The Meaning of the Pseudonym Mark Twain

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  • M.A., English Literature, California State University - Sacramento
  • B.A., English, California State University - Sacramento

Samuel Clemens used several pseudonyms during his long writing career. The first was simply “Josh,” and the second was “Thomas Jefferson Snodgrass.” But, the author wrote his best-known works, including such American classics as The Adventures of Huckleberry Finn and The Adventures of Tom Sawyer , under the pen name Mark Twain . Both books center on the adventures of two boys, the namesakes for the novels, on the Mississippi River. Not surprisingly, Clemens adopted his pen name from his experiences piloting steamboats up and down the Mississippi.

Navigational Term

"Twain" literally means "two." As a riverboat pilot, Clemens would have heard the term, "Mark Twain," which means "two fathoms," on a regular basis. According to the UC Berkeley Library, Clemens first used this pseudonym in 1863, when he was working as a newspaper reporter in Nevada, long after his riverboat days.

Clemens became a riverboat "cub," or trainee, in 1857. Two years later, he earned his full pilot's license and began piloting the steamboat  Alonzo Child  upriver from New Orleans in January 1861. His piloting career was cut short when riverboat traffic ceased at the start of the Civil War that same year.

"Mark Twain" means the second mark on a line that measured depth, signifying two fathoms, or 12 feet, which was a safe depth for riverboats. The method of dropping a line to determine the water's depth was a way to read the river and avoid submerged rocks and reefs that could "tear the life out of the strongest vessel that ever floated," as Clemens wrote in his 1863 novel, " Life on the Mississippi ." 

Why Twain Adopted the Name

Clemens, himself, explained in "Life on the Mississippi" why he chose that particular moniker for his most famous novels. In this quote, he was referring to Horace E. Bixby, the grizzled pilot who taught Clemens to navigate the river during his two-year training phase:

"The old gentleman was not of literary turn or capacity, but he used to jot down brief paragraphs of plain practical information about the river, and sign them 'MARK TWAIN,' and give them to the 'New Orleans Picayune.' They related to the stage and condition of the river, and were accurate and valuable; and thus far, they contained no poison."

Twain lived far from the Mississippi (in Connecticut) when The Adventures of Tom Sawyer was published in 1876. But, that novel, as well as The Adventures of Huckleberry Finn , published in 1884 in the United Kingdom and in 1885 in the United States, were so infused with images of the Mississipi River that it seems fitting that Clemens would use a pen name that so closely tied him to the river. As he navigated the rocky path of his literary career (he was beset with financial problems through much of his life), it's fitting that he would choose a moniker that defined the very method riverboat captains used to safely navigate the sometimes treacherous waters of the mighty Mississippi.

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Mark Twain Claimed He Got His Pen Name From a Riverboat Captain. He May Have Actually Gotten It in a Saloon

Samuel Langhorne Clemens 1835 to 1910 known by pen name Mark Twain American humorist, satirist, writer, and lecturer From photograph taken in his old age

P owerful gravity drew young men west during the Civil War, especially after the armies began drafting to fill their ranks. One of the thousands who traveled “the plains across” was an obscure Missourian named Samuel Langhorne Clemens who had spent a few weeks riding with a band of Confederate irregulars. Despite Sam’s mild secessionist sympathies, his older brother Orion Clemens had campaigned for Abraham Lincoln. As reward, the new president appointed Orion secretary of the Nevada Territory, then in the throes of a mining frenzy centered on the Comstock Lode beneath booming Virginia City, the largest town in the territory. Sam went west with his brother on the overland stage in the late summer of 1861, there being, as his first great biographer wryly observed, “no place in the active Middle West just then for an officer of either army who had voluntarily retired from service.”

Orion Clemens took up his official duties in Carson City while Sam dashed about the territory trying to attach himself to some of its fabled wealth. (Writing as Mark Twain a decade later, he’d immortalize the experiences in Roughing It , making judicious use of “improved facts.”) Sam Clemens spent the rest of the year mining, and he found the labor “hard and long and dismal,” not to mention dangerous and un-remunerative.

Clemens did a measure of hard work as a miner through the first half of 1862, more than he allowed in Roughing It. One of his letters told of “picking” until blisters covered his hands. Clemens owned “feet,” meaning “shares,” in several promising mines, and his hopes for riches ran high. Clemens described one prospect to his brother as “a dead sure thing” before adding, realistically, “but then it’s the d—dest country for disappointments the world ever saw.”

Fortunately for American literary destiny, none of Clemens’s mines came in rich, or anything close. A gifted yarner, he amused his companions with lively storytelling, and he wrote burlesque sketches, a few of which found their way into the pages of Virginia City’s leading newspaper, the Territorial Enterprise , over the pseudonym “Josh,” a pen name presumably intended as more verb than noun. Like so many others in the Nevada Territory, Sam Clemens was rich in “feet,” but poor in cash. By July 1862, he was trying to sell writing to newspapers all over the West.

Joseph T. Goodman, publisher of the Enterprise , recognized a talent for clear, colorful, humorous writing in the author of the “Josh” letters and offered Clemens a job at $25 per week, steady employment that promised to save Clemens from penury. Accepting it meant surrendering his dream of mining wealth. After some soul-searching, Clemens resigned himself to the dead sure thing.

In simple frontier language, the budding but unpolished genius quickly demonstrated a unique ability to use embellishment, hyperbole, satire, caricature, parody, mock-flattery, and ridicule to flay bare essential truth. As his voice matured, Clemens’s stories, hoaxes, and brutal sketches grew into something entirely American, encapsulating the terrible whimsy, painful irony, and outrageous hilarity of life on the mining frontier. No conceit, swelled head, or stuffed shirt lived safe from his slashing pen, and the Enterprise soon raised his salary. “They pay me six dollars a day,” Clemens wrote his sister, “and I make 50 per cent profit by only doing three dollars worth of work.”

No matter. The readership reveled in his half day’s labor. Clemens had become widely known in Virginia City — if not necessarily widely liked — by the time the pseudonym Mark Twain first appeared in the Enterprise on February 3, 1863. A decade later, Clemens claimed he’d appropriated his by-then-famous nom de plume from a staid Mississippi riverboat captain. However, according to more convincing Virginia City legend, Clemens acquired the nickname before it appeared in print, derived from his habit of striding into the Old Corner Saloon and calling out to the barkeep to “Mark Twain!” a phrase Mississippi river boatmen sang out with their craft in two fathoms of water, but that in Virginia City meant bring two blasts of whisky to Sam Clemens and make two chalk marks against his account on the back wall of the saloon.

Although later in life, Clemens claimed not to have had “a large experience in the matter of alcoholic drinks,” men who knew him in Virginia City remembered substantial quantities of chalk ground down to a nub on his behalf. Regardless, one of the Comstockers Clemens had become acquainted with was the quiet, industrious, up-and-coming, and largely abstemious Irishman who superintended the Milton mine — John Mackay.

One day, Clemens visited Mackay in the Milton’s new office. Clemens found Mackay’s situation “rather sumptuous, for that day and place.” Mackay hadn’t been in “such very smooth circumstances” before. His office “had part of a carpet on the floor and two chairs instead of a candle-box.” Perhaps needing fodder for one of his fancy sketches, Clemens proposed they switch jobs. Mackay could have his place on the Enterprise . Clemens would run the Milton.

Mackay considered the offer. Superintending a mine required knowing how to bore, sink, stope, and ventilate underground workings, pump water, and hoist ore. A superintendent needed to understand the basics of static and dynamic mechanics, surveying, mineralogy, and geology, and possess the ability to lead and motivate men. Ever the practical and considerate man, Mackay asked how much Clemens’s newspaper job was worth.

“Forty dollars a week,” Clemens answered.

“I never swindled anybody in my life, and I don’t want to begin with you,” Mackay stammered. “This business of mine is not worth $40 a week. You stay where you are and I will try to get a living out of this.”

Decades later, when Mark Twain was the most famous American writer and raconteur in the world, he delighted in the light the anecdote shone on John Mackay, a man who was not just his friend, but who had by then become, in Twain’s description, “the first of the hundred millionaires.”

They stayed friends until Mackay’s death in 1902, with the taciturn old miner justifying his relationship with often testy Mark Twain by saying, “I’m addicted to the society of literary men.” By then, Clemens hadn’t set foot in mining country in more than thirty years, but he looked back on his formative years on the Comstock Lode with affection. As he wrote a mutual friend of both his and Mackay’s three years after Mackay’s death, “Those were the days!—those old ones. They will come no more. Youth will come no more. They were so full to the brim with the wine of life; there have been no others like them.”

From The Bonanza King by Gregory Crouch. Copyright © 2018 by Gregory Crouch. Reprinted by permission of Scribner, an Imprint of Simon & Schuster, Inc.

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What Does Twain Mean? Unraveling the Enigma Behind Mark Twain's Name

Mark twain is a name that is synonymous with american literature. born as samuel langhorne clemens on november 30, 1835, in florida, missouri, twain went on to become one of the most influential writers in the history of the united states. however, his choice of pen name, “mark twain,” has intrigued readers and literary enthusiasts for years. so, what does twain mean let’s delve into the enigma behind mark twain’s name..

What Does Twain Mean? Unraveling the Enigma Behind Mark Twain's Name

Who was Mark Twain?

Before we explore the meaning behind his pen name, let’s briefly discuss the man behind it. Mark Twain was an American writer, humorist, and lecturer, best known for his novels, The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn . His works captured the essence of American life and provided insightful social commentary during that period. Twain’s writing style was witty, satirical, and deeply rooted in his experiences growing up along the Mississippi River.

Why did Samuel Clemens choose the pen name Mark Twain?

The choice of “Mark Twain” as a pen name was not a random decision but stemmed from Samuel Clemens’ career as a riverboat pilot on the Mississippi River. “Mark twain” was a common term used by riverboat crew members to indicate that the water depth was two fathoms or 12 feet, which was considered a safe depth for navigation.

Clemens, during his time working on the river, heard the term repeatedly and found it fascinating. He eventually adopted “Mark Twain” as his pen name, honoring his past profession and the river that played a significant role in shaping his life and writing.

What is the significance of the pen name Mark Twain?

Beyond paying homage to his riverboat pilot days, the pen name Mark Twain carried additional significance. It was a symbol of the journey, progress, and new beginnings. Just as “mark twain” meant safe passage for river travelers, it also represented a new chapter in Samuel Clemens’ life as he transitioned from a steamboat pilot to a renowned writer.

Was Mark Twain a common term in the 19th century?

No, “Mark Twain” was not a widely recognized term in the general public during the 19th century. It was mainly used by riverboat crew members who were familiar with the intricacies of navigating the Mississippi River. However, after Samuel Clemens adopted the name as his pen name, it gained popularity and became synonymous with his literary legacy.

Mark Twain’s choice of pen name, “Mark Twain,” reveals a deeper connection to his past as a riverboat pilot and reflects the journey and progress he made in his life. The name offers a glimpse into his life experiences and adds to the allure surrounding his literary contributions. From the banks of the Mississippi River to the pages of American literature, Mark Twain’s name will forever be etched in literary history.

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Mark Twain Riverboat

mark twain riverboat meaning

The Mark Twain Riverboat goes on a gentle cruise around Tom Sawyer Island. That's the same route that the Sailing Ship Columbia and Davy Crockett Explorer Canoes take, and I'd suggest choosing only one of these three attractions. You don't need to see that same scenery three times.

What You Need to Know About the Mark Twain Riverboat

TripSavvy / Betsy Malloy Photography

We polled 131 of our readers to find out what they think about the riverboat. 74% of them said It's a must-do or ride it if you have time, making it one of the lower-rated things to do at Disneyland.

  • Location:  Mark Twain Riverboat is in Frontierland
  • Rating:  ★
  • Restrictions:   No height restrictions. Children under age seven years must be accompanied by a person age 14 years or older.
  • Ride Time:   12 minutes
  • Recommended for:   Everyone
  • Fun Factor:  Low
  • Wait Factor:  Low    
  • Fear Factor:  Low
  • Herky-Jerky Factor:  Low
  • Nausea Factor:  Low
  • Seating:   You just get on and ride, and you can move around while it's going
  • Accessibility:   This ride is fully accessible, and you can stay in your wheelchair or ECV for the whole thing, but you'll only get onto the lower level. Go to the access gate on the right side of the turnstile or enter through the attraction exit and ask a Cast Member for help.  More about visiting Disneyland in a wheelchair or ECV

How to Have More Fun on the Mark Twain Riverboat

  • If you want to  rest your feet , head for the seats in the front as soon as you get on.
  • This ride  closes before dark
  • Watch the kids.  They may be tempted to climb on the railings and could fall off.
  • If you ask a cast member, the  pilot might let you ride inside with him . This is limited to just a couple of people per trip.

