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04 Sep 1975

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Director Vetrimaran Wiki, Biography, Age, Gallery, Spouse and more By Parthiban, Ram Krish S, Sarath

Vetrimaaran - News , Gallery , Reviews , Videos

Vetrimaaran gallery, wallpapers, videos, news and reviews.

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VADACHENNAI – Release Promo #4 | Movie Releasing on October 17th | Dhanush | Vetri Maaran

VADACHENNAI – Release Promo #3 | Movie Releasing on October 17th | Dhanush | Vetri Maaran

VADACHENNAI – Release Promo #2 | Movie Releasing on October 17th | Dhanush | Vetri Maaran

VADACHENNAI – Release Promo #1 | Movie Releasing on October 17th | Dhanush | Vetri Maaran

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Vada Chennai Press Meet HD Gallery | Dhanush, Aishwarya Rajesh, Andrea Jeremiah

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VADACHENNAI – King of the Sea | Dhanush | Vetri Maaran | Santhosh Narayanan

VADACHENNAI – Goindhammavaala (Lyric Video) | Dhanush | Vetri Maaran | Santhosh Narayanan

VADACHENNAI – Official Jukebox | Dhanush | Vetri Maaran | Santhosh Narayanan | #SaNa25

VADACHENNAI – VadaChennai Theme | Dhanush | Vetri Maaran | Santhosh Narayanan | Wunderbar Films

VADACHENNAI – Mathiya Seraiyila (Lyric Video) | Dhanush | Vetri Maaran | Santhosh Narayanan

VADACHENNAI – Epadiyamma (Lyric Video) | Dhanush | Vetri Maaran | Santhosh Narayanan

VADACHENNAI – Ennadi Maayavi Nee (Lyric Video) | Dhanush | Vetri Maaran | Santhosh Narayanan

VADACHENNAI – Kaarkuzhal Kadavaiye (Lyric Video) | Dhanush | Vetri Maaran | Santhosh Narayanan

VADACHENNAI – Sandhanatha (Lyric Video) | Dhanush | Vetri Maaran | Santhosh Narayanan

VADACHENNAI – Alangaara Pandhal (Lyric Video) | Dhanush | Vetri Maaran | Santhosh Narayanan

Annanukku Jey – Thaaru Maara Video Song | Dinesh, Mahima Nambiar | Vetrimaaran | Arrol Corelli

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63 Vetrimaaran Photos & High-Res Pictures

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Vetrimaaran

• DOB : 04-09-1975
• Star Sign : Virgo
• Gender : Male
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Director Vetri Maaran

Mr. Vetri Maaran is a National award winning Director who primarily works in the Tamil film industry. A graduate in Literature from Loyola College, Chennai, his grounding in Tamil Culture and Literature, his keen eye for detail and his sensitivity to the Political, socio-cultural context within which he stages his stories drives his unique film journey. He wears multiple hats – Producer, Director, Writer and as an educator with the founding of International Institute of Film and Culture (IIFC). IIFC is his way of giving back to society by providing opportunities to dreamers and creators from marginalised communities.

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• ENGLISH HINDI MALAYALAM TAMIL TELUGU KANNADA BENGALI  

Viduthalai - Part 1 Tamil Movie

A 'Vetrimaran film' is a firebrand among South Indian movie buffs. One of the biggest reasons is the narration. He is a storyteller who has immense mastery over his craft. Mentored by the legendary director Balu Mahendra, Vetrimaran has carved out a niche for himself over the last 15 years.

With just seven features (including a short film for the anthology, 'Paava Kathaikal') in his career, Vetrimaran prioritizes quality over quantity and often draws inspiration from socio-political stories, typically from renowned novels.

Based on Jeyamohan's novel 'Thunaivan,' "Viduthalai - Part 1" is a two-part movie that follows Kumaresan (Soori), a constable, who is posted as a driver in a militant-infested hilly remote region of Tamil Nadu. The militant group is led by 'Perumal Vathiyaar', whose face is unknown to the cops. He is a ghost, so they start an 'operation ghost hunt'.

The opening scene immediately sets a grim and raw tone, showcasing the aftermath of a train bombing and the devastation it caused. The rawness slaps on our faces as the camera traverses through the eyes of a photojournalist who captures the remains of the mangled train compartments among the wounded, amputated, and deceased. Wails and cries fill the air, grim scenes fill the screen, and a sly political angle intrudes the proceedings, making it murkier.

