are down and out (with soaring gas prices, gun violence, Russia invading the Ukraine and extreme tribalism); it's not a bad idea to play "This Is It" at full volume in order to lift our spirits, to help us stand up and fight through these dark days.

11. RIDE LIKE THE WIND [Christopher Cross; 1980; Chart Position on the Billboard Hot 100: #2]

It's like something you'd find in a Sam Peckinpah film: A murderer of ten people is on the run, escaping inevitable execution (by hanging), chased by a posse all the way "to the border of Mexico." And yes, in "Ride Like the Wind," the bad guy gets away with it in this thrilling ride of a song, both driving and jazzy, with the trumpeting death horns and Michael McDonald's background vocals seemingly chasing the outlaw lead singer. Only recently I discovered that the line in the song is "gunned down ten," not "Gunga Din"; am I the only one who misunderstood these lyrics for most of my life?

10. LOWDOWN [Boz Scaggs; 1976; Chart Position on the Billboard Hot 100: #3]

Here's the "dirty lowdown" (the honest truth) about "Lowdown." Boz Scaggs reinvented himself as the sunglasses-at-night bastion of cool with this soft-funk, discofied killer of a track. It was written by Scaggs and David Paich, their first collaboration; Paich, as you may know, would later go on to form the group Toto. Their creation would be honored with a Grammy win for best R&B song, and Scaggs would become the first white artist to win the award in that particular category. It could have also been one of the great additions to the Saturday Night Fever soundtrack, which the filmmakers wanted, but Boz's manager nixed the idea. They lost tons of money and popularity by settling for the soundtrack of the trauma-drama, Looking for Mr. Goodbar , where incidentally I first heard the song and wound up playing it over and over again long after it was a Top-10 hit.

9. LOVE WILL FIND A WAY [Pablo Cruise; 1978; Chart Position on the Billboard Hot 100: #6]

"Shadow Dancing" may have been the #1 song of '78, but it's this Pablo Cruise rollicking heap of pop brilliance that overfilled the radio airwaves that summer the way ivy covers the walls of Harvard. It was everywhere, and you couldn't escape it: "Once you get past the pain/You'll learn to find your love again." Such optimism, such hope, "Love Will Find a Way" became the signature hit of that fun-filled summer. It wasn't deep, but don't worry, it was happy. Pablo Cruise actually exemplifies the YR genre, the positive vibes perfect for summertime paradise by a band long forgotten, now remembered endearingly and, due to the recent adoration of Yacht Rock, justifiably immortalized.

8. ROSANNA [Toto; 1982; Chart Position on the Billboard Hot 100: #2]

The ultimate Toto tune and, thus, one of the Ultimate Yacht Rock entries. Named after Rosanna Arquette, the song became the summer anthem of '82, nesting at #2 for five weeks. The song's West Side Story -inspired music video featured Patrick Swayze, a year before The Outsiders, in a small part and Cynthia Rhodes as the title girl. Sylvester Stallone, who was directing Stayin' Alive at the time, saw Rhodes in the video and immediately cast her as a lead in his film. Stayin' Alive turned out to be a bad film, but it's a great story.

7. PEG [Steely Dan; 1977; Chart Position on the Billboard Hot 100: #11]

Welcome to L.A. where we're at a questionable photoshoot for an actress/model of perhaps ill-repute named Peg; narrating it is a disgruntle, sarcastic boyfriend who keeps her pictures with him and loves her even more due to her fame or infamy. The mention of foreign movies in the lyrics brings to mind seedier fair for our Pag, perhaps pornography. But any Steely Dan darkness that shrouds "Peg" is eclipsed by the jubilant music, so springy, so animated, so full of verve. Add Michael McDonald's patented backing vocals and Jay Graydon's guitar work, and you have nothing less than a fist-in-the-air triumph .

6. I KEEP FORGETTIN' (EVERY TIME YOU'RE NEAR) [Michael McDonald; 1982; Chart Position on the Billboard Hot 100: #4]

The captain of our Yacht Rock, Michael McDonald is everywhere in this 101. If you take only the top 12 songs, his voiceprints can be found somewhere in following: #12, #11, #7, #6, #3 and #1. And this song, his first big solo scribed by both McDonald and Ed Sanford (of the Sanford Townsend Band, famous for "Smoke from a Distant Fire"), obviously typifies the genre as strong as Coca Cola typifies soda. It even boasts the title of an episode of the online video series, "Yacht Rock," which after you've seen it is something you'll never forget.

5. STEAL AWAY [Robbie Dupree; 1980; Chart Position on the Billboard Hot 100: #6]

Yes, it sounds a little too close to the bubbly beat of "What a Fool Believes." And yes, it's the only time you will ever see Robbie Dupree in a Top-10 list during the modern era. But this is a wonder of Yacht Rocky delight, so shallow, so sweetly stupid, and so infectious to the ear. Listening to it might zap a few IQ points away from you, but the song is so agreeable, so toe-tappingly charming, who cares?

4. BIGGEST PART OF ME [Ambrosia; 1980; Chart Position on the Billboard Hot 100: #3]

Michael McDonald did not sing lead or backing vocals in "Biggest Part of Me," and he didn't write it, but he does have a footnote in its creation. When Ambrosia's David Pack scribed the song, the lead singer questioned his own lyrics: " There's a new sun arisin' /I can see a new horizon /That will keep me realizin'/You're the biggest part of me..." He wondered if it was too saccharine sweet for what he wanted, so he called the authority of such things, Michael McDonald. McDonald gave the thumbs up and the rest is Yacht Rock history.

3. HEART TO HEART [Kenny Loggins; 1982; Chart Position on the Billboard Hot 100: #15]

QUESTION: What do you get when your so-good-it-makes-you-wanna-cuss song features the Holy Trinity of Yacht Rock: Kenny Loggins, Michael McDonald and David Foster? ANSWER: A masterpiece.

2. SAILING [Christopher Cross; 1980; Chart Position on the Billboard Hot 100: #1]

Yacht Rock used to be known as the West Coast style, and "Sailing" is its finest example. Hearing it is akin to being on that yacht, wearing that silly captain's hat, and just chilling as the boat gently rocks with the breeze. Its accolades are many: Grammy Awards for Song of the Year, Record of the Year, Arrangemt of the Year and Best New Artist of the Year. Wow. And time has never erased it from our lives. Over the years you could hear the song on "WKRP in Cincinnati," "Family Guy," "Cobra Kai" and Hyundai TV commercials. I don't care who you are or where you are, "Sailing" automatically takes the listener "not far down from paradise." And, like me, you can find tranquility, just you wait and see.

And now for the #1 Yacht Rock song of all time...

1. WHAT A FOOL BELIEVES [The Doobie Brothers; 1978; Chart Position on the Billboard Hot 100: #1]

All right, Mr. and Mrs. Howell, our journey ends here, with this obvious Yacht Rock classic, a song written by our popes of YR, Kenny Loggins and Michael McDonald, where the stars were aligned upon its creation and everything went right. It hit Number One on the charts as well as winning Song of the Year and Record of the Year Grammy Awards. But it's the delectable beat fusing light-jazz and lighter-funk combined with McDonald's smooth velvet vocals that takes "What a Fool Believes" into the coveted top spot. No one can argue that this is the genre's finest three minutes and forty-one seconds. When it pops up on the radio or on your playlist, the world doesn't seem to be such a bad place, not with sophisticated keen pop like this. You have to turn up the volume. And It rightfully stands tall at the Number One position, the bouncy Citizen Kane of Yacht Rock.

And that's that. Have a great summer!

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