Next Disneyland Ride: Davy Crockett Explorer Canoes

More about disneyland rides.

You can  see all the Disneyland rides at a glance on the Disneyland Ride Sheet . If you want to browse through them starting with the best-rated,  start with the Haunted Mansion  and follow the navigation.

While you're thinking about rides, you should also  download Our Recommended Disneyland Apps (they're all free!)  and  Get Some Proven Tips to Minimize Your Disneyland Wait Time .

Fun Facts About Mark Twain Riverboat

Built in 1955, this was the first paddle wheeler built since shortly after 1900. It was built at the Disney Studios, except for the hull which was constructed at a shipyard in San Pedro. But don't let that fool you. It's a working reproduction of the historic vessels that ferried people up and down the mighty Mississippi, with a working steam engine that powers the large paddle, which in turn propels the boat.

The Mark Twain made its first voyage four days before Disneyland opened to the public, for Walt and Lillian Disney's 30th wedding anniversary. 

The Mark Twain was christened by actress   Irene Dunne who starred in the 1936 movie "Showboat" on Disneyland's Opening Day.

The boat is 28 feet tall and 105 feet long, with four decks.

The writer Mark Twain was a riverboat pilot on the Mississippi river when he was younger, and one of Walt Disney's personal heroes, which is why Walt named the boat after him.

A riverboat ride was in the plans from the earliest days, when Walt Disney started the first plans for building an amusement park near Walt Disney Studios in Burbank.

Every Disney theme park throughout the world has their own version of the Mark Twain riverboat. 

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How the Mississippi River Made Mark Twain… And Vice Versa

No novelist captured the muddy waterway and its people like the creator of Huckleberry Finn, as a journey along the river makes clear

David Carkeet

Mark Twain, Mississippi River

Josh. Rambler. Soleather. Sergeant Fathom. Thomas Jefferson Snod­grass. W. Epaminondas Adrastus Blab. A Son of Adam.

I ran through the names in my head as I devoured dry-rub barbecue and piled up napkins at Memphis’ bustling Rendezvous. The restaurant’s slogan—“Not since Adam has a rib been this famous”—had reminded me of Mark Twain’s fondness for comic allusions to Adam, to the extent that he based an early pen name on him. But “A Son of Adam,” along with “Josh” and “Rambler” and his other experiments, belonged to an amateur, a man who occasionally wrote while otherwise employed as a printer, steamboat pilot and miner. Not until he became a full-time journalist, far from the river, in the alkali dust of the Nevada Territory, did he settle on “Mark Twain.”

You work up a hunger walking half the length of the Mississippi—even along a virtual version of the river. I had come to the Rendezvous from the Riverwalk on Mud Island near downtown Memphis—a gurgling scale model of the lower half of the Mississippi from its confluence with the Ohio all the way to the Gulf. The Riverwalk affords an outdoor stroll that covers 1,000 miles on a scale of one step to the mile. A mockingbird kept me company as I sauntered on the buff-colored concrete mosaic and watched kids tumble over the elevation intervals layered on the model’s riverbank, rising from the channel like a stairway of stacked pancakes. What would Samuel Clemens have made of the Riverwalk? He was a grown child who readily took a God’s-eye view of life on earth. He would have loved it.

All that the model lacked was the highway running the Mississippi’s length—the Great River Road, my home for the next several days. My guiding star would be the signs with the pilot-wheel logo that beckons all who are willing to suspend time and turn off the GPS. The Great River Road is a map line drawn in many inks, consisting of federal, state, county and town roads, and even, it sometimes seems, private drives. In Illinois alone, it comprises 29 different roads and highways. Touted as a “scenic byway,” it is often not scenic and occasionally a thruway. But it is a unique way to sample this country’s present and past; its rich, its formerly rich and everyone else; its Indian mounds and Army forts; its wildlife from tundra swans to alligators; and its ceaseless engines of commerce.

mark twain riverboat meaning

One of which was the steamboat—indigenous, glorious and preposterous.

Indigenous. Europe had nothing like it. Charles Dickens, who in 1842 rode three different steamboats down the Ohio and up to St. Louis and back again, had the vocabulary knocked out of him when he first saw one. In American Notes , he writes that they were “foreign to all the ideas we are accustomed to entertain of boats. I hardly know what to liken them to, or how to describe them.” Lacking any “boat-like gear,” they looked as if they were built “to perform some unknown service, high and dry, upon a mountaintop.”

Glorious. They were “floating palaces,” and their tiers and filigrees made them “as beautiful as a wedding cake but without the complications,” as Mark Twain did not say. And they transformed the movement of people and goods on the river, formerly limited to flatboats and keelboats borne by the current, which were destroyed for scrap wood at the river’s mouth or laboriously pulled and poled back upriver. Nicholas Roosevelt (great-grand-uncle of Teddy) introduced the steamboat to the Mississippi when he steered the New Orleans into the river from the Ohio in 1811. During his journey, when he had occasion to turn the boat around and steam upriver, onlookers gaped and cheered.

Preposterous. You can heat an average New England house for an entire winter on four or five cords of wood; the larger steamboats in mid-century burned 50 to 75 cords of wood in one day. And thanks to commercial greed, frontier recklessness and the lust for showboating speed, steamboats were mayflies of mortality. In 1849, of the 572 steamboats operating on the Western rivers, only 22 were more than five years old. The others? Gone to a watery grave from snags, logs, bars, collisions, fires and boiler explosions. Smokestacks discharging the exhaust of open furnaces belched cinders onto wooden decks and cargoes of cotton, hay and turpentine. The most calamitous blows came from boiler explosions, which hurled boat fragments and bodies hundreds of feet into the air. When they didn’t land back on the boat or in the water, victims flew clear to shore and crashed through roofs or, in the words of one contemporary account, “shot like cannonballs through the solid walls of houses.”

Memphis saw the aftermath of many river tragedies. Mark Twain sadly chronicles one in Life on the Mississippi , his river memoir that treats his four years of steamboat piloting before the Civil War. In 1858, Sam, still a “cub” or apprentice pilot, encouraged his younger brother, Henry—sweet-tempered and cherished by the family—to take a job as an assistant clerk on the Pennsylvania , Sam’s boat at the time. On the way to New Orleans, the abusive pilot, under whom Sam had already been chafing for several trips, went too far and attacked Henry. Sam intervened, and the two pilots scuffled. Sam was forced to find a different boat for the upriver return, but Henry remained on the Pennsylvania . Two days behind his brother on the river, Sam received the awful news of a boiler explosion on the Pennsylvania . Henry, fatally injured, was taken to a makeshift hospital up the river in Memphis. When Sam reached his bedside, the sheer pathos of the meeting moved a newspaper reporter to single out the pair of brothers by name. The sympathetic citizens of Memphis—which Clemens would later call “the Good Samaritan City of the Mississippi”—worried that Sam was unhinged by grief and sent a companion to accompany him when he took Henry’s body north to St. Louis.

Fortunately I had no need of the ministrations of the city, though I did find myself delighted to receive many a “sir,” “my man” and “my friend.” An encounter with a stranger on an isolated street in Memphis seemed to call for a nod or greeting, not the averted gaze of a Northern city. Such is the South. But so is this: On my way to my car to head north, I swung through Confederate Park, which sits on the bluff from which Memphians watched the Southern river fleet lose the battle for the city in 1862, and I wandered over to a bronze statue that had caught my eye. It was Jefferson Davis. Etched into the granite base: “He was a true American patriot.” A Yankee leaves a tribute like that scratching his head.

The Great River Road often hugs the river for miles; at other times it seeks high ground. In the Kentucky stretch, to see the river you must take a side trip, say, to the Columbus-Belmont State Park, peaceful now but not always—some of its gentle hills are trench walls from the war. In December of 1861, Ulysses S. Grant, based just up the river in Cairo, Illinois, led 3,000 Federals in a harassing attack here, not on the dug-in Confederate force on the bluff but against a smaller encampment on the Missouri side of the river. The long day of advance and retreat, essentially a draw, included several close calls for the Union brigade commander. Looming over the site is a Confederate cannon, unearthed by a local historian 16 years ago from under 42 feet of soil.

The river has a long history of diggers and salvagers. A few miles up the road, another side trip delivers you to Wickliffe Mounds, site of one of the many Mississippian culture villages along the river. This one dates from circa 1100 to 1350 and was first excavated in the 1930s by a Kentucky lumber magnate and devoted amateur archaeologist, Fain King, who created a tourist attraction that presented the exposed bones of Native Americans as objects of curiosity. But, more important, they are the remains of venerable ancestors, as Congress declared in the Native American Graves Protection and Repatriation Act of 1990. This requires that disposition of native skeletal remains be transferred to tribal descendants or, if unknown, to a tribe best representing them. The “Ancient Buried City” skeletons were ceremonially reinterred by members of the Chickasaw Nation, and the mounds were restored to their original form.

I drove on to St. Louis to meet Kris Zapalac, an energetic historian and preservationist—and debunker. Don’t be surprised if her first words to you address misconceptions she suspects you are laboring under. She might warn you to be suspicious of memorials: “Just because there’s a tunnel somewhere doesn’t mean it was part of the Underground Railroad.” Or she might tell you that slaves escaping to freedom weren’t invariably helped by outsiders, white or otherwise: “People are always looking for a Harriet Tubman.”

Kris picked me up outside the city’s Old Courthouse, where I had spent the morning studying the comprehensive Dred Scott display. Driving north on Broadway, she pointed to the 1874 Eads Bridge, for which she had managed to find a railing design that met code requirements and also closely matched the original. James B. Eads—“B” for Buchanan, but it should stand for “Brainstorm”—was a dynamo of ingenuity. He devised ironclad gunboats for the Union, created the navigation channel for deep-water ships at the mouth of the Mississippi and—my personal favorite—invented a diving bell. Like Henry Clemens, Eads began his river career as an assistant clerk, and as he watched steamboats all around him go down, he saw money to be made from reclaiming their cargo and fittings. He invented a contraption that for years only he was willing to use, and no wonder. It was a 40-gallon whiskey barrel with one end removed and the other linked to a boat by a supporting cable and an air hose. Once he was installed in it, the barrel would be submerged, open end first to capture the air (imagine an inverted glass in a full dish tub). At the bottom, he would wander the underwater terrain, fighting the current and the dismal murk in search of treasure. Eads should have died many times. Instead, he established himself as a pioneering, if somewhat zany, engineer.

Four miles north of the St. Louis Arch, Kris and I arrived at our destination—an Underground Railroad site she had discovered. Here, in 1855, a small group of slaves attempted to cross the river to Illinois, among them a woman named Esther and her two children. However, authorities lay in wait for them on the Illinois riverbank. A few slaves escaped, but most were apprehended, among them Esther, who was owned by Henry Shaw—a name known to all St. Louisans for the vast botanical garden he developed and bequeathed to the city. To punish Esther for the attempt, Shaw sold her down the river, separating her from her two children. Kris, working from newspaper accounts and receipts of slave sales, put the facts together and arrived at the likely spot on the river where the skiff had cast off. In 2001, the site was recognized by the National Park Service’s Underground Railroad Network to Freedom.

At the crossing, I tried to imagine the silent nighttime boarding and departure and the bitter disappointment across the river. Because of the 1850 Fugitive Slave Act requiring citizens of free states to aid in the capture of freedom seekers, Illinois represented not freedom to a slave but rather a different kind of danger. I thought of Mark Twain’s Jim in Adventures of Huckleberry Finn , hiding on the island to avoid the fate ultimately dealt to Esther. Meanwhile, Huck, disguised as a girl, learns from an otherwise kindly Illinois woman that she suspects a runaway slave is camped on the island and that she has alerted her husband, who is about to head out to capture him. That scene leads to the most famous use of the first-person plural pronoun in literature: Huck dashes back to the island, awakens Jim, and instinctively signs on to his struggle with the words, “They’re after us.”

Kris and I stepped into the nearby information center housed in a square metal former Coast Guard building and were welcomed by a lively, loquacious host. Kris hadn’t been to the site in a while, and when our host learned that she was the one who had discovered the facts of the crossing, he beamed and high-fived her and included me as well, though entirely undeserving. He said to her, “You’re a great lady. You’re a great lady.” Kris shook her head. “I’m a historian,” she said.