Through a voice-over by the director, the audience is made aware of the militant operations in the Northern part of Tamil Nadu in the early 80s and 90s, which may be less known compared to the Northern and Northeastern parts of India.

The police brutality against civilians who support the rebel group was the most vocal political commentary that was exhibited on screen. After 'Jai Bhim', this one has created an impact. Chethan as the perverted officer in charge of the camp, is sure to earn the wrath of the audience. It showcases the complexity and the deft bureaucracy that exists within the system.

Soori, as the innocent and passionate constable, has the role of his lifetime. It outlines a director's role in shaping an actor's character with lines that suit the persona. In the past, we have seen Soori in the goofiest of roles, but herein we see him as 'Kumaresan', the innocent man who struggles to strike a balance between his heart and mind. His actions and emotions were natural. His commitment reflects on the screen.

Vijay Sethupathy as 'Perumal Vathiyaar', the leader of the militant group was just introduced in flesh towards the movie's climax. Although his character is the anchor on which the entire movie is spun, he gets very limited exposure. He makes an impact and will do so even more in the second installment of the movie.

Bhavani as Tamilarasi was the apt choice to play the role of a girl from that region. Her pairing with Soori looked natural and went with the flow. Her expressions were subtle, and she did not try to overdo it. A balanced and neat performance. Similarly, Gautham Menon as a cop and Rajiv Menon as the chief secretary represented the face of the "system".

The supporting characters were equally impressive. 'Munnar' Ramesh is a regular in many Vetrimaran films and makes an impression here as a cop. Ilavarasu as a politician was convincing.

The attention to detail in portraying police formalities and hierarchy, including the punishment for subordinates who do not obey orders from superiors and the officers' biases towards individuals, adds depth to the narrative.

The music by Ilayaraja and the cinematography by Velraj elevate the film's quality. The songs blend well with the narrative, and the background score enhances the gripping moments. Cinematographer Velraj has captured the hilly terrains with poise. The camera travels to unknown spaces, cramping into nooks and corners to bring out the rawness in the script.

This movie is by far the most vocal political commentary by director Vetrimaran. Though he declares that this story is fictional at the beginning, one who is slightly familiar with the dark history of Tamil Nadu can easily relate to the region and people who have been affected by police and political brutality. It is a whack on the system that favored capitalism at the cost of endangering natural resources. A royal salute to director Vetrimaran and the entire team of Viduthalai. Can't wait for Part 2!

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Why Vetrimaaran is the most interesting director in Tamil films today

Vetrimaaran is arguably among the most interesting filmmaker working in the tamil film industry. here’s documenting his rise and what it takes to be a talent like him..

His production house’s name, Grass Root Film Company, is a clear pointer to Vetrimaaran’s worldview. This Deepavali’s biggest release in Tamil Nadu is, arguably, Kodi (Flag), a political thriller he has produced that stars Dhanush in his first double role, as twin brothers. The twins may be identical but their natures are mutually exclusive. Refreshingly, Kodi casts Trisha as a feisty woman politico, giving Dhanush’s eponymous hero a run for his money.

“For a hero movie, it’s pretty decently written,” pronounces Baradwaj Rangan, film critic and associate editor at The Hindu. “There’s a conflict, there are surprises and even within a commercial film, it’s properly written and directed. It’s not some random moments strung together to get people whistling.”

The film’s premise is how politics and political interests shape communities and the quality of their life. In this case, it involves skullduggery surrounding a factory emitting toxic effluents. It could be happening not too far away from our backyards.

At the Oscars

Vetrimaaran himself, however, was conspicuous by his absence during Kodi’s promos. He has a bigger task on hand. Visaaranai (Interrogation), the part-docudrama, part-crime thriller he directed, is India’s official entry to the 89th Academy Awards in the Best Foreign Language Film category. So he is in the US persuading jurors take note of his film, which has some truly hairy torture scenes. The last Tamil film that made it to the Oscars was 16 years back: Hey Ram starring Kamal Haasan.

Usually, the choice of any film to represent the country at the Oscars polarises critics, but Visaaranai remains largely unchallenged. Rangan agrees. “Visaaranai was a fantastic film.”

It tells the story of innocent migrant labourers picked up and tortured by the police to extract a false confession for a fatal robbery at an influential man’s house. How the film, shot in 42 days on a Rs 2-crore budget and eventually wining three National Film Awards, got made is interesting. After his Aadukalam in 2011, Vetrimaaran had busied himself with his production ventures, Udhayam NH4, Poriyaalan and Kaaka Muttai. When he was prepared to shoot his next, the script he picked was Soodhadi, a story on gambling, proposing Dhanush in the lead role. However, the actor had to take time off to work in Balki’s Shamitabh, being shot in Mumbai.

Vetrimaaran was mooting a book adaptation when director Balu Mahendra’s assistant serendipitously presented him with Lock Up, a riveting, partly autobiographical book written by M Chandrakumar, a former autorickshaw driver. The book, which took five years to write and another four to publish, narrates his harrowing experience while in jail in (then) Andhra Pradesh.

“When I pitched the story to Dhanush, who later produced the film, I said I can only guarantee you a three-day weekend run at the box office. But it’s a low-budget venture; you’ll get your investment back,” Vetrimaaran laughs. “Dhanush was amused, but agreed to fund the project. [I thought] it’s the kind of film that would not bring in repeat audiences. I was proved wrong and it got a good three-week run.”

The author, Chandrakumar, was incarcerated for a fortnight way back in 1983. “Yet his experiences are relevant even today,” points out Vetrimaaran. “Visaaranai reflects a stark reality from which you cannot shut yourself out: that is its success. It was challenging to find the right kind of actors and locations. We employed real stuntmen who could exercise restraint while beating up the actors.”

“What was unique was that there were a lot of first-time actors in the film; that added rawness to it,” says K Hariharan, filmmaker and critic. “Actors like Samuthirakkani and Kishore were entirely on the sidelines. That made it an interesting watch.”

Astutely, the team decided to send it to international film fests right away, confident it would work with foreign audiences. Visaaranai premiered at the Orrizonti section of the 72nd Venice Film Festival, a first for a Tamil film, and won the Amnesty International Italia Award. Crucially, the European audience was exposed to a hitherto unexplored form of Tamil cinema that dealt with grim reality in a non-dramatic but powerful way.

“Europeans have a different policing system. They found my narrative a bit harsh, though they were moved,” explains Vetrimaaran.

A rooted voice

It is Vetrimaaran’s preoccupation with sometimes gritty, sometimes heartwarming reality that makes this 41-year-old one of the best filmmakers of our times.

“The best thing about the regional filmmakers is that they bring in a very ‘native’ feel,” says Rangan. “Like if I watch Nagraj Manjule’s Sairat for instance, I find [elements] that remind me of Vetrimaaran. But that’s more because these filmmakers do these ‘rooted’ things very well. They give you the sense of the atmosphere, the rhythms of life in that particular environment, they take care to bring them alive.”

His critically acclaimed debut venture, Polladhavan (Ruthless Man) in 2007, followed a lower middle-class young man’s search for his stolen bike, an exercise that takes him through the seamy underworld. Four years later came Aadukalam (Arena), a Pongal release that raked in six National Film Awards. The cockfight arena was where love, ego, honour, friendship and betrayal were played out in the rustic backdrop of Madurai.

Says Manimaran, long-time friend and assistant, “Vetri used to like watching cockfights in the neighbourhood in our hometown. So he thought we could develop a story around them.”

There was no doubt about who would play the lead. “I wrote Aadukalam keeping Dhanush in mind,” says Vetrimaaran. “As an actor, he delivers exactly what I need and sometimes more. As a producer, he offers me complete freedom and does not interfere at all. He trusts me completely.”

Rangan explains the Vetrimaaran touch, “There is a world of difference in the way he uses the song and dance elements in Polladhavan and Aadukalam. They have become more organic and rooted; they’re not fantasy elements.”

“I personally prefer Aadukalam to Visaaranai, but it’s like comparing apples and oranges,” says Hariharan. “Aadukalam had a certain kind of warmth and spontaneity. Visaaranai, to me, looked rather staged.”

He explains, “Visaaranai’s [appeal across the world] is that for the first time in Tamil cinema, you see this kind of brute reality without the director taking recourse to a love story or family drama. It’s also interesting that a country like India allowed such a strongly critical film on the system. There’s no doubt that Vetrimaaran is a bold filmmaker.”

Vetrimaaran’s productive chemistry with Dhanush has paid rich dividends. The two went on to produce Kaaka Muttai (Crow’s Egg) in 2015, a subversive film poking fun at what is regarded as cool - pizzas, in this case. This little gem, premiering at the Toronto International Film Festival, tracks two brothers from a Chennai slum dying to taste a pizza. Directed by M Manikandan with wit, not once is the children’s dignity compromised. Their family struggles in a heartless and corrupt city and soon we find ourselves cheering for our little heroes. Kaaka Muttai pocketed two National Film Awards.