I left Kris to her current project—researching hundreds of freedom suits filed by slaves in Missouri courts—and drove up the Missouri segment of the Great River Road known as the Little Dixie Highway. I passed through the small town of Louisiana, where young Sam Clemens was put ashore after being found stowed away on a steamboat from Hannibal, 30 miles up the river. He was 7 years old. I thought about the difference between the boy who had grown up in Hannibal in the 1840s and ’50s and the Mark Twain who had written the island scene in Huckleberry Finn . I had recently read Searching for Jim: Slavery in Sam Clemens’s World , a book by Terrell Dempsey, a former Hannibalian now living not far from that town in Quincy, Illinois. Dempsey had long doubted that Hannibal’s full slave history had been properly told, and he and his wife, Vicki—an attorney like himself—began to spend evenings and weekends spooling through the local newspaper archive.

To read Searching for Jim is to understand the racist cruelty of the society in which Clemens grew up—the grinding labor that was the slaves’ daily lot; the beatings they endured, sometimes to the point of death; the white citizens’ loathing for abolitionists and free blacks; the racist jokes passed from one newspaper to another, some of which young Sam, as an apprentice printer, set in type. The Clemens household kept slaves, and Sam’s father sat on a jury that sent three abolitionists to prison for 12 years. To reread Mark Twain with a fuller sense of that world is to appreciate the long moral journey he had to make in order to—like Huck—sign on to Jim’s struggle.

I met Terrell and Vicki in their home in Quincy—an 1889 Queen Anne, one of dozens of enviable Victorian homes in the town’s East End Historic District. Terrell proposed a boat ride despite threatening weather. We drove to the dock on Quinsippi Island, unwrapped their modest pontoon boat and headed out. We passed close by a tow pushing nine covered barges and speculated about their contents. Three of the barges rode high in the water—empties, Terrell explained to his landlubber guest.

We talked about Clemens’ early environment and what he wrote—and didn’t write—about it. I mentioned something that had struck me in my recent rereading of Life on the Mississippi , a book not just about Clemens’ piloting years but also—the bulk of it, in fact—about life on the river when he revisited it in 1882. Slaves were a constant presence on antebellum steamboats, both as forced laborers on the deck and in chained droves being taken downriver. Yet there is no mention of them on the boats in the memoir portion, nor is there reflection on their absence in 1882.

Terrell, a bluff fellow, said, “He didn’t want to remind people where he came from.”

As the hum of the outboard stirred large carp into the air (but not into the boat), we talked of other omissions and shadings in Mark Twain’s works. A memoir by a piloting colleague of Clemens’ tells of how they both avoided being drafted as Union pilots in the summer of 1861 when the general in the St. Louis office who was about to complete the paperwork became distracted by some pretty women in the hall and stepped out the door. This allowed the near-conscripts to desert via a different door. It’s a perfect Mark Twain story that Mark Twain never told.

Vicki, huddling against the wind off the river, said, “He also never wrote about defrauding the abolitionist society.”

This was a curious episode uncovered by literary scholar Robert Sattelmeyer and then skillfully sleuthed by him. The Boston Vigilance Committee was an abolitionist group that rendered financial support to fugitive slaves and occasionally put its funds to other uses. For example, if someone wrote to the society from, say, Missouri, that he needed financial help to go to, say, Boston, the committee might very well respond with cash if the circumstances were right—as they seemed to be in this case, according to a September 1854 entry in the treasurer’s ledger book: $24.50 paid to one “Samuel Clemens” for “passage from Missouri Penitentiary to Boston—he having been imprisoned there two years for aiding Fugitives to escape.” Sattelmeyer established that only one Samuel Clemens lived in Missouri in this period and that no Samuel Clemens had served in the state penitentiary. The explanation must be that young Sam, like his later creation Tom Sawyer, enjoyed a good joke at others’ expense, and what better dupes to hoodwink than those meddling abolitionists?

Why would Clemens do such a thing? Because he was an 18-year-old who had grown up in a slave state. A little over a decade later, he would woo Olivia Langdon of Elmira, New York, daughter of an abolitionist not just in theory but in practice: Her father, Jervis Langdon, helped fund the work of John W. Jones, a former slave and Underground Railroad conductor who aided hundreds of escaped slaves on their flight north. I wondered aloud, there on the boat, if Clemens’ anti-abolitionist prank ever made it into the Elmira dinner table conversation during his two-year courtship.

“Doubtful,” said Terrell. He revved the outboard, looked back at the carp leaping in our wake, and grinned. “That really pisses them off,” he said.

The next day I visited Hannibal, a town that will always feel as small as it was when Clemens grew up, bounded as it is by a bluff on its north side, another bluff just 12 blocks to the south, and the river to the east. I was curious about changes in the Mark Twain Boyhood Home and Museum, which I hadn’t visited for two decades. The concise narrative in the museum’s “interpretive center” (completed in 2005) presented Clemens’ early life without overload. Mercifully free of the looping banjo and fiddle music that had dogged me through other river museums, the room was silent save for a single whispered comment I heard from one museumgoer to another, “I didn’t know he was so poor.”

I was happy to see a large photograph of Sam’s older brother Orion in the interpretive center, looking more distinguished than his reputation. Orion was a bumbler with a disastrous career record, but he was earnest and good-hearted. Sam, in adulthood, showed an anger toward him that had always seemed excessive to me. Now, looking at the portrait on the heels of that one overheard comment, I wondered if Sam’s anger could have gone back to the fact that when he was just 11 and his father died, poverty forced his mother to remove him from school and apprentice him to a stern local printer, and this would not have been the case if Orion, ten years his senior, hadn’t been an incompetent from birth and had been able to provide for the family.

I next went to the boyhood home, sliced down one side from front to back like a dollhouse, its three rooms on each of its two levels protected by glass but still allowing an intimate view. A high-school boy behind me, upon bursting into the parlor from the gift shop, said to himself, with feeling, “This is sweet!” The home was working its magic on him. On the wooden floor of the kitchen lay a thin rug with a sign explaining that a slave would have slept here, rising early to light the fire for the household. This pallet was installed at the suggestion of Terrell Dempsey, who has agitated over the years for the museum to give more attention to slavery. Before him, in the 1990s, Mark Twain scholar Shelley Fisher Fishkin made a similar appeal, and the museum indeed now does the subject justice.

After my tour, I sought out the museum’s executive director, Cindy Lovell. While I was in her office, curator Henry Sweets looked in on us long enough to hear me express delight in the exhibits before he hurried off to attend to his many duties, as he has done since 1978. The two of them are Twainiacs even beyond what you would expect from their positions. Cindy, speaking of other curators and scholars, will say, “He’s a geek for Twain,” and “She’s got the bug” and “She gets it.” Or the death sentence: “He gets things wrong.” Don’t try to quote Mark Twain in her presence. She will finish the quotation—with corrections—and extend it beyond your intentions.

Cindy gave me a director’s-eye view of Twain World—a place with at least five headquarters (in addition to Hannibal: Berkeley, California; Hartford, Connecticut; Elmira, New York; and his birthplace in nearby Florida, Missouri). “They’re wonderful people,” she said. “It’s a great community.” Unfortunately, though, Clemens’ artifacts are spread hither and yon. A 12-foot mirror from his Fifth Avenue New York apartment is in a Dubuque river museum. “It’s crazy!” she said. “They’re all over the place. Florida has the family carriage!” The carriage properly belonged in Hartford, where it had seen regular use by Sam, Olivia and their three daughters, not in the Missouri burg Sammy had left at age 3. I imagined a coordinated multi-party swap happening, like a kidney exchange, where each museum received the goods that suited it.

At Cindy’s suggestion, we repaired in my rental car to two Twain geek haunts—the Mount Olivet Cemetery, where many Clemenses repose (father, mother and brothers Henry and Orion; as for Sam, Olivia and their children, they are all buried in Elmira), and then the Baptist cemetery, where Tom Sawyer read “Sacred to the Memory of So-and-so,” painted on the boards above the graves, and you can read it now on the tombstones that have replaced them. Here, before Tom’s and Huck’s terrified eyes, Injun Joe murdered Dr. Robinson. Cindy told me of her fondness for bringing school-age writers to the cemetery at night and reading that passage to them by candlelight. They huddle close. (Alas, no more. As if to demonstrate the comity in Twain World, not long after my visit, Cindy became executive director of the Mark Twain House & Museum in Hartford.)

It’s a big river, as they say, and I had to move on. Comedian Buddy Hackett once said that words with a “k” in them are funny. By this measure Keo­kuk is overqualified. Orion moved to this Iowa river town just across the border from Missouri, and although he characteristically struggled as a newspaper editor, he succeeded in becoming an opponent of slavery, much to the chagrin of young Sam.

I stayed at a B&B on Keokuk’s Grand Avenue, well named for the view of the river the broad street commands from the bluff. In the morning, two bright-eyed, white-shirted couples joined me at the breakfast table. They said they were from Salt Lake City, I said I was from Vermont, and we agreed not to discuss politics. Each couple had a son “on mission,” one in Russia, the other in New Caledonia, and the four of them were on a weeklong pilgrimage along the Mormon Pioneer Trail that traces the migration of the faith’s persecuted forebears from western Missouri east to Illinois, then west again, finally to Utah. They asked about my travels, and I mentioned Mark Twain. One of the men, with an ambiguous smile, said that Mark Twain had written that the Book of Mormon was “a cure for insomnia.” (Actually, “chloro-form in print,” which I didn’t recall at the table. Where was Cindy when I needed her?)

I wanted to ask about their pilgrimage, but I hung fire on the phrasing. “Do all Mormons do this?” would sound as if I saw them as a herd. My every thought seemed rooted in stereotype. The sole coffee drinker at the table, I felt like an alcoholic with each sip. When one of the men checked something on his iPad, I thought, “Hmm, so Mormons are allowed to use iPads.” We parted on the friendliest of terms, but I felt the gulf of a vast difference, created mainly by my ignorance.

I drove north on Grand Avenue, passing homes in a range of styles—Queen Anne, Dutch Colonial Revival, Gothic Revival and Prairie School—all in a six-block stretch. But these piles, unlike the Quincy houses I had admired, did not suggest a neighborhood as much as isolated testaments to an earlier prosperity. The road dropped down, wound along the river and then delivered me without fanfare into the tranquil village of Montrose, with churches sized to match its population. Just to the north, I happened upon one of the reasons the B&B pilgrims had come here. Across the river in Nauvoo, Illinois, beginning in 1839, Mormon settlers cleared swamps and established a town that swiftly grew into the largest in the state. The surrounding communities, threatened by the Mormons’ beliefs—and their success—murdered leader Joseph Smith in 1844, and in 1846 they began to drive the Mormons out of the area. The first to flee crossed the river on ice in February, though many perished, and, at the site where I now stood, the survivors huddled and looked back on the temple and the town they had lost. On the trip so far I had passed several crossings along routes once traveled by Native Americans being forcibly relocated to Indian Territory. This place too, I thought, is a Trail of Tears. I looked down the road, hoping that my B&B pilgrims might come while I was there so that we could become reacquainted on their turf, but the timing wasn’t right.

Onward. The 250-mile Wisconsin segment of the Great River Road recently won a “Most Beautiful Road Trip” survey conducted by the Huffington Post , beating out Hawaii’s Hana Highway and California’s Big Sur Coast Highway. I needed to see it for myself. The next day, I headed out from Dubuque before dawn, crossed into Wisconsin and panicked when the highway seemed to take me at right angles away from the river. But the pilot-wheel signs reassured me and steered me through rolling farmland back to the river. The landscape began to feel different from what I had experienced so far, and I knew why: I was in “the driftless area.” The most recent glacial period in North America, the Wisconsin Glaciation, spared this part of the river basin for reasons “that are poorly understood,” especially by me. “Drift” is the deposit left behind by a glacier (thus the name), but what most distinguishes the terrain is its unscoured range of towering bluffs along the river. These begin to appear about 50 miles north of Dubuque.

The bluffs are one of two surprises in the driftless area. The other is that the river sometimes becomes a lake. Locks and dams are often the cause, flooding upriver sloughs and bottomlands. But Lake Pepin, 21 miles long and so wide that the sight of it is initially disorienting, has a natural origin. At its southern end, Wisconsin’s Chippewa River flows on a steep gradient that delivers massive amounts of sediment into the Mississippi. Over the centuries, the encroaching deposit created a “delta dam,” backing the Mississippi up until it flooded to the bases of the confining bluffs.