“There is a stamp of quality that people have begun to associate with Vetrimaaran, because even the films he produces are pretty decent,” says Rangan, adding that he looks for, and gets, that certain quality.

Vetrimaaran’s genius lies in shining a light on people we would not even glance at in our rat race. His films show us that ordinary people often lead extraordinary lives if only we stop to talk to them.

Smitten by cinema

Born in Cuddalore near Puducherry and raised in Ranipet, a suburban town in Vellore district, two and a half hours from Chennai, Vetrimaaran was smitten by cinema even as a child. His mother, a writer, ran a school in the area, while his father was a veterinarian. Friends remember him as a film buff who watched every movie that came to town.

“He would bunk classes and watch them, each three or four times. Then he would come to the school ground where we used to hang out until 7:30 in the evening and would retell the whole story to us. My friends and I have actually walked out of the theatre at times because the film was nowhere as good as his narration. He still has that quality,” says Manimaran, his assistant.

Vetrimaaran was in his second year of Masters in English Literature in 1999 when the now-deceased filmmaker Balu Mahendra was invited to judge a short film contest at the Loyola College, Chennai. Shortly afterwards, he attended a seminar conducted by the director and was inspired enough to assist him in Julie Ganapathy, Athu Oru Kanaa Kaalam and the television series Kadhai Neram.

Athu Oru Kanaa Kaalam cemented his friendship with the lead actor, Dhanush, whom he describes as his best friend. While still assisting Balu Mahendra, Vetrimaaran pitched the story of Desiya Nedunchalai, and the actor readily agreed to play the lead.

Recalls Manimaran, “Producers were not hard to come by because we had Dhanush. But a few had misgivings about how Vetri would handle the project as a newcomer. So we tossed aside that script, which I later made into Udhayam NH4.”

The initial years proved to be rough. “I was pitching different scripts to different people for three years and it was the sixth producer who okayed Polladhavan,” says Vetrimaaran on his directorial debut.

Adds Manimaran, who assisted him in the project, “After the film was edited, we were really scared to show it to the producer. We kept stalling the screening telling him it may not have come out as he expected. Finally, when he saw it, he was satisfied. We were relieved and gradually grew confident.”

Pushing for excellence

When Manimaran himself forayed into direction with Udhayam NH4 in 2013, Vetrimaaran returned the favour by stepping in as producer under his banner, Grass Root Film Company. As he puts it, “I want my production house to be a platform for good, interesting ideas. I can find a producer for my films, but others, who may be first-time filmmakers, might have innovative scripts that mainstream producers might not understand. Like Kaaka Muttai for instance.

“I produce films in partnership as I may not be able to afford the entire budget. Dhanush ends up co-producing some of them as our tastes are similar. None of my producers ever ask me for the budget. I always make sure it is within their means and I can give the desired returns.”

For someone who has been successful both commercially as critically, Vetrimaaran has directed only three films in nine years. “For me, every film is a learning process. After each, I take time to unlearn. Then I find new content, learn it completely and then execute it.”

Manimaran describes his working process thus, “Many directors make changes to the script on the spot. But Vetrimaaran is different because he pays attention to detail. He puts in a lot of effort, so there may be last-minute adjustments with lighting and locations. Unlike working with other directors, you need to be available 24 hours.”

Outside of work, the father of two, who met his wife Aarthi while at college, likes to race pigeons, pretty much like the characters he portrays. His rootedness has also led him to voice the germ of an idea: setting up an organic farm eventually.

Rangan describes grit as the definitive quality of Vetrimaaran’s films, and praises his skill in animating the atmosphere in terms of the integrity of the characters, the plot, and the texture. “The way he shapes the characters and writes them, you feel that these are not [just] individual people; you get a sense of where they come from, where they belong. [They’re] not just some random characters floating around.”

His fans are already talking about his fourth film, Vada Chennai (North Chennai), an ambitious gangster trilogy he has been planning since 2003. After undergoing several changes of scripts and stars, Dhanush, Vijay Sethupathi, Amala Paul and Samuthirakkani are among those confirmed on the project that is currently under way. Slated for release next year, Vada Chennai is also bound to have the by-now classic Vetrimaaran stamp.

(Published in arrangement with GRIST Media.)

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On Vetri Maaran’s 46th birthday, his five tips for becoming a filmmaker

So how does Vetri Maaran strike a fine balance between art and commerce? Hear it from the man himself.