Not far from Lake Pepin, I came across a sign for Maiden Rock. The “historical” marker told the tired story of the Indian maiden forcibly betrothed to a brave who was not the brave she loved, the tale climaxing in her despondent plunge to the rocks below. Winona was the maiden’s name, and the cliff looming over me was perfect for the job. Clemens passed by here in 1882—new territory for him, having plied the St. Louis-New Orleans line—and in Life on the Mississippi he tells the tale of Maiden Rock, not in his language but in the inflated style of a professional tour guide who has happened onto the steamboat. In the guide’s version, however, Winona lands on her matchmaking parents, who are gazing upward from below, wondering what their daughter is up to. The impact kills the couple while cushioning Winona’s fall, and she is now free to marry whomever she wishes. The unorthodox denouement, though ostensibly spoken by the humorless guide, is pure Mark Twain. What better way to blast a cliché to flinders?

At one point on the Wisconsin stretch I pulled over to watch a tow approach. I counted the barges: 15, three across and five long, the maximum on the upper river; south of St. Louis, up to 25 barges can be combined. Since the tow was going downriver, it was probably carrying corn or soybeans; upriver loads are more likely to be coal or steel. I watched the pilot navigate a tricky turn, although “tricky” is relative. In Clemens’ day, a pilot navigated by memory and skill at reading nuances in the river’s surface; today, buoys mark a channel 300 feet wide and nine feet deep. Still, it’s not easy. At a museum at the Alton, Illinois, lock and dam, I had entered a pretend pilothouse and bravely manned a panoramic simulator to pilot a tow along a digital St. Louis riverfront—a challenging stretch because of its many bridges with nonaligned pilings. In short order I crashed into the Eads Bridge, but mainly because I was distracted by the anachronistic Admiral I saw moored on the riverfront, a bygone restaurant boat where my wife once had some really bad fish. Later, outside the museum, I watched a northbound tow “lock through”; it rose 20 feet in just 30 minutes, thanks to massive inflow pipes that fill the lock, large enough to drive a truck through. Animals sometimes end up in the pipes—deer, pigs, cattle—and wash into the lock. No human bodies though—I asked. A nice first chapter for a mystery novel, I would think.

Satisfied that the Wisconsin Great River Road deserved its renown, I crossed to Red Wing, Minnesota, and turned around for the trip south.

“Do you love the river?” Terrell Dempsey had surprised me with this blunt question as he guided his pontoon boat toward the dock in Quincy. Before I could answer, his wife said, “We love the river” and then elaborated. As a young woman, Vicki interviewed for her first job in Louisiana, Missouri. Coming from St. Louis, she wasn’t sure that she wanted to live in such a small place until she got a view of the river from a vista above the town. “I’d never seen anything so beautiful,” she said. “I had to live there.” And they did. After a year, what seemed like a better job opportunity arose in Clinton, Missouri. “We hated it,” she said—because it was inland. They moved to Hannibal, to a house three blocks up Hill Street from the Clemens home, and they have lived on the Mississippi ever since.

I met many lovers of the river. An artist at the Applefest in Clarksville, Missouri, told me she had come there decades earlier “with a guy”—she said it in a way that foreshadowed the ending—and then she had happily stayed on “after the guy was long gone.”

In Dubuque, where I toured an old dredge boat called the William M. Black , the amiable guide, Robert Carroll, told me he grew up in Prairie du Chien, Wisconsin, to the grinding roar of dredge boats cleaning out the river channel. He spoke so authoritatively about the William M. Black that I had taken him for a former deckhand. But no—he had spent his adult life as a court reporter in landlocked Cedar Rapids. He moved to Dubuque after he retired. “I missed the river,” he said, though he didn’t have to—I knew it was coming. Carroll now spends his days happily introducing visitors to every rivet on a boat much like the one he heard as a boy.

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Mark Twain: A Good Riverboat Pilot and a Great Writer…

His real name was Samuel Langhorne Clemens, but he’s best known by his pen name: Mark Twain.  

Sam Clemons grew up in Hannibal, Missouri, which is a town located along the Mississippi River. So, it’s no surprise that as a young boy, Sam dreamed of becoming the captain a riverboat. He accomplished his dream by earning his pilot’s license, and he drove boats for a few years. But eventually he became a writer. Writing became the career that made him famous.  He  wrote funny stories and serious books. And, many of his stories were about life on the Mississippi.

Young Sam Clemons achieved one big dream (to become a riverboat pilot) and then achieved a different dream that was even bigger. So, don’t stop dreaming…and don’t be afraid to change dreams in mid-stream if you discover something better!

Mark Twain

Quotes by Mark Twain

“Courage is resistance to fear, mastery of fear, not the absence of fear.”  

“Kindness is the language the deaf can hear and the blind can see.”

“The secret of getting ahead is getting started.”

“Give every day the chance to be the most beautiful day of your life.”

“Continuous improvement is better than delayed perfection.”

“Courage is the foundation of integrity.”

Nifty Fifty

About the Mississippi River

It’s a Fact:  Mark Twain (1835-1910) earned his riverboat pilot’s license in 1859 and spent two years on the job before the Civil War halted steamboat traffic on the river.

It’s a Fact: The name Mississippi comes from the Ojibway Indian tribe. Mississippi means “big river” in their language.

It’s a Fact:  10 states border the Mississippi River. They are:  Minnesota , Wisconsin , Iowa , Illinois , Missouri , Kentucky , Tennessee , Arkansas , Mississippi , and Louisiana .

It’s a Fact:  A single drop of water takes about 90 days to flow from Lake Itasca, where the Mississippi River begins, to the Gulf of Mexico, where the river ends.

It’s a Fact : The Mississippi River empties into the Gulf of Mexico, which a large body of water that borders several southern states and Mexico.

More Fun Facts

Fun Fact : Mark Twain grew up along the Mississippi River. His lived in a town called Hannibal, Missouri. Today, his boyhood home is a museum. Next time you’re in Hannibal, be sure to drop by!

Fun Fact :  When Sam Clemens published a story in 1861, he signed it using the pen name “Mark Twain” which was a riverboat term that meant that the water was at least 12 feet deep. Water that was 12 feet deep was safe for a riverboat to pass through without hitting bottom.

Fun Fact : At its widest point, the Mississippi River is about 7 miles wide.

Fun Fact : At its deepest point, the Mississippi River is about 200 feet deep.

Questions and Answers

Just for fun,

Does the mississippi river empty into the atlantic ocean, the pacific ocean, or the gulf of mexico, about how long does it take water to flow from the beginning of the mississippi river to the gulf of mexico is it approximately 10 days, 30 days, or 90 days, did the word "mississippi" come from an american indian name or was it the name of a famous european explorer, did mark twain grow up in hannibal, missouri or in hannibal, mississippi.

Write Your Own Story

If you have time, you can write a story of your own.

Here are a couple of story ideas you can choose from..

Story Idea #1: You could write a story about the amazing life of Mark Twain.

Story Idea #2: You could write a story about being a riverboat captain (like Mark Twain). What would you see? Do you think it would be scary to drive your boat?

You help you write a great story, we have some timely tips and helpful hints.

Check out “10 Tips for Writing Better Essays.”

Today's Ryder Riddle

Here's a riddle for you:

Why does the mississippi river see better than the ohio river.

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This Day In History : April 9

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Mark Twain receives steamboat pilot’s license

mark twain riverboat meaning

On April 9, 1859, a 23-year-old Missouri youth named Samuel Langhorne Clemens receives his steamboat pilot’s license .

Clemens had signed on as a pilot’s apprentice in 1857 while on his way to Mississippi. He had been commissioned to write a series of comic travel letters for the Keokuk Daily Post, but after writing five, decided he’d rather be a pilot than a writer. He piloted his own boats for two years, until the Civil War halted steamboat traffic. During his time as a pilot, he picked up the term “ Mark Twain ,” a boatman’s call noting that the river was only two fathoms deep, the minimum depth for safe navigation. When Clemens returned to writing in 1861, working for the Virginia City Territorial Enterprise, he wrote a humorous travel letter signed by “Mark Twain” and continued to use the pseudonym for nearly 50 years.

Clemens was born in Florida, Missouri, and was apprenticed to a printer at age 13. He later worked for his older brother, who established the Hannibal Journal . In 1864, he moved to San Francisco to work as a reporter. There he wrote the story that made him famous, "The Celebrated Jumping Frog of Calaveras County."

In 1866, he traveled to Hawaii as a correspondent for the Sacramento Union. Next, he traveled the world writing accounts for papers in California and New York, which he later published as the popular book The Innocents Abroad (1869). In 1870, Clemens married the daughter of a wealthy New York coal merchant and settled in Hartford, Connecticut, where he continued to write travel accounts and lecture. In 1875, his novel Tom Sawyer was published, followed by Life on the Mississippi (1883) and his masterpiece Huckleberry Finn (1885). Bad investments left Clemens bankrupt after the publication of Huckleberry Finn , but he won back his financial standing with his next three books. In 1903, he and his family moved to Italy, where his wife died. Her death left him sad and bitter, and his work, while still humorous, grew distinctly darker. He died in 1910.

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Mark Twain Riverboat

  • Water Rides

Steam into the Past

Board an old-fashioned steam-powered vessel for a half-mile journey into the heart of the American frontier. 

During the charming, 14-minute trip around Pirate’s Lair on Tom Sawyer Island , spot delightful sights along the river’s edge, including: 

  • The north bank of the Columbia Gorge, complete with a beautiful waterfront and 5 sparkling waterfalls 
  • A rustic frontier cabin 
  • An idyllic Native American village 
  • A busy beaver at work chewing on the train trestle 
  • Mountain lions relaxing in the sun 
  • The Disneyland Railroad steaming into the wilderness 

Along the way, hear lively narration about a time gone by.

Along the Mississippi

The Mark Twain is an authentic reproduction of the historic vessels that ferried people up and down the mighty Mississippi River. A working steam engine converts the water from the Rivers of America into steam that in turn powers the large paddle that propels the boat. 

Featuring meticulously detailed wood craftsmanship, the 28-foot tall, 105-foot-long riverboat is comprised of 4 pristine decks: 

  • Pilothouse , also known as the top deck, features the wheelhouse and Captain’s Quarters 
  • Promenade Deck includes a salon and a collection of vintage photos and maps 
  • Texas (or Sun) Deck is the perfect place to enjoy the outdoors as you float down the river 
  • Main Deck includes the boiler and pistons that run the paddlewheel 

Limited seating is available.

A Tribute to America’s Writer

Walt Disney named the Mark Twain after the pen name of Samuel Langhorne Clemens. The famed author of The Adventures of Tom Sawyer and Adventures of Huckleberry Finn —and Walt’s personal hero—Clemens was also a riverboat pilot as a young man. 

That experience inspired his pen name: “mark twain” is a boating term that means a vessel is at a safe depth.

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Disney News » Disney Attraction » Disneyland Park » Mark Twain Riverboat 

Mark Twain Riverboat | Disneyland

Last Updated on: March 26th, 2024

Posted By: Craig Smith

Mark Twain Riverboat (Disneyland)

Cast off on a scenic half-mile adventure into the wilds of old America aboard a steam-powered paddler. Board the 19th-century-inspired Mark Twain riverboat nestled in the heart of Frontierland and embark on a relaxing sightseeing voyage around Pirate’s Lair on Tom Sawyer Island .

Sights to See During this charming, 14-minute journey into America’s early frontier, sharp-eyed explorers can observe a menagerie of sights along the river’s edge, including:

  • The new north bank of the Columbia Gorge, complete with a beautiful waterfront and 5 sparkling waterfalls
  • The rustic cabin of a frontier settler
  • An idyllic Native American village
  • A busy beaver at work chewing on the train trestle
  • A moose enjoying a leisurely lunch
  • A  Haunted Mansion  lurking in the shadows
  • A skunk staring down raccoons
  • Mountain lions relaxing in the sun
  • An osprey guarding its nest
  • The  Disneyland Railroad steaming into the wilderness

Along the way, listen to lively narration about a time when traveling was as much about new discoveries as it was about transportation.

  • The Mark Twain Riverboat is an iconic and historic attraction located in Frontierland at Disneyland in Anaheim, California.
  • It opened with the park on July 17, 1955, and is named after the famous American author Mark Twain, known for his classic novels like “The Adventures of Tom Sawyer” and “The Adventures of Huckleberry Finn.”
  • The riverboat takes guests on a leisurely and scenic journey along the picturesque Rivers of America, offering beautiful views of Frontierland, New Orleans Square, and Critter Country.
  • One of the unique features of the Mark Twain Riverboat is its authentic steam-powered paddlewheel, which propels the boat along the river, creating a nostalgic and old-fashioned experience.
  • Guests can relax on the upper or lower decks of the riverboat, listen to the onboard narration, and enjoy the peaceful ambiance as they take in the sights and sounds of the river and its surroundings.

At a Glance

  • Disney Resort: Disneyland Resort
  • Disney Park: Disneyland Park Info News and Attractions
  • Park Area: Disneyland Frontierland
  • Attraction Type: Disney Rides
  • Official Page
  • Year Opened: 1955
  • Replaced: Original Attraction
  • Location on Map

Helpful Reviews

Related news:.

  • Some of Your Favorite Disneyland Attractions Will Reopen this Summer , June 16, 2017

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Mississippi River Boat Cruise

Experience the mississippi river like never before.

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mark twain riverboat meaning

Family-Friendly Tours Full Of Adventure, Storytelling, And Fun

History, literature, and travel enthusiasts unite for a unique sightseeing and dining experience aboard riverboat cruises on the Mississippi River from beloved author Samuel Clemens, aka Mark Twain's hometown of Hannibal, Missouri. Witness firsthand what inspired the writer to create iconic characters, Tom Sawyer and Huck Finn. At Mark Twain Riverboat Co., you get to experience the Mighty Mississippi River in a truly memorable way, a Mississippi river boat cruise complete with storytelling, scenic views, and fine dining.

We provide a unique experience perfect for individuals, families, and groups. The cruise takes place on the Mississippi River from Mark Twain's boyhood home town of Hannibal, MO.

Mark Twain shared his unique perspective of life on the Mississippi River throughout his writings and characters. Get a glimpse of the Mississippi River as Mark Twain might have seen it.

The Mark Twain has been a unique feature on the Hannibal riverfront for more than 30 years. As a family-owned business since 1997, we strive to offer you a unique riverboat experience on the Mighty Mississippi, whether you’re a Hannibal resident or visitor. Choose between our two daily cruise offerings: our Sightseeing Cruise and our evening Dinner Cruise which includes live entertainment and a two entree buffet-style dinner.

Whether you are looking for a sightseeing adventure on the Mississippi River, taking in the sights, or dining on the river at sunset, Mark Twain Riverboat has something for everyone.

mark twain riverboat meaning

Set Sail on Our Riverboat Cruises

mark twain riverboat meaning

Sightseeing Tour

This one-hour sightseeing cruise travels along the mighty Mississippi River, allowing you to soak up the scenery at a relaxing, rhythmic pace. Listen as the captain guides your cruise with historical commentary on the history, legends, and sights of the Mississippi River.

A cruise aboard the Mark Twain Riverboat is great for family events. Whether you are a visitor or resident of Hannibal, you can make wonderful memories aboard our unique riverboat experience! Looking forward to having you onboard!

Departure time: Varies - check calendar Yearly availability: April 1 - Nov. 4 Weekly availability: Daily

mark twain riverboat meaning

Dinner Cruise

Enjoy a night of dinner and dancing on this cruise on the Mighty Mississippi. Indulge in a delicious buffet and share a wonderful dinner with your family or friends, then enjoy live music from the dance floor or the deck.

Once on board, you are escorted to your table, then you are free to roam the boat until the captain announces that dinner is ready. After dinner, you are free to dance or sit back and enjoy the music. Live entertainment is included on our Dinner Cruises. It may be The Rivermen playing modern jazz (Saturday night from Memorial Day thru September), or you might get to enjoy the music of Tim Hart (Mondays & Tuesdays), or Adam Ledbetter and David Damm (Sunday, Wednesday, Thursday and Friday). Listen or dance to their favorite tunes — and they have been known to take a request or two. And you never know when a crew member or two may step up on the stage and join in.

Departure time: 6:30 p.m. Yearly availability: May 3 - Oct 28 Weekly availability: Varies - check calendar

Why choose us?

A Glimpse At Missouri Through The Lens Of A Famous Author On The Mississippi River

A Mississippi River cruise aboard Mark Twain Riverboat Co. allows you to enjoy a short excursion from Hannibal during the more pleasant weather months of the year. Just 100 miles away from St. Louis, our Mississippi River boat cruise is the only cruise that departs from Mark Twain's boyhood home.

River cruising gives you the time and space to fully immerse yourself in Mark Twain's story and the Mississippi River, getting to know the inspiration behind his books. We handle every detail for you from departure to dinner on our Mississippi river cruises, making it possible for you to fully relax and enjoy our modern riverboat.

Cruising down the river is a great way to unwind and enjoy nature after a busy week. Hannibal, Missouri is home to some of the most scenic riverfront views in the Midwest!

Informative

Our cruise guides are experts in their field and love to share their knowledge about this beautiful city. They'll educate you all about the history of the area and its inhabitants, so you can really get an insider's look at this fascinating area.

Family-friendly

Our cruises are great for families with children of all ages, so bring your whole crew along with you! We have plenty of activities that will keep you occupied during the day and night.

mark twain riverboat meaning

Hannibal, Missouri

Despite its small size, Hannibal, MO is full of history and immersive learning experiences. It is there that you can visit Mark Twain's boyhood home and museum, take a Mississippi River cruise, or even attend a festival in his honor. That's not all there is to do in the area, though. You can explore caves and even take a ghost tour. Although, we are sure our cruise will be one of your favorite experiences yet.

Upper Mississippi River cruises are a great way for people of all ages to take a break from the normal day-to-day. Instead you'll enjoy an afternoon taking in the beautiful scenery or an evening of entertainment and dining. Our cruises are perfect for anyone who wants adventure but doesn't want the length of trip that most American cruise lines offer. A short trip aboard our Mississippi River cruises is just the evening out you need to feel refreshed, educated, and creative.

Frequently asked questions

Can we modify existing itineraries.

To some extent – yes. Sometimes we will have to because the weather isn’t always ideal and we want to stay in shallow, calm waters to keep the trip enjoyable.

What is the duration of the cruises?

Our cruises last approximately one to two hours

Are food and drinks available on board?

Yes, we offer a variety of food and drinks, including a snack bar and a full-service bar.

Is smoking allowed on board?

No, smoking is not allowed onboard.

Is the Mark Twain Riverboat wheelchair accessible?

We are wheelchair accessible on the lower deck. However, there is no lift to the upper deck and wheelchairs do not fit in the bathrooms.

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mark twain riverboat meaning

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9 Interesting Facts About Mark Twain | Fun And Fascinating Trivia

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What do Mark Twain and your depth sounder have in common?

Chris Riley

What Does Mark Twain And Your Depth Sounder Have In Common?

A recent trip to Disney World in Florida and a subsequent ride on a paddle wheeler reminded me of something I had long forgotten. Thought some of you might be interested in how depth was measured in the “Ol days.” Actually, lead lines are in use today, although sparingly. I still carry one onboard, although it is a modern type that can map the sea floor and find fish too .

paddlewheeler.jpg (3271 bytes)

What Is The Mark Twain Meaning In Boating?

Twain loved the paddlewheel steamboat and he loved the river. As a matter of fact, it was during his years on the river that he chose his pen name. “Mark Twain” was a frequent call of the leadsman. It meant that the water was 2 fathoms (12 feet) deep and indicated safe water.

The line itself, in the “Ol days”, was probably made of manila, hemp or sisal, and had markings woven into the strands which represented various depths. Today’s lead lines generally have polyester strands and bright colored plastic tags with actual numbers are woven into the strands

The leadsman is the person who “heaves the lead” and “sings the mark”. In the days of Mark Twain, the mark meanings were actually sung as the paddle boat cautiously made its way along the river in potentially shallow water.

Meaning of the Marks on the Leadline:

In summary: what does mark twain mean.

The Mark Twain definition in boating means the 12 feet mark above the lead, otherwise known as the safe water mark.  The Mark Twain boat call would indicate that the water is two fathoms deep, and safe to travel!

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About Chris

Outdoors, I’m in my element, especially in the water. I know the importance of being geared up for anything. I do the deep digital dive, researching gear, boats and knowhow and love keeping my readership at the helm of their passions.

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Old Times on the Mississippi (Part VI)

The sixth installment in a seven-part series about the author’s youthful training as a riverboat pilot

VI. Official Rank and Dignity of a Pilot. The Rise and Decadence of the Pilots’ Association.

In my preceding articles I have tried, by going into the minutiæ of the science of piloting, to carry the reader step by step to a comprehension of what the science consists of; and at the same time I have tried to show him that it is a very curious and wonderful science, too, and very worthy of his attention. If I have seemed to love my subject, it is no surprising thing, for I loved the profession far better than any I have followed since, and I took a measureless pride in it. The reason is plain: a pilot, in those days, was the only unfettered and entirely independent human being that lived in the earth. Kings are but the hampered servants of parliament and people; parliaments sit in chains forged by their constituency; the editor of a newspaper cannot be independent, but must work with one hand tied behind him by party and patrons, and be content to utter only half or two thirds of his mind; no clergyman is a free man and may speak the whole truth, regardless of his parish’s opinions; writers of all kinds are manacled servants of the public. We write frankly and fearlessly, but then we “modify” before we print. In truth, every man and woman and child has a master, and worries and frets in servitude; but in the day I write of, the Mississippi pilot had none . The captain could stand upon the hurricane deck, in the pomp of a very brief authority, and give him five or six orders, while the vessel backed into the stream, and then that skipper’s reign was over. The moment that the boat was under way in the river, she was under the sole and unquestioned control of the pilot. He could do with her exactly as he pleased, run her when and whither he chose, and tie her up to the bank whenever his judgment said that that course was best. His movements were entirely free; he consulted no one, he received commands from nobody, he promptly resented even the merest suggestions. Indeed, the law of the United States forbade him to listen to commands or suggestions, rightly considering that the pilot necessarily knew better how to handle the boat than anybody could tell him. So here was the novelty of a king without a keeper, an absolute monarch who was absolute in sober truth and not by a fiction of words. I have seen a boy of eighteen taking a great steamer serenely into what seemed almost certain destruction, and the aged captain standing mutely by, filled with apprehension but powerless to interfere. His interference, in that particular instance, might have been an excellent thing, but to permit it would have been to establish a most pernicious precedent. It will easily be guessed, considering the pilot’s boundless authority, that he was a great personage in the old steamboating days. He was treated with marked courtesy by the captain and with marked deference by all the officers and servants; and this deferential spirit was quickly communicated to the passengers, too. I think pilots were about the only people I ever knew who failed to show, in some degree, embarrassment in the presence of traveling foreign princes. But then, people in one’s own grade of life are not usually embarrassing objects.

By long habit, pilots came to put all their wishes in the form of commands. It “gravels” me, to this day, to put my will in the weak shape of a request, instead of launching it in the crisp language of an order.

In those old days, to load a steamboat at St. Louis, take her to New Orleans and back, and discharge cargo, consumed about twenty-five days, on an average. Seven or eight of these days the boat spent at the wharves of St. Louis and New Orleans, and every soul on board was hard at work, except the two pilots; they did nothing but play gentleman, up town, and receive the same wages for it as if they had been on duty. The moment the boat touched the wharf at either city, they were ashore; and they were not likely to be seen again till the last bell was ringing and everything in readiness for another voyage.

When a captain got hold of a pilot of particularly high reputation, he took pains to keep him. When wages were four hundred dollars a month on the Upper Mississippi, I have known a captain to keep such a pilot in idleness, under full pay, three months at a time, while the river was frozen up. And one must remember that in those cheap times four hundred dollars was a salary of almost inconceivable splendor. Few men on shore got such pay as that, and when they did they were mightily looked up to. When pilots from either end of the river wandered into our small Missouri village, they were sought by the best and the fairest, and treated with exalted respect. Lying in port under wages was a thing which many pilots greatly enjoyed and appreciated; especially if they belonged in the Missouri River in the heyday of that trade (Kansas times), and got nine hundred dollars a trip, which was equivalent to about eighteen hundred dollars a month. Here is a conversation of that day. A chap out of the Illinois River, with a little stern-wheel tub, accosts a couple of ornate and gilded Missouri River pilots: —

“Gentlemen, I’ve got a pretty good trip for the up-country, and shall want you about a month. How much will it be?”

“Eighteen hundred dollars apiece.”

“Heavens and earth! You take my boat, let me have your wages, and I’ll divide!”

I will remark, in passing, that Mississippi steamboatmen were important in landsmen’s eyes (and in their own, too, in a degree) according to the dignity of the boat they were on. For instance, it was a proud thing to be of the crew of such stately craft as the Aleck Scott or the Grand Turk. Negro firemen, deck hands, and barbers belonging to those boats were distinguished personages in their grade of life, and they were well aware of that fact, too. A stalwart darkey once gave offense at a negro ball in New Orleans by putting on a good many airs. Finally one of the managers bustled up to him and said, —

“Who is you, anyway? Who is you? dat’s what I wants to know!”

The offender was not disconcerted in the least, but swelled himself up and threw that into his voice which showed that he knew he was not putting on all those airs on a stinted capital.