National Award-winning filmmaker Vetri Maaran, who is celebrating his 46th birthday on Saturday, is one of the new formidable voices in Tamil cinema. A disciple of iconic director Balu Mahendra, Vetri Maaran has succeeded where his mentor didn’t. While Balu Mahendra was a revered filmmaker who made some high-quality movies, he doesn’t have many box office hits to his credits. However, Vetri Maaran is one of the most commercially successful filmmakers today.

Vetri Maaran’s last film Asuran, starring his regular star Dhanush , had grossed a whopping Rs 100 crore at the box office. It is no mean feat for a filmmaker who usually makes emotionally heavy movies, which don’t follow the established grammar of commercial cinema.

Write, write, write

“Filmmaking is writing. Keep writing scripts over and over again. I have the liberty to make a movie without writing. But, I am not sure how long I can keep doing that. It is like Sehwag hitting sixes without footwork. If you lose the form, you can’t gain it back. So, we should play like Dravid. If you have your basics right, even when you are out of form, you can still deliver what you aspire for. Everybody should write. People tell me that they get stuck in the middle and can’t complete their scripts. Somehow, you should finish the script you start. The most gratifying feeling for a scriptwriter is when that person writes ‘The End’ on the script. Right or wrong, finish the script. And you should rewrite the story at least 10 times and share it with your friends for their opinion. Write, re-write, and forget. Do something else, go back to the script and write again. Writing is the alpha and omega (of filmmaking).”

Finding great stories

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Vetri Maaran has shown a great interest in adapting Tamil literature for the big screen. His landmark films such as Visaranai and Asuran were based on Tamil novels. His upcoming films Viduthalai and Vaadivaasal are also based on existing literary materials. “Writing and cinema are two different mediums. Not all great novels have become great movies. But, some average novels have been turned into great movies. We should see whether a novel has a cinematic quality. For me, the main goal is to understand the world a novelist has created and convey the intentions of the novel in the same way as intended by the author.”

Job-satisfaction is important

“Balu Mahendra sir used to tell me that the only thing in our control is to make a movie to the best of our ability. But, the commercial success of the film is an accident. I give my 100 percent in everything I do and I also make my team do the same while making a movie. If the audience connects to the film, we are happy with it. But, we should always have full satisfaction in the job we have done.”

Location, location, location

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In Vetri Maaran’s films, the location is a character in itself. And having a clear idea about the geography of the film and establishing it at the very beginning is key to a strong narration. “I can’t tell a story without establishing the geography of the story first. For example, I would have established the geography of the village in Aadukalam when Dhanush and his friends try to escape from the police raid at the beginning of the film.”

When you become a filmmaker

Vetri Maaran believes that a person stops experiencing his life as it is the moment he becomes a filmmaker. After he or she writes her first draft, everything and everyone becomes just an idea for the script. “Learn, experience, and debate. Watch a film, argue over it and repeat. The moment you start writing a script, you are closing yourself from life’s experiences. The End you put in the first script is also the end to your life’s experiences. From then on everything becomes a source to your script. My wife used to tell me, that ‘I won’t cry, because you will turn it into a scene in your film.’ Even before she points it out, I would have kept it as a scene in the film.”

The UPSC has postponed the CSE 2024 exams, originally scheduled for May 26, due to the Lok Sabha elections. This year, 1,056 vacancies for CSE and 150 for IFoS have been notified. The exam has three stages and the preliminary exam will now be held on June 16.

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Ranking All Vetrimaran Movies

• Movies or TV
• IMDb Rating
• In Theaters
• Release Year

1. Vada Chennai (2018)

Not Rated | 164 min | Action, Crime, Drama

A young carrom player in north Chennai becomes a reluctant participant in a war between two warring gangsters.

Director: Vetrimaaran | Stars: Dhanush , Ameer Sultan , Radha Ravi , Daniel Balaji

Votes: 19,546

2. Visaaranai (2015)

Not Rated | 117 min | Crime, Drama, Thriller

Four labourers are tortured by the police to confess to a theft they have not committed.

Director: Vetrimaaran | Stars: Dinesh , Samuthirakani , Anandhi , Murugadass

Votes: 12,020

3. Aadukalam (2011)

Not Rated | 160 min | Action, Drama, Romance

Falling in love with Irene as well as refusing to obey his boss Pettaikaran in a rooster fight complicates Karuppu's life.

Director: Vetrimaaran | Stars: Dhanush , Taapsee Pannu , Jayabalan , Kishore Kumar G.