“Who is l? Who is l? I let you know mighty quick who I is! I want you niggers to understan’ dat I fires de middle do’ 1 on de Aleck Scott!”

That was sufficient.

The barber of the Grand Turk was a spruce young negro, who aired his importance with balmy complacency, and was greatly courted by the circle in which he moved. The young colored population of New Orleans were much given to flirting, at twilight, on the pavements of the back streets. Somebody saw and heard something like the following, one evening, in one of those localities. A middle-aged negro woman projected her head through a broken pane and shouted (very willing that the neighbors should hear and envy), “You Mary Ann, come in de house dis minute! Stannin’ out dah foolin’ ’long wid dat low trash, an’ heah’s de barber off ’n de Gran’ Turk wants to conwerse wid you!”

My reference, a moment ago, to the fact that a pilot’s peculiar official position placed him out of the reach of criticism or command, brings Stephen W—— naturally to my mind. He was a gifted pilot, a good fellow, a tireless talker, and had both wit and humor in him. He had a most irreverent independence, too, and was deliciously easy-going and comfortable in the presence of age, official dignity, and even the most august wealth. He always had work, he never saved a penny, he was a most persuasive borrower, he was in debt to every pilot on the river, and to the majority of the captains. He could throw a sort of splendor around a bit of harum-scarum, devil-may-care piloting, that made it almost fascinating—but not to everybody. He made a trip with good old gentle-spirited Captain Y—— once, and was “relieved” from duty when the boat got to New Orleans. Somebody expressed surprise at the discharge. Captain Y—— shuddered at the mere mention of Stephen. Then his poor, thin old voice piped out something like this: —

“Why, bless me! I wouldn’t have such a wild creature on my boat for the world—not for the whole world! He swears, he sings, he whistles, he yells—I never saw such an Injun to yell. All times of the night—it never made any difference to him. He would just yell that way, not for anything in particular, but merely on account of a kind of devilish comfort he got out of it. I never could get into a sound sleep but he would fetch me out of bed, all in a cold sweat, with one of those dreadful war-whoops. A queer being, — very queer being; no respect for anything or anybody. Sometimes he called me ‘ Johnny .’ And he kept a fiddle, and a cat. He played execrably. This seemed to distress the cat, and so the cat would howl. Nobody could sleep where that man—and his family—was. And reckless? There never was anything like it. Now you may believe it or not, but as sure as I am sitting here, he brought my boat a-tilting down through those awful snags at Chicot under a rattling head of steam, and the wind a-blowing like the very nation, at that! My officers will tell you so. They saw it. And, sir, while he was a-tearing right down through those snags, and I a-shaking in my shoes and praying, I wish I may never speak again if he didn’t pucker up his mouth and go to whistling ! Yes, sir; whistling ‘Buffalo gals, can’t you come out to-night, can’t you come out to-night, can’t you come out to-night;’ and doing it as calmly as if we were attending a funeral and weren’t related to the corpse. And when I remonstrated with him about it, he smiled down on me as if I was his child, and told me to run in the house and try to be good, and not be meddling with my superiors!” 2

Once a pretty mean captain caught Stephen in New Orleans out of work and as usual out of money. He laid steady siege to Stephen, who was in a very “close place,” and finally persuaded him to hire with him at one hundred and twenty-five dollars per month, just hail wages, the captain agreeing not to divulge the secret and so bring down the contempt of all the guild upon the poor fellow. But the boat was not more than a day out of New Orleans before Stephen discovered that the captain was boasting of his exploit, and that all the officers had been told. Stephen winced, but said nothing. About the middle of the afternoon the captain stepped out on the hurricane deck, cast his eye around, and looked a good deal surprised. He glanced inquiringly aloft at Stephen, but Stephen was whistling placidly, and attending to business. The captain stood around a while in evident discomfort, and once or twice seemed about to make a suggestion; but the etiquette of the river taught him to avoid that sort of rashness, and so he managed to hold his peace. He chafed and puzzled a few minutes longer, then retired to his apartments. But soon he was out again, and apparently more perplexed than ever. Presently he ventured to remark, with deference, —

“Pretty good stage of the river now, ain’t it, sir?”

“Well, I should say so! Bank-full is a pretty liberal stage.”

“Seems to be a good deal of current here.”

“Good deal don’t describe it! It’s worse than a mill-race.”

“Isn’t it easier in toward shore than it is out here in the middle?”

“Yes, I reckon it is; but a body can’t be too careful with a steamboat. It’s pretty safe out here; can’t strike any bottom here, you can depend on that.”

The captain departed, looking rueful enough. At this rate, he would probably die of old age before his boat got to St. Louis. Next day he appeared on deck and again found Stephen faithfully standing up the middle of the river, fighting the whole vast force of the Mississippi, and whistling the same placid tune. This thing was becoming serious. In by the shore was a slower boat clipping along in the easy water and gaining steadily; she began to make for an island chute; Stephen stuck to the middle of the river. Speech was wrung from the captain. He said, —

“Mr. W——, don’t that chute cut off a good deal of distance?”

“I think it does, but I don’t know.”

“Don’t know! Well, isn’t there water enough in it now to go through?”

“I expect there is, but I am not certain.”

“Upon my word this is odd! Why, those pilots on that boat yonder are going to try it. Do you mean to say that you don’t know as much as they do?”

“ They ! Why, they are two-hundred-and-fifty-dollar pilots! But don’t you be uneasy; I know as much as any man can afford to know for a hundred and twenty-five!”

Five minutes later Stephen was bowling through the chute and showing the rival boat a two-hundred-and-fifty-dollar pair of heels.

One day, on board the Aleck Scott, my chief, Mr. B——, was crawling carefully through a close place at Cat Island, both leads going, and everybody holding his breath. The captain, a nervous, apprehensive man, kept still as long as he could, but finally broke down and shouted from the hurricane deck, —

“For gracious’ sake, give her steam, Mr. B——! give her steam! She’ll never raise the reef on this headway!”

For all the effect that was produced upon Mr. B——, one would have supposed that no remark had been made. But five minutes later, when the danger was past and the leads laid in, he burst instantly into a consuming fury, and gave the captain the most admirable cursing I ever listened to. No bloodshed ensued; but that was because the captain’s cause was weak; for ordinarily he was not a man to take correction quietly.

Having now set forth in detail the nature of the science of piloting, and likewise described the rank which the pilot held among the fraternity of steamboatmen, this seems a fitting place to say a few words about an organization which the pilots once formed for the protection of their guild. It was curious and noteworthy in this, that it was perhaps the compactest, the completest, and the strongest commercial organization ever formed among men.

For a long time wages had been two hundred and fifty dollars a month; but curiously enough, as steamboats multiplied and business increased, the wages began to fall, little by little. It was easy to discover the reason of this. Too many pilots were being “made.” It was nice to have a “cub,” a steersman, to do all the hard work for a couple of years, gratis, while his master sat on a high bench and smoked; all pilots and captains had sons or brothers who wanted to be pilots. By and by it came to pass that nearly every pilot on the river had a steersman. When a steersman had made an amount of progress that was satisfactory to any two pilots in the trade, they could get a pilot’s license for him by signing an application directed to the United States Inspector. Nothing further was needed; usually no questions were asked, no proofs of capacity required.

Very well, this growing swarm of new pilots presently began to undermine the wages, in order to get berths. Too late—apparently—the knights of the tiller perceived their mistake. Plainly, something had to be done, and quickly; but what was to be the needful thing? A close organization. Nothing else would answer. To compass this seemed an impossibility; so it was talked, and talked, and then dropped. It was too likely to ruin whoever ventured to move in the matter. But at last about a dozen of the boldest—and some of them the best—pilots on the river launched themselves into the enterprise and took all the chances. They got a special charter from the legislature, with large powers, under the name of the Pilots’ Benevolent Association; elected their officers, completed their organization, contributed capital, put “association” wages up to two hundred and fifty dollars at once—and then retired to their homes, for they were promptly discharged from employment. But there were two or three unnoticed trifles in their by-laws which had the seeds of propagation in them. For instance, all idle members of the association, in good standing, were entitled to a pension of twenty-five dollars per month. This began to bring in one straggler after another from the ranks of the new-fledged pilots, in the dull (summer) season. Better have twenty-five dollars than starve; the initiation fee was only twelve dollars, and no dues required from the unemployed.

Also, the widows of deceased members in good standing could draw twenty-five dollars per month, and a certain sum for each of their children. Also, the said deceased would be buried at the association’s expense. These things resurrected all the superannuated and forgotten pilots in the Mississippi Valley. They came from farms, they came from interior villages, they came from everywhere. They came on crutches, on drays, in ambulances, — any way, so they got there. They paid in their twelve dollars, and straightway began to draw out twenty-five dollars a month and calculate their burial bills.

By and by, all the useless, helpless pilots, and a dozen first-class ones, were in the association, and nine tenths of the best pilots out of it and laughing at it. It was the laughing-stock of the whole river. Everybody joked about the by-law requiring members to pay ten per cent. of their wages, every month, into the treasury for the support of the association, whereas all the members were outcast and tabooed, and no one would employ them. Everybody was derisively grateful to the association for taking all the worthless pilots out of the way and leaving the whole field to the excellent and the deserving; and everybody was not only jocularly grateful for that, but for a result which naturally followed, namely, the gradual advance of wages as the busy season approached. Wages had gone up from the low figure of one hundred dollars a month to one hundred and twenty-five, and in some cases to one hundred and fifty; and it was great fun to enlarge upon the fact that this charming thing had been accomplished by a body of men not one of whom received a particle of benefit from it. Some of the jokers used to call at the association rooms and have a good time chaffing the members and offering them the charity of taking them as steersmen for a trip, so that they could see what the forgotten river looked like. However, the association was content; or at least it gave no sign to the contrary. Now and then it captured a pilot who was “out of luck,” and added him to its list; and these later additions were very valuable, for they were good pilots; the incompetent ones had all been absorbed before. As business freshened, wages climbed gradually up to two hundred and fifty dollars—the association figure—and became firmly fixed there; and still without benefiting a member of that body, for no member was hired. The hilarity at the association’s expense burst all bounds, now. There was no end to the fun which that poor martyr had to put up with.

However, it is a long lane that has no turning. Winter approached, business doubled and trebled, and an avalanche of Missouri, Illinois, and Upper Mississippi River boats came pouring down to take a chance in the New Orleans trade. All of a sudden, pilots were in great demand, and were correspondingly scarce. The time for revenge was come. It was a bitter pill to have to accept association pilots at last, yet captains and owners agreed that there was no other way. But none of these outcasts offered! So there was a still bitterer pill to be swallowed: they must be sought out and asked for their services. Captain —— was the first man who found it necessary to take the dose, and he had been the loudest derider of the organization. He hunted up one of the best of the association pilots and said, —

“Well, you boys have rather got the best of us for a little while, so I’ll give in with as good a grace as I can. I’ve come to hire you; get your trunk aboard right away. I want to leave at twelve o’clock.”

“I don’t know about that. Who is your other pilot?”

“I’ve got I. S——. Why?”

“I can’t go with him. He don’t belong to the association.”

“Do you mean to tell me that you won’t turn a wheel with one of the very best and oldest pilots on the river because he don’t belong to your association?”

“Yes, I do.”

“Well, if this isn’t putting on airs! I supposed I was doing you a benevolence; but I begin to think that l am the party that wants a favor done. Are you acting under a law of the concern?”

“Show it to me.”

So they stepped into the association rooms, and the secretary soon satisfied the captain, who said, —

“Well, what am I to do? I have hired Mr. S—— for the entire season.”

“I will provide for you,” said the secretary. “I will detail a pilot to go with you, and he shall be on board at twelve o’clock.”

“But if I discharge S——, he will come on me for the whole seasons wages.”

“Of course that is a matter between you and Mr. S——, captain. We cannot meddle in your private affairs.”

The captain stormed, but to no purpose. In the end he had to discharge S——, pay him about a thousand dollars, and take an association pilot in his place. The laugh was beginning to turn the other way, now. Every day, thenceforward, a new victim fell; every day some outraged captain discharged a non-association pet, with tears and profanity, and installed a hated association man in his berth. In a very little while, idle non-associationists began to be pretty plenty, brisk as business was, and much as their services were desired. The laugh was shifting to the other side of their mouths most palpably. These victims, together with the captains and owners, presently ceased to laugh altogether, and began to rage about the revenge they would take when the passing business “spurt” was over.

Soon all the laughers that were left were the owners and crews of boats that had two non-association pilots. But their triumph was not very long-lived. For this reason: It was a rigid rule of the association that its members should never, under any circumstances whatever, give information about the channel to any “outsider.” By this time about half the boats had none but association pilots, and the other half had none but outsiders. At the first glance one would suppose that when it came to forbidding information about the river these two parties could play equally at that game; but this was not so. At every good-sized town from one end of the river to the other, there was a “wharf-boat” to land at, instead of a wharf or a pier. Freight was stored in it for transportation, waiting passengers slept in its cabins. Upon each of these wharf-boats the association’s officers placed a strong box, fastened with a peculiar lock which was used in no other service but one—the United States mail service. It was the letter-bag lock, a sacred governmental thing. By dint of much beseeching the government had been persuaded to allow the association to use this lock. Every association man carried a key which would open these boxes. That key, or rather a peculiar way of holding it in the hand when its owner was asked for river information by a stranger, — for the success of the St. Louis and New Orleans association had now bred tolerably thriving branches in a dozen neighboring steamboat trades, — was the association man’s sign and diploma of membership; and if the stranger did not respond by producing a similar key and holding it in a certain manner duly prescribed, his question was politely ignored. From the associations secretary each member received a package of more or less gorgeous blanks, printed like a bill-head, on handsome paper, properly ruled in columns; a bill-head worded something like this:

STEAMER GREAT REPUBLIC JOHN SMITH, MASTER. Pilots, John Jones and Thos. Brown. Crossing. Soundings. Marks. Remarks.

These blanks were filled up, day by day, as the voyage progressed, and deposited in the several wharf-boat boxes. For instance, as soon as the first crossing, out from St. Louis, was completed, the items would be entered upon the blank, under the appropriate headings, thus: —

“St. Louis. Nine and a half (feet). Stern on court-house, head on dead cottonwood above wood-yard, until you raise the first reef, then pull up square.” Then under head of Remarks: “Go just outside the wrecks; this is important. New snag just where you straighten down; go above it.”

The pilot who deposited that blank in the Cairo box (after adding to it the details of every crossing all the way down from St. Louis) took out and read half a dozen fresh reports (from upward bound steamers) concerning the river between Cairo and Memphis, posted himself thoroughly, returned them to the box, and went back aboard his boat again so armed against accident that he could not possibly get his boat into trouble without bringing the most ingenious carelessness to his aid.

Imagine the benefits of so admirable a system in a piece of river twelve or thirteen hundred miles long, whose channel was shifting every day! The pilot who had formerly been obliged to put up with seeing a shoal place once or possibly twice a month, had a hundred sharp eyes to watch it for him, now, and bushels of intelligent brains to tell him how to run it. His information about it was seldom twenty-four hours old. If the reports in the last box chanced to leave any misgivings on his mind concerning a treacherous crossing, he had his remedy; he blew his steam-whistle in a peculiar way as soon as he saw a boat approaching; the signal was answered in a peculiar way if that boat’s pilots were association men; and then the two steamers ranged alongside and all uncertainties were swept away by fresh information furnished to the inquirer by word of mouth and in minute detail.

The first thing a pilot did when he reached New Orleans or St. Louis was to take his final and elaborate report to the association parlors and hang it up there, — after which he was free to visit his family. In these parlors a crowd was always gathered together, discussing changes in the channel, and the moment there was a fresh arrival, everybody stopped talking till this witness had told the newest news and settled the latest uncertainty. Other craftsmen can “sink the shop,” sometimes, and interest themselves in other matters. Not so with a pilot; he must devote himself wholly to his profession and talk of nothing else; for it would be small gain to be perfect one day and imperfect the next. He has no time or words to waste if he would keep “posted.”

But the outsiders had a hard time of it. No particular place to meet and exchange information, no wharf-boat reports, none but chance and unsatisfactory ways of getting news. The consequence was that a man sometimes had to run five hundred miles of river on information that was a week or ten days old. At a fair stage of the river that might have answered; but when the dead low water came it was destructive.

Now came another perfectly logical result. The outsiders began to ground steamboats, sink them, and get into all sorts of trouble, whereas accidents seemed to keep entirely away from the association men. Wherefore even the owners and captains of boats furnished exclusively with outsiders, and previously considered to be wholly independent of the association and free to comfort themselves with brag and laughter, began to feel pretty uncomfortable. Still, they made a show of keeping up the brag, until one black day when every captain of the lot was formally ordered immediately to discharge his outsiders and take association pilots in their stead. And who was it that had the gaudy presumption to do that? Alas, it came from a power behind the throne that was greater than the throne itself. It was the underwriters!

It was no time to “swap knives.” Every outsider had to take his trunk ashore at once. Of course it was supposed that there was collusion between the association and the underwriters, but this was not so. The latter had come to comprehend the excellence of the “report” system of the association and the safety it secured, and so they had made their decision among themselves and upon plain business principles.

There was weeping and wailing and gnashing of teeth in the camp of the outsiders now. But no matter, there was but one course for them to pursue, and they pursued it. They came forward in couples and groups, and proffered their twelve dollars and asked for membership. They were surprised to learn that several new by-laws had been long ago added. For instance, the initiation fee had been raised to fifty dollars; that sum must be tendered, and also ten per cent. of the wages which the applicant had received each and every month since the founding of the association. In many eases this amounted to three or four hundred dollars. Still, the association would not entertain the application until the money was present. Even then a single adverse vote killed the application. Every member had to vote yes or no in person and before witnesses; so it took weeks to decide a candidacy, because many pilots were so long absent on voyages. However, the repentant sinners scraped their savings together, and one by one, by our tedious voting process, they were added to the fold. A time came, at last, when only about ten remained outside. They said they would starve before they would apply. They remained idle a long while, because of course nobody could venture to employ them.

By and by the association published the fact that upon a certain date the wages would be raised to five hundred dollars per month. All the branch associations had grown strong, now, and the Red River one had advanced wages to seven hundred dollars a month. Reluctantly the ten outsiders yielded, in view of these things, and made application. There was another new by-law, by this time, which required them to pay dues not only on all the wages they had received since the association was born, but also on what they would have received if they had continued at work up to the tune of their application, instead of going off to pout in idleness. It turned out to be a difficult matter to elect them, but it was accomplished at last. The most virulent sinner of this batch had stayed out and allowed “dues” to accumulate against him so long that he had to send in six hundred and twenty-five dollars with his application.

The association had a good bank account now, and was very strong. There was no longer an outsider. A by-law was added forbidding the reception of any more cubs or apprentices for five years; after which time a limited number would be taken, not by individuals, but by the association, upon these terms: the applicant must not be less than eighteen years old, of respectable family and good character; he must pass an examination as to education, pay a thousand dollars in advance for the privilege of becoming an apprentice, and must remain under the commands of the association until a great part of the membership (more than half, I think) should be willing to sign his application for a pilot’s license.

All previously-articled apprentices were now taken away from their masters and adopted by the association. The president and secretary detailed them for service on one boat or another, as they chose, and changed them from boat to boat according to certain rules. If a pilot could show that he was in infirm health and needed assistance, one of the cubs would be ordered to go with him.

The widow and orphan list grew, but so did the association’s financial resources. The association attended its own funerals in state, and paid for them. When occasion demanded, it sent members down the river upon searches for the bodies of brethren lost by steamboat accidents; a search of this kind sometimes cost a thousand dollars.

The association procured a charter and went into the insurance business, also. It not only insured the lives of its members, but took risks on steamboats.

The organization seemed indestructible. It was the tightest monopoly in the world. By the United States law, no man could become a pilot unless two duly licensed pilots signed his application; and now there was nobody outside of the association competent to sign. Consequently the making of pilots was at an end. Every year some would die and others become incapacitated by age and infirmity; there would be no new ones to take their places. In time, the association could put wages up to any figure it chose; and as long as it should be wise enough not to carry the thing too far and provoke the national government into amending the licensing system, steamboat owners would have to submit, since there would be no help for it.

The owners and captains were the only obstruction that lay between the association and absolute power; and at last this one was removed. Incredible as it may seem, the owners and captains deliberately did it themselves. When the pilots’ association announced, months beforehand, that on the first day of September, 1861, wages would be advanced to five hundred dollars per month, the owners and captains instantly put freights up a few cents, and explained to the farmers along the river the necessity of it, by calling their attention to the burdensome rate of wages about to be established. It was a rather slender argument, but the farmers did not seem to detect it. It looked reasonable to them that to add five cents freight on a bushel of corn was justifiable under the circumstances, overlooking the fact that this advance on a cargo of forty thousand sacks was a good deal more than necessary to cover the new wages.

So straightway the captains and owners got up an association of their own, and proposed to put captains’ wages up to five hundred dollars, too, and move for another advance in freights. It was a novel idea, but of course an effect which had been produced once could be produced again. The new association decreed (for this was before all the outsiders had been taken into the pilots’ association) that if any captain employed a non-association pilot, he should be forced to discharge him, and also pay a fine of five hundred dollars. Several of these heavy fines were paid before the captains’ organization grew strong enough to exercise full authority over its membership; but that all ceased, presently. The captains tried to get the pilots to decree that no member of their corporation should serve under a non-association captain; but this proposition was declined. The pilots saw that they would be backed up by the captains and the underwriters anyhow, and so they wisely refrained from entering into entangling alliances.

As I have remarked, the pilots association was now the compactest monopoly in the world, perhaps, and seemed simply indestructible. And yet the days of its glory were numbered. First, the new railroad stretching up through Mississippi, Tennessee, and Kentucky, to Northern railway centres, began to divert the passenger travel from the steamers; next the war came and almost entirely annihilated the steamboating industry during several years, leaving most of the pilots idle, and the cost of living advancing all the time; then the treasurer of the St. Louis association put his hand into the till and walked off with every dollar of the ample fund; and finally, the railroads intruding everywhere, there was little for steamers to do, when the war was over, but carry freights; so straight-way some genius from the Atlantic coast and behold, in the twinkling of an eye, introduced the plan of towing a dozen as it were, the association and the noble steamer cargoes down to New Orleans science of piloting were things of the at the tail of a vulgar little tug-boat; dead and pathetic past!

  • Considering a captain’s ostentatious but hollow chieftainship, and a pilot’s real authority, there was something impudently apt and happy about that way of phrasing it. ↩

Attraction Insight

Mark Twain Riverboat

Steam into the past.

Cruise the Rivers of America aboard a 19th-century paddle boat.

Our Overview

The Mark Twain Riverboat vessel is a reproduction of the historic ferries once used on the Mississippi River. Once you’re cruising down the Disney-created river, you’ll feel like you’re taking a trip back to the past. If you’re looking to unwind and enjoy scenic views, the Mark Twain Riverboat is an experience you should consider.

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Sailing Down the Rivers of America on the Mark Twain Riverboat at Disneyland

All aboard.

Step aboard the Mark Twain Riverboat at Disneyland and embark on a nostalgic journey back in time. This iconic attraction, inspired by the legendary Mississippi paddle-wheel steamboats, offers guests a unique experience that combines history, relaxation, and breathtaking views. The Mark Twain Riverboat, named after the famous American author, Mark Twain, takes you on a leisurely cruise along the scenic Rivers of America.

As you step onto the ornate deck, you’ll be transported to an era when steamboats ruled the waterways. Admire the intricate details of the ship, from the authentic steam-powered engine to the elegant Victorian-inspired decor. Find a comfortable spot on one of the decks and feel the gentle breeze as the boat sets sail.

During the voyage, keep your eyes peeled for the picturesque sights that unfold along the riverbanks. Catch glimpses of Frontierland, New Orleans Square, and Critter Country, as well as stunning wildlife that call the river their home. You may even experience a live performance of traditional American folk music onboard.

Whether you’re a fan of history, Disney, or simply want to relax and enjoy the scenery, the Mark Twain Riverboat offers an enchanting experience for all. Step aboard and let the magic of this classic attraction transport you to a bygone era.

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History of the Mark Twain Riverboat

The Mark Twain Riverboat has a rich history that dates back to its opening on July 17, 1955, the same day Disneyland first opened its doors to the public. It was one of the original attractions at the park and quickly became a beloved favorite among guests. The riverboat was designed to replicate the steam-powered paddle-wheel boats that were a common sight on the Mississippi River during the 19th century.

The name “Mark Twain” was chosen in honor of the famous American author, Samuel Clemens, who wrote under the pen name Mark Twain. Clemens himself was a riverboat pilot on the Mississippi River in his youth and often incorporated his experiences into his writings. The Mark Twain Riverboat serves as a tribute to his legacy and the era he immortalized in his works.

Over the years, the riverboat has undergone several renovations and enhancements to ensure its longevity and maintain its charm. The riverboat just returned from it’s most recent, but very long refurbishment only a few days ago and it looks brand new. Over time, the riverboat has been fitted with modern safety features while preserving its authentic steam-powered engine and vintage aesthetics. The Mark Twain Riverboat continues to be a beloved attraction at Disneyland, offering guests an opportunity to step back in time and experience the magic of a bygone era.