Votes: 7,121

4. Asuran (2019)

Not Rated | 141 min | Action, Drama

The teenage son of a farmer from an underprivileged caste kills a rich, upper caste landlord. How the pacifist farmer saves his hot-blooded son is the rest of the story.

Director: Vetrimaaran | Stars: Dhanush , Manju Warrier , Prakash Raj , Pasupathy

Votes: 33,309

5. Viduthalai: Part 1 (2023)

Not Rated | 150 min | Action, Crime, Drama

A police officer is recruited to capture the leader of a separatist group.

Director: Vetrimaaran | Stars: Soori , Vijay Sethupathi , Bhavani Sre , S. Chandan

Votes: 8,477

6. Polladhavan (2007)

A contemporary action drama revolving around a young man's love for his bike, including the trials and travails he is forced to undergo when it goes missing.

Director: Vetrimaaran | Stars: Dhanush , Ramya , Kishore Kumar G. , Karunas

Votes: 2,507

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Vetrimaaran (Director)

Vetrimaaran is an Indian filmmaker, screenplay writer, and producer, who works predominantly in the Kollywood Industry. He is one of the cults and creative directors in the Kollywood Industry.

He is well known for his films such as Visaranai and Asuran starring Dhanush in the lead role. Currently, he is working on directing two films such as Vidudhalai starring Soori in the lead role, and Vaadivasal starring Suriya in the lead role.

Vetrimaaran Biography, Age, Family, Wiki, Height, Caste

Earlier Life & Family

Vetrimaaran was born on 4th September 1975 in Cuddalore, Tamilnadu. His current age is 46. His father’s name is Dr. V. Chitravel and his mother’s name is Megala Chitravel.

He got married and his wife’s name is Aarthi. This couple is blessed with two children, One daughter, and one son. His daughter’s name is Poonthendral.

He pursued his higher education at Loyola College located in Chennai .

Physical Appearance: Vetrimaaran Height – 1.72 m and Weight 68 Kg . He has Black color hair and Black color eye. He belongs to the Hindu religion and caste/community details are not known.

Related: Karthi Biography

Vetrimaaran debuted his Kollywood career as an Assistant Director to the ace director Balu Mahendra. He worked as an AD for tamil serial Kathai Neram and for the films such as En Iniya Pon Nilave, Julie Ganapathy and Adhu Oru Kana Kaalam directed by Balu Mahendra.

He then introduced himself as an actor in the film Kadhal Virus directed by Richard Rishi and released in the year 2002.

Vetrimaaran debuted his directing career with the film Polladhavan Starring Dhanush in the lead role and released in the year 2007. This film acquired positive reviews from both critics and Tamil Audiences. This film is one of the highest-grossing films of the year.

The entire crew of the Polladhavan movie again worked together and Vetrimaaran directed his second film named Aadukalam. This film was a tremendous success and acquired lots and lots of positive responses from the audience. The film has won 6 national Awards including the Best Actor and the Best film.

Then he started his production unit named Grass Root Film Company in the year 2012. His first film as a producer was Udhayam Nh4 starring Sidharth in the lead role. Then he directed his next film in the year 2015 named Visaranai.

This film is one of the benchmarks in the Director’s career. This film was produced by Dhanush and also this film becomes the official entry of an Indian Movie for the Academy Awards.

After the tremendous response from critics for the film Visaranai, he directed his next film in the year 2017 named Vadachennai starring Dhanush, Samuthrakani in the lead role.

This film was a Blockbuster and does magic at the Box Office. This film has also won three National Awards including the Best feature film of the year.

Vetrimaaran’s last release was Asuran starring Dhanush in the lead role. This film’s plot is based on the Novel Vekkai written by Poomani. This film was also a Blockbuster and surprised both audience and the critics with the Raw direction.

This film has earned more than 100+ crores and becomes Actor Dhanush’s first 100-crore club film in the Kollywood Industry. This film has acquired many National awards including the Best Actor award and Best Feature film of the year.

He is currently Directing two films such as Vidudhalai starring Soori and Vaadivaasal starring Suriya in the lead role.

Related: GV Prakash Kumar Biography

Facts & Trivia

• Vetrimaaran had won around 6 National Awards for his films.
• He also directed a short film for the Tamil anthology film Paava Kadhaigal released on Netflix.
• He also appeared in a guest role in the film Jigarthanda directed by Karthik Subbaraj.
• Vetri Maaran has produced more than 10+ films with his production unit named Grass Root Film Company.
• Vetrimaaran’s net worth is around 25+ crores.

Related: Sivakarthikeyan Biography

Social Media

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