Features of the Mark Twain Riverboat

The Mark Twain Riverboat offers a variety of features that make it a must-visit for Disneyland guests. As you explore the ship, you’ll come across several points of interest that add to the overall experience.

One of the main highlights of the riverboat is the authentic steam-powered engine, which is fully functional and powers the boat along the Rivers of America. The engine is an impressive piece of machinery. It’s a fascinating piece of technology of the past and a testament to the engineering marvels of the time.

The decks of the Mark Twain Riverboat are designed to provide guests with the best views of the surrounding scenery. From the top deck, also called the Pilothouse, you can enjoy panoramic vistas of Disneyland’s Frontierland, New Orleans Square, and Critter Country. The lower deck, also called the Main Deck, offers a more intimate experience, with cozy seating areas where you can relax and take in the sights and sounds of the river. The Main Deck also includes the boiler and pistons that run the paddlewheel.

Throughout the cruise, you may be treated to live performances of traditional American folk music. Talented Disneyland musicians bring the riverboat to life with their melodic tunes, adding to the ambiance and creating a truly immersive experience. It’s a wonderful opportunity to sit back, relax, and enjoy the sounds of a bygone era.

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Mark Twain Riverboat Ride Experience

The Mark Twain Riverboat ride experience is a leisurely and serene journey that allows you to unwind and take in the beauty of the Rivers of America. The boat sets sail from the Frontierland dock and takes you on a 14-minute cruise along a half-mile stretch of the river.

As the boat glides through the water, you’ll have ample time to admire the picturesque scenery that unfolds along the riverbanks. Keep your camera ready as you may spot various wildlife species, including birds, ducks, and even the occasional deer. The natural beauty of the surroundings creates a sense of tranquility that is sometimes hard to find in the bustling Disneyland theme park.

The riverboat ride is an excellent opportunity to learn more about the history and lore of the Mississippi River. Along the journey, you’ll come across several displays and signage that provide interesting facts and anecdotes about life on the river. It’s a chance to deepen your understanding of the era that inspired the attraction and gain a newfound appreciation for the role riverboats played in shaping American history.

Mark Twain Riverboat Schedule and Operating Hours

The Mark Twain Riverboat operates throughout the day, with varying schedules depending on the season and park hours. When Fantasmic! returns to the Rivers of America on May 24, 2024 , the Mark Twain Riverboat will sail it’s final cruise each operating day a few hours before the performance. This is not only due to the riverboats appearance in the performance but also so the river can be prepared for the nighttime spectacular. To make sure you have an opportunity to experience the riverboat cruise, check the Disneyland app or Disneyland website for up-to-date operating hours on the day of your visit.

Mark Twain Riverboat Trivia and Fun Facts

Here are some fascinating trivia and fun facts about the Mark Twain Riverboat:

  • The Mark Twain Riverboat is the largest working riverboat in Disneyland, measuring approximately 105 feet in length.
  • The steam-powered engine that propels the riverboat is capable of generating 150 horsepower.
  • The riverboat can carry up to 450 passengers per cruise, making it a popular attraction for large groups and families.
  • The riverboat’s paddlewheel is purely decorative and is not used for propulsion. The boat is actually propelled by underwater thrusters.
  • The Mark Twain Riverboat has been featured in several films and television shows, including the 1989 movie “Parenthood” and the television series “Full House.”

Other Attractions Near the Mark Twain Riverboat

After disembarking from the Mark Twain Riverboat, there are several other attractions nearby that you won’t want to miss. Here are a few recommendations:

  • Adventureland Treehouse: Located only a short distance away in the corner of Adventureland, the Adventureland Treehouse inspired by Walt Disney’s Swiss Family Robinson offers guests a fun opportunity to explore fascinating rooms built by a family who lives in the tree house.
  • Big Thunder Mountain Railroad: Just a short walk from the riverboat’s dock, Big Thunder Mountain Railroad is a thrilling coaster-style ride aboard a mine train. It’s the “wildest ride in the wilderness!”
  • Pirates of the Caribbean: Located in New Orleans Square, this classic Disneyland attraction takes you on a swashbuckling adventure through a pirate-infested Caribbean island.
  • Tom Sawyer Island: If you’re looking for a bit of adventure, head over to Tom Sawyer Island, located in the middle of the Rivers of America. Explore caves, cross suspension bridges, and enjoy the natural beauty of this hidden gem.

Conclusion and Final Thoughts

The Mark Twain Riverboat at Disneyland offers a timeless and enchanting experience that transports guests to a bygone era. From the moment you step aboard, you’ll be immersed in the rich history and charm of steam-powered paddle-wheel boats making the riverboat a must-visit attraction.

As you cruise along the Rivers of America, take in the picturesque views of Frontierland, New Orleans Square, and Critter Country. Admire the stunning wildlife that call the riverbanks their home and savor the melodies of traditional American folk music. The Mark Twain Riverboat offers a unique blend of relaxation, entertainment, and education that is sure to leave a lasting impression.

So, the next time you find yourself at Disneyland Park, don’t miss the opportunity to step aboard the Mark Twain Riverboat. Allow yourself to be transported to a time when steamboats ruled the waterways, and let the magic of this classic attraction create memories that will last a lifetime.

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COMMENTS

  1. The Meaning of the Pseudonym Mark Twain

    As a riverboat pilot, Clemens would have heard the term, "Mark Twain," which means "two fathoms," on a regular basis. According to the UC Berkeley Library, Clemens first used this pseudonym in 1863, when he was working as a newspaper reporter in Nevada, long after his riverboat days. Clemens became a riverboat "cub," or trainee, in 1857.

  2. Mark Twain's Real Name: How Samuel Clemens Picked a Pen Name

    Samuel Langhorne Clemens claimed he got his nom de plume from a riverboat captain. ... Mark Twain Claimed He Got His Pen Name From a Riverboat Captain. ... Clemens owned "feet," meaning ...

  3. What Does Twain Mean? Unraveling the Enigma Behind Mark Twain's Name

    The choice of "Mark Twain" as a pen name was not a random decision but stemmed from Samuel Clemens' career as a riverboat pilot on the Mississippi River. "Mark twain" was a common term used by riverboat crew members to indicate that the water depth was two fathoms or 12 feet, which was considered a safe depth for navigation.

  4. Mark Twain Riverboat at Disneyland: Things to Know

    The Mark Twain was christened by actress Irene Dunne who starred in the 1936 movie "Showboat" on Disneyland's Opening Day. The boat is 28 feet tall and 105 feet long, with four decks. The writer Mark Twain was a riverboat pilot on the Mississippi river when he was younger, and one of Walt Disney's personal heroes, which is why Walt named the ...

  5. Mark Twain (Samuel Clemens) (1835-1910)

    A riverboat pilot in his youth, Samuel L. Clemens chose the pseudonym "Mark Twain," a term meaning safe depth for passage. He used realism and regional dialect in his writing to challenge readers to come to new conclusions about the roles of race and class in America.

  6. Mark Twain

    Twain then became a riverboat pilot on the Mississippi River, which provided him the material for Life on the Mississippi (1883). ... The riverboatman's cry was "mark twain" or, more fully, "by the mark twain", meaning "according to the mark [on the line], [the depth is] two [fathoms]"; that is, "The water is 12 feet (3.7 m) ...

  7. How the Mississippi River Made Mark Twain… And Vice Versa

    Hannibal, the novelist's boyhood home on the Mississippi, "had me for a citizen," Twain once quipped, "but I was too young then to really hurt the place.". Dave Anderson. Hannibal (site ...

  8. Mark Twain Remembers His Riverboat-Pilot Training

    By Mark Twain. Currier & Ives / Library of Congress. January 1875 Issue. This is part one of a seven-part series. Read part two here, part three here, part four here, part five here, part six here ...

  9. About

    The Mark Twain has been a unique feature on the Hannibal riverfront for more than 30 years. As a family-owned business since 1997, we strive to offer you a unique riverboat experience on the Mighty Mississippi, whether you're a Hannibal resident or visitor. Choose between our two daily cruise offerings: our Sightseeing Cruise and our evening ...

  10. Mark Twain: A Good Riverboat Pilot and a Great Writer…

    About the Mississippi River It's a Fact: Mark Twain (1835-1910) earned his riverboat pilot's license in 1859 and spent two years on the job before the Civil War halted steamboat traffic on the river. It's a Fact: The name Mississippi comes from the Ojibway Indian tribe. Mississippi means "big river" in their language. It's a Fact: 10 states border the Mississippi River.

  11. Mark Twain Remembers His Riverboat-Pilot Training

    The fifth installment in a seven-part series about the author's youthful training as a riverboat pilot. By Mark Twain. May 1875 Issue. This is part five of a seven-part series. Read part one ...

  12. Mark Twain receives steamboat pilot's license

    On April 9, 1859, a 23-year-old Missouri youth named Samuel Langhorne Clemens receives his steamboat pilot's license. Clemens had signed on as a pilot's apprentice in 1857 while on his way to ...

  13. Mark Twain Riverboat

    The famed author of The Adventures of Tom Sawyerand Adventures of Huckleberry Finn—and Walt's personal hero—Clemens was also a riverboat pilot as a young man. That experience inspired his pen name: "mark twain" is a boating term that means a vessel is at a safe depth. Alternate Adventures.

  14. Mark Twain

    In February 1863, he adopted the nom de plume "Mark Twain," which is a riverboat term meaning "two fathoms deep." The new name seemed to free Clemens, and from that time on, he was committed to the art of professional humor. Duel and Feud More than once, Twain's sharp wit enmeshed him in a duel of words that threatened to turn physical.

  15. Mark Twain Riverboat

    The Mark Twain Riverboat is an iconic and historic attraction located in Frontierland at Disneyland in Anaheim, California. It opened with the park on July 17, 1955, and is named after the famous American author Mark Twain, known for his classic novels like "The Adventures of Tom Sawyer" and "The Adventures of Huckleberry Finn.".

  16. Mark Twain Riverboat

    At Mark Twain Riverboat Co., you get to experience the Mighty Mississippi River in a truly memorable way, a Mississippi river boat cruise complete with storytelling, scenic views, and fine dining. We provide a unique experience perfect for individuals, families, and groups. The cruise takes place on the Mississippi River from Mark Twain's ...

  17. Mark Twain: From Riverboat Pilot to Celebrated Author

    Discover the fascinating journey of Mark Twain, from his days as a riverboat pilot to becoming one of the most celebrated authors in American literature. Thi...

  18. What do Mark Twain and your depth sounder have in common?

    10-1/2 feet above the lead, a black piece of cloth is woven in. "Mark Twain" (safe water) 12 feet above the lead, two leather strips are woven in. "Quarter Twain". 13-1/2 feet above the lead, a white piece of cloth is woven in. "Half Twain". 15 feet above the lead, a red piece of cloth is woven in. "Quarter Less Ta-Ree".

  19. Mark Twain Remembers His Riverboat-Pilot Training

    The sixth installment in a seven-part series about the author's youthful training as a riverboat pilot. By Mark Twain. June 1875 Issue. This is part six of a seven-part series. Read part one ...

  20. Disney riverboats

    The Disney riverboats are paddle steamer watercraft attraction ride vehicles operating on a track on a series of attractions located at Disney theme parks around the world. The first was the Mark Twain Riverboat, located at the Disneyland theme park in Anaheim, California, on which passengers embark on a scenic, 12-minute journey around the ...

  21. Mark Twain Riverboat at Disneyland Resort

    The Mark Twain Riverboat vessel is a reproduction of the historic ferries once used on the Mississippi River. Once you're cruising down the Disney-created river, you'll feel like you're taking a trip back to the past. If you're looking to unwind and enjoy scenic views, the Mark Twain Riverboat is an experience you should consider.

  22. 5 things to know about the Mark Twain Riverboat attraction in

    The Mark Twain Riverboat is 28 feet tall and 105 feet long, it is a 5/8 scale sternwheeler that runs on steam. 2. The ship's maiden voyage was on July 13th, 1955, for a celebration of Walt and Lillian's 30th wedding anniversary. 3. Walt Disney named the boat after one of America's greatest writers and Walt's personal hero, Samuel ...

  23. Sailing Down the Rivers of America on the Mark Twain Riverboat at

    The Mark Twain Riverboat is the largest working riverboat in Disneyland, measuring approximately 105 feet in length. The steam-powered engine that propels the riverboat is capable of generating 150 horsepower. The riverboat can carry up to 450 passengers per cruise, making it a popular attraction for large groups and families.